Doyo is a collage artist that focuses mostly on album cover design, print artwork, and art directing. The artist who became interested in collage work in 2016, studies Photoshop by himself and combines every item to communicate imagination and romance. Through the artist's unique use of colour and atmosphere, conveys to modern people the romance and relaxation of daily life.

Jiwon Choi(b.1996) delves into the liminal space between life and death—a void where present and future converge—and expresses the world within this gap. Her recurring motifs include ceramic dolls, crafts, stuffed insects and plants—objects either sourced from nature or inspired by items she has collected. Choi creates chambers of vacuum where the secretive energy intersects, using frames as portals between the time and space of life and death, and motifs such as orchids that are so perfectly beautiful that they appear to be fake. These objects appear singly or in clusters within an intimate composition, representing things that have ended their lives yet continue to influence the artist’s present. As such, the depicted objects can be seen as a symbolic effort to understand the lives of her contemporaries and the world she inhabits, rather than a reflection of reality.

Choi holds both a BFA and MFA in Painting from Ewha Womans University. She has held solo exhibitions including at PARKSEOBO Foundation(Seoul, 2024), ThisWeekendRoom(Seoul, 2020, 2023) and will have another solo show in Germany next year. She has participated in various group exhibitions, such as at Tang Contemporary Art(Beijing, China, 2024), Backstage(Shanghai, China, 2024), Seoul National University Museum of Art(Seoul, 2023), WESERHALLE(Berlin, Germany, 2023), Gyeonggi Museum of Modern Art(Ansan, 2022), Ilwoo Space(Seoul, 2022), and ThisWeekendRoom(Seoul, 2021). Choi was named a 2022 New Hero by Public Art Magazine and her work has been collected by the Government Art Bank of MMCA and PARKSEOBO Foundation.

Hansol Noh shows an interest in the impact of the diverse meanings and information that have been conveniently defined around us on our thoughts. She connects these concepts with language and focuses on painting, primarily utilizing Korean painting media. The artist draws inspiration from the images encountered in daily life, selecting those that evoke a sense of dissonance when observed. Having experienced the redefined significance and symbolism of something once accepted differently, the artist ponders common symbols, the processes of their formation, and the definitions prevalent in our surroundings. Attentive to the subjective meanings and interpretations born from personal experiences, she continues her work, exploring these queries.
She believes that the criteria for defining and evaluating something often rely on 'visible appearances or momentary, fragmented situations.' She finds the act of 'defining' intriguing, as it can assume different facets depending on the individuals defining it. When others define something this way, the intricate narratives surrounding it get omitted, leaving only a partial depiction. This raises questions about its impact, a subject she wishes to explore further.

The characters that form the motifs of my work are common images that I have created. They are given a writing order and symbolized, and the process of preservation and change in the repetitive writing is established in the work as several afterimages, like time-lapse photography. Whenever the viewer sees a character that he or she does not remember, the difference between his or her memory and the work is evoked and referenced to the character in his or her memory, and this process reconstructs the work as a painting with intensity. The work also serves as a device to strengthen the connection between the viewer and the character with feelings of "I don't understand" or "What is this?", and as a record of a living person, not only as a work of art, but also as a portrait with an aspect as a recording medium.

Heejoon Lee creates abstract paintings from images of the natural world. In 2012, he earned a bachelor's degree in Fine Arts and Sculpture from Hongik University, and a master's degree in Fine Art from the University of Glasgow School of Art in 2014. In this way, the artist collects, edits, and brushes the accumulated experiences and daily images obtained from travels from close surrounding to distinct locations, and incorporated them into geometric shapes. The composed instant images add the texture and time of the accumulated paint to generate a new space on the canvas. In addition to the photo collage and thick matière geometric shapes in <The Tourist> in 2020, the artist shifts his focus from minor objects to the surrounding landscape and extends the visual experience beyond abstract painting to the experience of space in which architecture and painting coexist.

Candy Koh is an artist, writer, translator, and (sometimes) attorney based in New York City. Much of her artistic practice stems from her interest in the historically spiritual and community-binding role of the artist across various human civilizations. A signature element of her works, date/time/weather stamps situate all of her works in a specific time and space, and allude to pervasive themes in her work: finiteness of the physical world, boundlessness of the unknown, and contemporary neuroses. She works in a variety of mediums such as painting / drawing, sculpture, installation, performance, and photo / video. She has shown her works at solo and group exhibitions in both New York City and Seoul, Korea. Her writings have appeared in art publications, such as ArtAsiaPacific, art critical, and Seaweed Journal. For her M.F.A. thesis before the K-Pop boom, she wrote “Investigating the Gangnam Style Phenomenon: Global Eurocentrism, Asian Masculinity, and Psy,” which examined the representation of Asians in American visual culture, and signifiers that transcend cultural and linguistic borders. She holds an M.F.A. in Art Criticism and Writing from the School of Visual Arts, New York City, and a B.A. in Sculpture and Literature from New School University. She is also a graduate of the J.D. program at Fordham University School of Law.

Han Sang-A translates the emotions and memories experienced at pivotal moments in her life as an artist, a woman, and an individual into her own unique artistic language.

