Adam Bazlik is a cross‑media artist and creative director whose work spans branding, fashion, motion graphics, and designer art toys, blurring the boundaries between design, storytelling, and crafted visual identity.

Shaina McCoy works from photographs to paint her family members in thick, expressive brushstrokes. While her source material is deeply personal, McCoy renders her subjects without faces, inviting her viewers to project themselves and their own relatives into her scenes. As she depicts subjects from many stages of life and employs a wide range of skin tones and compositional styles, McCoy thematizes the diversity and complexity of Black families and experience.

Alex Face (Patcharapon Tangruen) is a renowned Thai graffiti artist celebrated for his thought-provoking street art that transcends boundaries in Thailand and beyond. In 2009,
inspired by his newfound fatherhood, he introduced a distinctive three-eyed, bunny-eared character symbolizing innocence and wonder. Known for his street art skills and mastery of European old masters' techniques, Alex Face has seamlessly blended traditional and contemporary elements. In 2022, he marks two decades in the realms of street art and BANGKOK CITY CITY GALLERY fine arts, leaving an indelible imprint on the urban landscape and art scene worldwide


Toshiyuki Shibakawa developed an installation of "Excavation site 2000 years later" and recently produced (fossil) type artifacts excavated from there. They not only exhibit individual works but also exhibit various things (Archaeo- logical materials, works of art, antiques, relics, goods, etc.) in collaboration. They hold exhibitions and projects that focus on the region and place such as museums in Japan and overseas, historical buildings and shopping streets. At the same time, they hold workshops for a wide range of people, and continue their activities to reexamine the existence of things and contemporary problems.

Lee Ufan is a South Korean artist and art critic born in 1936 in Haman-gun on the southern Korean peninsula, then part of the Japanese empire. He moved to Japan when he was 20 years old, and developed a practice anchored in an Eastern understanding of the nature of materials together with an appreciation of modern European phenomenology. In 2009, the Japanese government honored Lee by conferring the Order of the Rising Sun for “contributing to the development of contemporary art in Japan.” In 2010 the Lee Ufan Museum, designed by Tadao Ando, opened at Benesse Art Site, Naoshima, Japan. Lee has had major exhibitions worldwide, including a retrospective at the Solomon R Guggenheim Museum in New York City in 2011. In 2014, he was selected for the contemporary art program of the Palais de Versailles, and in 2019 the Hirshhorn Museum and Sculpture Garden in Washington DC commissioned a site-specific installation for the museum’s plaza. Lee divides his time between Kamakura, Japan and Paris.

Yerang Hwang depicts the contradiction and compassion of the familiar world. After receiving a master's degree in Korean painting from Sejong University, she broke down the boundary between western and oriental paintings, and reinterpreted oriental artworks from her own perspective. Concerned with the categories and medium of Korean painting, the artist experiments with several display approaches. Through the appearance of contradictory materials, visitors are prompted to consider the two opposing feelings, and the artist's vision of the world is depicted through the capture of everyday life. 

For Hyunmo Yang, drawing is an observational attempt of self-reflection that leads to a process of balancing. Fragments of daily experiences and emotions manifest as oscillating lines or dense shadowy spaces-proving the interstices of Yang’s painting and existence.

Minji Ryu recalls the emotions she experienced while observing the landscape in her daily life and investigates the manner in which gathered images are displayed in paintings. As a graduate of the Department of Fine Arts at Seoul National University of Science and Technology, she acknowledged the inevitable gap between the experience of gazing at reality and drawing it and took a moment to recognize the landscape that was shared through abstraction and conceptualization. Her paintings focus on the experience of seeing and reproduce the impression produced by substituting an object for a function consisting of light and darkness as a physical image. In this manner, the artist hopes that paintings will serve as a channel for evoking past experiences in the minds of the audience, so reviving their perspective on current life. 

b. 1992, Chongqing, China
Lives and works in Berlin, Germany

Xiyao received her Bachelor of Arts from Sichuan Fine Art Institute in China in 2014, and both her Bachelor of Arts and Master of Fine Arts from the Hochschule für Bildende Künste Hamburg (2018, 2020).
 
The Berlin-based Chinese artist creates large-scale, immersive paintings in which gestural lines evoke echoes of landscapes, bodies, movements, thoughts. In the process, she develops a kind of hybrid abstract painting that combines various influences and inspirations: Taoism and post-structuralism, ancient Chinese pictorial traditions, bodywork, dance, martial arts, and the canon of Western art history. Xiyao Wang’s paintings explore inner visions, bodily perceptions, sensations, feelings, interrogating her East-West biography.
 
