
$8,160
Lee Jin-hyung (b. 1982) begins with images collected from the internet, books, and everyday life, yet he sets aside their original content and narratives to focus on the conditions of perception. Subtle nuances of color, trembling contours, density, and texture do not seek to explain the image but instead reveal the residual state that lingers in the act of seeing. On his canvas, the image is not an object of representation; rather, it exists as a sensory remainder—stripped of meaning and transformed into the material substance of painting.
Artwork details+
- Medium
- Oil on canvas
- Size
- 130.3 cm x 193.9 cm
- Year
- unknown
- Signature
- Signed on back
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction

Jinhyung Lee begins with images gathered from the internet, books, and everyday life, yet sets aside their content and narrative to focus instead on the conditions of perception. Nuances of color, trembling contours, density, and texture do not seek to explain the image, but reveal the state that lingers in the act of seeing. In his work, the image is not an object of representation; it exists as a residue of sensation—stripped of meaning and transformed into the materiality of painting.
Go to artist page →
"Objecthood" is a concept that emerged from minimalism, often translated as "objecthood" or "materiality." It aims to strip objects of unnecessary elements, focusing on the essence of the object and the inherent properties of the material, to present works that are non-imitative and non-representational. Based in Busan, Objecthood Gallery seeks to introduce the artistic worlds of emerging domestic and international artists who understand and interpret this pure concept of objecthood. The gallery also serves as a new platform to offer moments of relaxation and leisure in our modern lives.
Go to gallery page →$8,160
Lee Jin-hyung (b. 1982) begins with images collected from the internet, books, and everyday life, yet he sets aside their original content and narratives to focus on the conditions of perception. Subtle nuances of color, trembling contours, density, and texture do not seek to explain the image but instead reveal the residual state that lingers in the act of seeing. On his canvas, the image is not an object of representation; rather, it exists as a sensory remainder—stripped of meaning and transformed into the material substance of painting.
Artwork details+
- Medium
- Oil on canvas
- Size
- 130.3 cm x 193.9 cm
- Year
- unknown
- Signature
- Signed on back
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
$8,160







