Rachata Siriyakul was born in Thailand and studied till 8th grade. He started to learn art in “Nanyang Academy of Fine Arts” Singapore in 2015. Later in 2017 he studied art at the school of John Angel (Pupil of Pietro Annigoni) and Martinho Corriea pupil of John Angel, Florence, Italy before moving to purposefully directly study art with Odd Nerdrum, a famous Norwegian painter. In 2018 he participated in an exhibition at Bangkok Art Biennial, Theatre of Indulgence Gallery by Lotus Arts de Vivre. Moreover in 2023 he participated an international art fair in Art Busan.

Works are landscapes with blurred shapes that drift and become entangled
due to numerous traces of brush strokes and erasures. The vision, which cannot be fixed,
changes everything fluidly without exception, and the gaze of a precise moment naturally
blurs and disappears. The characteristics of the gaze captured by the artist are intuitively
transferred to the flatness of the painting as if scrawling along with rhythmic movements. The
artist records what she sees on the screen by repeatedly filling and removing unrealistically
intense colors and building up layers.

Maggi Hambling (b. 1945, Sudbury, Suffolk) is a contemporary British painter and sculptor. Hambling studied first at Cedric Morris’ and Arthur Lett-Haines’ East Anglian School of Painting and Drawing before going to the Ipswich (1962–64), Camberwell (1964–67) and Slade (1967–69)
Schools of Art. In 1980, she was invited to be the first artist in residence at the National Gallery, London.

Tos Suntos
b.1992, Bangkok, Thailand

Tos Suntos (Panyawat Phitaksawan) is a Thai Artist and Designer known for his outstanding graphic design which can apply to 2D and 3D objects in unconventional style. For his professional artist, his outstanding work is he changes the visual of traditional Thai to a combination of Thai style, universal monsters. pop culture and modern art.

Since the 2014s, TOS SUNTOS has been an illustrator who created his work from surrounding culture, human lifestyle and memory of childhood. When he was young, he was interested in Sci-fi movies and monsters. Therefore, he brings all of his experience combined with pop culture and retro style to his original art works. Tos Suntos first gained international attention when he was commissioned to Adidas Headquarter as representative from Thailand.
 
Tos Suntos has embedded Thai Identity in his delightful works in the biggest Adidas shop in the center of Bangkok Thailand. His talents are expressed in painting, digital paint, graphic design, collage art and sculpture; which are full of delicate patterns, super detail and layers of art.

Jourdain Jongwon Lee is sculptor, and artist based in New York. He moved to the United states from Korea in 2010 and had M.F.A. from Long Island University. He has been working on his ‘Golem’ series since 2008 through Seoul to New York. The name of series, Golem is originally from Jewish folk lore. Golem is an animated anthropomorphic being, created entirely from inanimate matter. The Golem series is connected to the idea of protection, guardian, and golem which is connected to shamanism in Korea.

For Hyunmo Yang, drawing is an observational attempt of self-reflection that leads to a process of balancing. Fragments of daily experiences and emotions manifest as oscillating lines or dense shadowy spaces-proving the interstices of Yang’s painting and existence.

Johannes Nagel studied ceramics at the University of Art and Design Burg Giebichenstein, Halle, Germany. Deliberately questioning the widely accepted status of pottery as a functional, domestic and decorative craft, Nagel turns to clay as the privileged arena for his formal and conceptual explorations, rehearsing, through an eclectic array of vessels, the timeless debate of form vs. function, control vs. spontaneity, rigour vs. improvisation. 

yyth works with the aim of confronting the essential reality of the object. She treats painting as a tool for approaching the object tangibly and through it towards a series of acts such as forgetting, research, understanding, and appreciation. In her practice, she collects multifaceted images that she considers to be products of the times, and then fragments and reconstructs them in an editorial manner to fill the canvas. The images utilized in her work are often contemporaneous with the objects she tries to confront through her paintings, which is why her screens are reminiscent of manga and anime that appeared in the 8th and 90s.

Praiva Raiva is a contemporary artist renowned for his evocative and thought-provoking works that explore themes of identity, emotion, and social challenges. His art masterfully blends traditional techniques with modern aesthetics, creating captivating pieces that resonate deeply with audiences worldwide. Drawing inspiration from personal experiences and diverse cultures, Praiva’s work invites viewers to delve into intricate narratives and self-reflection. His exhibitions have garnered critical acclaim, establishing him as a significant and influential figure in the contemporary art world.

Sangyong Lee is an artist who actively exhibits in both Korea and New York. He has held 16 solo exhibitions, starting with his debut in Korea, and continuing with shows at Tenri Gallery in New York, Waterfall Gallery in New York, BK Gallery in Seoul, and Gallery Jeon in Daegu in 2022. Additionally, he has participated in over 200 group exhibitions and art fairs, primarily on the international stage.