Her solo exhibitions include: Tang Contemporary Art, Bangkok (2024), Massimo de Carlo, Milan (2024); Perrotin Gallery, New York (2024); Song Art Museum, Beijing (2023); Tang Contemporary Art, Beijing (2023);  Perrotin Gallery, Seoul (2023); Massimo de Carlo, London (2023); König Gallery, Berlin (2023); Perrotin Gallery, Paris (2022); Arndt Collection, Melbourne (2022); Gerber Stauffer Fine Arts, Zurich (2021); A Thousand Plateaus Gallery, Chengdu (2021); Soy Capitán Gallery, Berlin (2019).
 
Her work has been featured in important international venues, including the Bangkok Art Biennale, Bangkok (2024); Tank Shanghai, Shanghai (2024); Yuan Art Museum, Beijing (2024); König Galerie (2024); Le Château d’Aubenas, South France (2024); K11 Art Foundation, Hongkong (2024); CAFA Art Museum, Beijing (2024); The Art Museum of Sichuan Fine Arts Institute, Chongqing (2024); he Institutum, Singapore (2024); Yuan Art Museum, Beijing (2023);  Shepparton Art Museum, Australia (2023); Pingshan Art Museum, Shenzhen (2023); Art Museum of Sichuan Fine Arts Institute, Chongqing (2023); Aurora Museum, Shanghai (2022); Jiu Shi Art Museum, Shanghai (2022); New Now Contemporary Art Museum, Rizhao (2023); Baumwollspinnerei, Leipzig (2020); Cité international des arts, Paris (2018); Sprink, Dusseldorf (2018); and Chongqing Contemporary Art Center (2015), among many others.


Jieun Lee - A highly successful artist who has sold out solo exhibitions in Korea for four consecutive years. She enjoys traveling to Thailand, and her works are often set against Thai backgrounds.


YuChun Chen (b.1980, Changhua, Taiwan), now living in Tamsui. She received her M.F.A. from the Graduate School of Fine Arts, Fo Guang University. Her works are mainly oil paintings and film photography. She focused on themes of past memories, dreams and the continuity of time, traveling through the atmosphere of both the real and the imaginary.

Rizal Hasan
b.1992, Gresik, Indonesia

Graduated from Indonesia Institute Of The Arts Yogyakarta, Indonesia. He is currently based in Sewon, Bantul, D.I Yogyakarta, Indonesia. Artist selected solo exhibition: “POP Script : Encoding The Everyday” 2021 Indie Art House Yogyakarta; Special Art Project with Jogja Affordable Art at Jogja Art Gallery, 2022; ARTJOG 2022; ARTJAKARTA 2022.

Tum Ulit or Natakorn Ulit (ฺBorn in 1992) is an artist, cartoonist, and storyteller enamored with the world of cartoons since childhood. He completed his undergraduate studies in Animation Production at Mahidol University International College (MUIC). His passion for cartooning stems from a profound need to articulate and navigate through deep-seated pain and sorrow nestled within his soul. Through the art of cartooning, Tum discovered a transformative medium, allowing him to explore his innermost self and the intricate nuances of his emotional journey. 

Tum Ulit first gained recognition among readers through his webcomic series featured on his page “Tum Ulit”. What distinguishes him is his ability to narrate stories through visuals alone, reaching deep into the emotions and touching the souls of readers from diverse backgrounds and languages worldwide. This unique approach has inspired him to continuously create works that resonate as ambassadors of people’s emotions. Tum Ulit hopes above all that his creations spark profound reflections and become symbols of apologies, remembrance, or lingering sentiments in people’s hearts. Presently, his page boasts a global following of over 1.7 million individuals. 

In 2022, Tum Ulit made his debut in the art scene with the group exhibition “Shall I Compare Thee to a Summer’s Day?”, followed by “To the Moon and (Never) Back” in 2023 and his first solo exhibition, “Who’s Cutting Onions?” (2024) which all held at River City Bangkok. These showcases, especially his solo exhibition, captured the attention of collectors and enthusiasts alike, both locally and internationally. 


Kim Seoul was born in 1983 in Daegu, South Korea, where she spent her early years. After graduating from the Department of Printmaking at Hongik University, she went on to earn both her master’s and doctoral degrees in Painting and Printmaking from Tama Art University in Japan. Though her real name is Kim Sohee, the artist works under the name "Kim Seoul." This choice was inspired by other artists who create a separation between their personal identity and artistic persona. She selected "Seoul"—a name recognizable even to those outside Korea—as a way to symbolically represent her practice and identity as an artist.

In her series “Solitary Box Diary,” Kim Seoul shifts from her earlier works, which visualized urban density and solitude through box-like structures, to a more introspective focus on personal space and daily life. She folds cardboard boxes and flattens them onto paper surfaces, using silkscreen printmaking techniques to highlight the traces left behind. Everyday imagery and experiences are then drawn over the surface, inviting viewers to reflect on and connect with shared moments from ordinary life.

Dain Lim captures the feeling of rest through sensory experiences in peaceful spaces, focusing on her "Window" series.