Molly Greene is an American painter who lives and works in Los Angeles, California.
Before devoting herself to art, she spent ten years studying. In 2013, she received a Master of Environmental Science (MESc) degree from Yale University. In 2019, she completed a PhD in American Studies, also at Yale University. During her many years of study, she focused on a variety of topics such as gender and sexuality, post-humanism or animal studies, among others.
She began exhibiting her work as an artist in 2018 in the United States.

JeongWoong Lee is an artist who explores the boundaries between reality, fiction, memory, and time through painting, expanding visual art into a new dimension. His work delves into profound questions about human perception and sensation, connecting visual narratives and sensory experiences in a unique way.

His practice intertwines history, reality, and imaginary worlds, creating a complex structure within his works. For him, painting is not merely a reproduction; it becomes a space where viewers transcend the boundaries of truth and fiction, inviting them to engage in a new experience. His work focuses on exploring new realities created through human memory and sensation.

Artist believes that objective knowledge and values are ultimately virtual realities, and through this belief, he suggests that individuals have the power to create their own worlds. His work encourages viewers to confront inner truths and discover new visual and sensory understandings through the language of painting.

Constantly pushing the boundaries of painting, Artist's work reflects a deep reflection on human existence and reality, offering a continuous dialogue through art.

My paintings are inspired by everyday scenes that come to mind. I look at moments that catch my eye or are captured spontaneously in a new light, and in the course of my work, I crop or enlarge parts of them to give them a new meaning as paintings, beyond their realistic meaning. 

Zelalem Merga, a visionary artist hailing from Addis Ababa, Ethiopia, is known for his profound connection to emotions and the natural world. Born in 1989, he earned his BFA from Addis Ababa University Alle School of Fine Arts and Design (Graphics Department) in 2013, and currently resides in the vibrant Ethiopian capital.
Driven by passion and an unwavering commitment to innovation, Zelalem transforms discarded materials into mesmerizing works of art. His creative process is fueled by an innate desire to elevate the ordinary, encouraging viewers to reconsider the value of everyday objects and contemplate their own consumption habits.
In Zelalem's artwork, there is an underlying sense of disquiet, reflecting the complexities of the modern world in which we live. Through his masterful use of recycled materials, he constructs captivating portraits that challenge the status quo and leave a lasting impression on the art world. Each piece is a testament to the transformative power of art and the potential for renewal within ourselves and the world around us.
Zelalem Merga's work is not only an ode to the beauty and splendor of nature but also a celebration of human creativity and resilience. As an artist who truly embodies the essence of Artue's brand, we are honored to showcase his remarkable talent and share his unique perspective with our community of art enthusiasts.

In her paintings, Prae Pupityastaporn produces layered continuums of observation and memory. She draws from the overlooked minutiae of daily life, building an illusive catalogue of her material surroundings. Deftly extracting from the latent and the mundane, Pupityastaporn transforms seemingly dull objects into active deposits of evolution: a showerhead, a wall or a rock acquires mercurial ability in her works, storing shifts of the emotional and the environmental. Intertwining streams of the subconscious, Pupityasporn offers dreamlike insight into the flux and fragility of memory, both personal and shared. Most influenced by her physical environments, Pupityastaporn synthesises her experiences in Germany and Thailand. During her studies in Germany, she was exposed to reinventions of the landscape genre in the region’s early contemporary art scene; the artist has since followed her predecessors in creating a pioneering visual vocabulary, establishing a distinct approach of distanced liminality. Her paintings demonstrate the shifting possibilities of shared emotional fabrics, proving how each of our complex internal states can color perceptions of the external world. She awakens a unique set of memories and feelings in each viewer, and quietly transforms those associations once again in her practice of retrieval and repatterning.

A visual artist based in Bangkok, primarily working with Thai literature and history as well as their discourse and relations to the global narrative. His focus centers on exploring memories of Thai visual arts and cultures through the process of collage, as he endeavors to unveil and question them in various forms and dimensions. Infused with a contemporary aesthetic, the juxtaposition of local and exotic fragments creates an alternative chronicle, prompting a reexamination of the past. It nudges viewers to traverse through whispers of scenes that one might only partially remember, a distant murmur from an elusive past.

Gus Monday (b. 2000) studied a Foundation in Art & Design at the City & Guilds of London Art School in 2019, and currently studying painting for a master’s degree at Royal College of Art (RCA) in London. He grew up within a Southern African context and he thinks that to large an extent it shaped the way that he is socially and culturally aware, especially moving between a developing nation and this 1st world country. His works are representations of spaces utilising coded narratives and symbols, some observational whilst others autobiographical. He is working with beyond the realm of the personal, toward spaces with more social significance.
In addition, several group exhibitions are planned for 2024 in several countries, including Korea, the UK and Spain.

yyth works with the aim of confronting the essential reality of the object. She treats painting as a tool for approaching the object tangibly and through it towards a series of acts such as forgetting, research, understanding, and appreciation. In her practice, she collects multifaceted images that she considers to be products of the times, and then fragments and reconstructs them in an editorial manner to fill the canvas. The images utilized in her work are often contemporaneous with the objects she tries to confront through her paintings, which is why her screens are reminiscent of manga and anime that appeared in the 8th and 90s.