Wonkyo Choi explores the intersections where opposing or contrasting realms meet, overlap, or collide. Wonkyo’s work focuses on dissolving and reconstructing these boundaries, challenging the fixed notions of separation. Recently, the artist’s practice has turned toward the nature of images produced within digital environments. Also, the artist investigates their depth, expansiveness, weight, and spatial qualities—elements often overlooked in purely data-driven forms. By transforming these immaterial, digitally-generated images into physical and tactile presences, Wonkyo attempts to give form to the intangible, bridging the virtual and the real. the artist’s work not only questions the ontology of contemporary digital imagery but also proposes new ways of sensing and experiencing the image beyond the screen.


From 1973-76 he attended the University Witwatersrand, in Johannesburg, South Africa. He studied at the  Johannesburg Art Foundation, Johannesburg, South Africa, from which he graduated in 1978. In the early ‘80s he moved to Paris to study theater, attending the École Jacques LeCoq, and investigating acting, directing, and filmmaking, with little success. In the late 1980s he went back to art, making drawings and animated films and other films. Between 1989 and 2011, he created 10 Drawings for Projection, a set of 10 animated movies, which caused him to understand that the films were fundamental to his work. Kentridge has also directed several operas. He has been awarded The Carnegie Prize, Pittsburgh in 2000, and is the recipient of several honorary doctorates, including an Honorary Doctorate from the Royal College of Art, London in 2010.

He was Humanitas Visiting Professor in Contemporary Art at Oxford University, Oxford, UK in 2013. He was honored as a Commandeur des Arts et des Lettres.  In 2016, his solo exhibition “Thick Time” opened at Whitechapel Gallery in London. Kentridge has participated in Documenta (2012, 2002, 1997) as well as the Venice Biennale (2015, 2005, 1999 and 1993). His work is in the collections of the Tate, London, the Museum of Contemporary Art, Chicago, the Metropolitan Museum of Art and the Museum of Modern Art in New York and the San Francisco Museum of Modern Art, among many others.

REACH, born in 1981 and based in Kaohsiung, Taiwan, began his graffiti journey in 1995. He founded SOUL SKOOL, the first graffiti crew in Taiwan, and has worked with numerous internationally renowned brands. Early in his career, he actively participated in artist residencies and international art festivals in the US, Canada, France, Australia, the Netherlands, Japan, China and more. 


Based on an interest in 'how a wishing heart manifests in daily life,' Seokwoo Chung visualizes the energy emitted when a being strives toward something. He is fascinated by the flow of consciousness formed from cause and effect, and by the culture of wishes permeating the mundane. Drawing inspiration from the fundamental cultures of various religions, his current work extends the realm of the canvas by basing it on painting and incorporating installations in space. He implements a device that amplifies the characteristics of each, by going through various processes with painting works that correspond to the nature of specific spaces or places.

Tarntara earned her bachelor's degree in painting, sculpture, and graphic arts from Silpakorn University in 2014. Her art is stylized in a pop-surrealist style and presented with oil painting techniques. The softness of her brush strokes is a standout feature of her work, demonstrating high-level painting abilities. Her artwork is frequently influenced by her own intense emotions, childhood memories, dreams, and surreal fantasies. Tarntara is captivated by women's unique beauty, as well as Eastern culture and ideology expressed in a contemporary style.


Haejin Yoon creates emerging new dimensions with fragments of memory drawn from various cultures, from ancient Lascaux cave paintings to extraterrestrial creatures in Sci-fi films. Yoon uses rich colors and uninhibited expressions to bring out her key word of High-Voltage Low-Tech reflected in her artworks. Her paintings and collage works depict new signs and icons with dynamic expressions. Following her undergraduate and graduate degrees in Fine Arts completed at Parsons School of Design, Yoon began her international career. She received wide attention following her solo exhibition at the A.I.R. Gallery (2009) receiving favorable reviews from New York Times critic, Roberta Smith.

After extracting the narrative structure of various stories, the artist reconstructs the events and reproduces the images to seek discourse with contemporary narratives. By removing or reconstructing the direct object of the event, the artist attempts to emphasize the essence underlying the narrative to create a dialogue with the audience.

『Patchwork』 series presents the theme of ‘corporealization’ as the counterpart of ‘nation’ and ‘body’ as the constitution of the world. From the Frankenstein-like figure of the combined ragged giant to the cyborg combined with mechanical devices to assist the body, from the small screen to the large screen combined with multiple screens, the evolving or expanding life reflects the state of war of all against all: “Man’s selfish nature to protect himself inevitably shapes the form of a powerful force to realize it”. The main forms (and the result of various agreements) of the entries, such as replacement, substitution, assembly, combination, and expansion, are presented as a body and a state (the mortal god) formed in this state of struggle, and through the exhibition, they come together to form a world.

JEJn usually attempts to depict incomplete human nature through paintings. People today reject their underlying sentiments of fear, incompleteness, and weakness to naturally avoid them. However, the fragmentary phenomena that result from these emotions are also believed to be part of human nature, and the artist interprets and conveys these inconvenience things through his individual sense of humour and cartooning technique. He asks the audience what would happen if the heaviness and hardness of the facts that people are confronting were presented to them as a hilarious black comedy. 

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