Nam Kim (b.1991) is an American-born Korean artist living and working in Vienna. Nam attended Ewha Womens University in Seoul from 2010 to 2015 and earned her Bachelor degree of fine arts (painting) and art history. Between 2017 and 2023 she studied with Professor Kirsi Mikkola and Alastair Mackinveb in Academy of fine arts Vienna.
Nam Kim mainly use painting for her artistic practice. Nam’s painting is about self-reflection, a process of learning about oneself. She attempts to understand and examine what the essence and the core of humanity are, focusing on capturing psychological fragments that occur in human relationships.

Yejun Ryu explores life, death, and absence through human forms in his "Mori" sculpture series.


Im Jaehyoung collects images of personal and social loss and explores them in various ways, linking the concept of 'disappearance' with the act of painting. Through his paintings, he creates a unique visual distance, addressing the psychological and ethical distances associated with absence.

CYRCON

Baby Troy at Play

Auntie & Niecey

Big Wheel

Kitty

Appearance II.40220210 (Kewpie Doll Fossil Excavated 2000 Years Later)

Appearance II.20191036 (Canvas Fossil Excavated 2000 Years Later)

Appearance II.40210206 (Kewpie Doll Fossil Excavated 2000 Years Later)

Untitled (I)

Untitled (II)

Untitled (VI)

Untitled (V)

Untitled (IV)

Spring

Baby goat

Love

Flowers and Dog

Spider and Butterfly

The spring of Seoul

A house on a mountain

Crying bird

Summer

Blood

Persimmon tree

Family

Flower

Rose

Prey

Raising things

Birth

Singing Birds

White cat

Adam and Eve

Black cat

Flexible Forms 11.19

Flexible Forms 01.15

Flexible Forms 01.17

Flexible Forms 01.19

Flexible Forms 01.03

Flexible Forms 02.03

Flexible Forms 03.05

Flexible Forms 03.11

Flexible Forms 03.25

Flexible Forms 04.01

Flexible Forms 04.21

Flexible Forms 04.25

Flexible Forms 04.27

Flexible Forms 05.10

Flexible Forms 05.25

Flexible Forms 07.05

Flexible Forms 08.19

Flexible Forms 08.11

Flexible Forms 08.25

Flexible Forms 08.29

Flexible Forms 10.19

Flexible Forms 10.10

Flexible Forms 10.13

Flexible Forms 10.18

Flexible Forms 12.05

Flexible Forms 12.19

Flexible Forms 12.27

Flexible Forms 07.02

Flexible Forms 01.05

Flexible Forms 05.01

Flexible Forms 11.12

Flexible Forms 11.04

Short Truth

Flexible Forms 08.08

Flexible Forms 04.18

Flexible Forms 12.03

A tree with the street lamp

A moon

The way of leaves

The color of days 

The shape of leaves

Surface

Flowery

Untitled

The Blue Hour No. 4

Phiphi Island

Propitious dream

Who's the Joker?

Is My Fate in Your Hand?

Rooftop

We Left a Sweet Place

Everything and Nothing

Circular Time

Talking Hands

The Sofa

Days of the Past

After the Rain

Iron Pheasant

The Shades of Night

Head to Somewhere

Dreamed of the Sea and Tears

Is Your Fate in My Hand?

As I Went Over the Water

Costal Wind

Going Home

The Moon

Gloves

Square

Persistence

Gallery Wall #6-Drawing

Gallery Wall #2-Drawing

Gallery Wall #3-Drawing

Gallery Wall #4-Drawing

Gallery Wall #5-Drawing

Gallery Wall #1-Drawing

Apartment Color: Trend vs Le Corbusier

Model House in Hwaseong #1-Drawing

Model House on Mars #2-Drawing

Model House on Mars #4-Drawing

Fragility of change

The Cotton Shield

My greeny - Murraya paniculata

My Greeny– Adiantum (M)

My Greeny – Water Coin

Piece of paradise II

My greeny - Dizygotheca

Faded Sentiments

Fragments of Emotion

Spring in New York

Morn

Night

Split seconds

Deep in Grey

JAVA

Illuminate

Resonate

Taaffe Place

Kippen

5pm Brooklyn

6pm Brooklyn

Window 3

Window 10

Window 11

Window 12

Window 14

Window 17

Tiger under the pine tree

Mori No.6

Object with love and death 5/10

Object with love and death 6/10

Object with love and death 7/10

Mori No.2

Mori No.1

Mori No.3

Mori No.31

Mori No.30

Mori No.24

Mori No.18

Mori No.15

Mori No.7

Object with love and death 2/10

Mori No.35

Mori No.33

Mori No.32

Solid Water

Heavy Snow

With Eyes Closed

Discovery

Exhibitions

3D On View

About

EN
$

Discovery

Exhibitions

3D On View

Galleries

About

My Page

Featured Artists on Artue