Edgar Plans (Madrid, 1977), categorized as the most popular Spanish contemporary artist,
grew up and is now based with his family in the northern Spanish town of Gijón. After
earning a degree in Art History from the University of Oviedo, Plans started to participate in
small exhibitions in local galleries. As of today, his works have been exhibited in Museums
such as the MOMA Museum in Moscow Russia, the Xiao Museum in Rizhao, China and the
S2A Museum in Seoul, South Korea.
Plans oil painting pushes boundaries and combines traditional techniques with modern
perspectives. He experiments with diverse styles, from realism to expressionism, creating
captivating narratives and evoking deep emotions. Through vivid colors, dynamic
compositions and innovative approaches he challenges conventions and invites the viewer
to engage in thought-provoking dialogues about identity, society and the human experience.

Gyu Ok (B.1979) graduated from Dong-duk Women's University College of Arts in Painting (B.F.A.) and completed a master's degree (Diplom) at Munich National College of Art with Sean Scully and a doctorate in painting at Dongduk Women's University. She participated in nine solo and several group shows internationally. Also, she was selected in the Art Factory Dadaepo (Busan) Residence and Kunstdog (Leipzig) Residence. It is owned by the National Department of Modern and Contemporary Art and the Art Bank, and by a number of businesses and personal collectors. She currently lives and works in Atlanta, U.S.

In a space in between composition and abstraction, April Yang continues to use painting as a common language that includes individual appreciation. She obtained her MFA in Painting at the Royal College of Art after studying Painting at the Korea National University of Arts, and she has exhibited her work both in the UK and in Korea. Her interest in life derives from her diasporic background, having lived in several locations, and been exposed to other cultures since she was a young child. She also looks for ways to communicate across linguistic and cultural barriers. She enjoys in illustrating the spirit of mankind and environment in a range of materials and scales, whether it be in a vibrant portrait or an abstraction with a focus on color and line. Her work is intuitive and sensitive, and she hopes to appreciate it with reflection and contemplation to purify visitors’ minds and consciousness and find peace and optimism.

Drawing the organic form of plants in nature with a detailed sense.

Daniel Wheedong Kim uses the metaphor of 'GHOST' to describe contemporary images that are endlessly replicated across mediums. Embracing 'Hyper-Ghostism,' he creates paintings reflecting on the role of art in an era where reality and existence are increasingly blurred.

Nearby Oddness; Missing Garden

BUDAFEST TRAVEL

HAKATA TRAVEL

Nearby Oddness; Harmonize

Nearby Oddness; Lost in reflection

Nearby Oddness; 2020

Nearby Oddness; Into The Unknown

Nearby Oddness; Komm Süsser Tod

Live Is Life

Nearby Oddness; 2019

Near by Oddness; Library Station

SHIMONOSEKI TRAVEL

Nearby Oddness; In Mild January

Nearby Oddness; A garden inside it

Nearby Oddness; The Classic

프리다;  Bellas flores, No tragedia.

오마이걸 - 불꽃놀이

Through the Frame

The Orchids

A widening crack

A falling sphere

A Round Flame

Still life with Sphere and a floral crown

What to see in repeated portraits #029

Study_for_Null_Portrai t of someone#205

Study_for_Null_Portr ait of someone#138

Utopia

Beyond the Horizon of a Black Hole

Machine's Score

Orchids and Haze

The Orbit of a Red Comet

Untitled (20230712-1)

Untitled (20230712-2)

Flesh 2

Body 1

Body 2

Mutual 1

Flesh 1

Small Void Pagoda 2

Rumor

Hatch

Coil

Walking rivulet after the Disaster

Garden Kiss

The Artist...

Still Life 

Afro Nude

Empty Word

Up and Above

State of Contentment

Nachmittag

Sea 01

Wishful Thinking

Dejavu

I see the Island

Terrarium

Positive Energy

Seaview 02

Walk in the Park

Waiting outside

Birds of Mount Karavika

Nai Xai as the Little Prince

A Unicorn in the room

Study of Airavata Elephant Anatomy

Institutional Performance, V&A

Institutional Performance, Tate

Seriese 02

Series 14

Series 04

Series 19

Series 08

Series 10

Series 16

Series 25

Series 11

Series 24

Series 21

Series 17

Series 20

Series 23

Dragon ball

Glaciation 2.0

Making a mural

Skatergirl

Rayito on the road

Monarch of Wisdom

Monarch of Peace

Monarch of Liberty

Monarch of Courage

Monarch of Love

Monarch of Beauty

Monarch of Justice

Monarch of Revival

그렇게 우리는 또

우리는 여기서 반짝

안녕의 조각들

슬픔의 가장자리

모로 누운 밤

Deep Sleep

밤의 틈

자장자장 / 마음과 마음들

밤의 변주

슬픔에 밝은 사람들의 지극한 밤

서성이던 숨

Hokkaido butter

Rico

Icicle

Moment

Pocari

Lavons

Michiyo 2

Pachinko

Jung Eun

Pudding

Jiwon

Cheeun

Jiwon 2

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