Maverick Abac's practice explores painting and collages on various media as a reflection of his consciousness and upbringing. Navigating the realm of memory, his works are known best for their pop surrealist meditations of our individual and collective psychological experiences.

Juli Baker and Summer (Chanaradee Chatrakul Na Ayudhya) is a dynamic Thai artist, writer, and traveller whose work bursts with vivid, almost abstract colour palettes that evoke the warmth of summer. Her emotive brushstrokes create a rich narrative of her observations and experiences—from personal memories and everyday conversations to her travels and favourite books. Each piece is a page from her visual journal, blending pop culture, politics, and social commentary. Juli Baker and Summer also infuses her writings with snippets of her own handwriting, illuminating her dual identity as a storyteller and diarist.

Xooang Choi(b. 1975) has been creating works that unfold various phenomena arising in the relationship between individuals and society through realistic depictions of the human body. His works possess the power to evoke tactile sensations that resonate thoroughly with viewers’ hearts, prompting them to reflect on the world they live in and the situations they find themselves in. In the recent works, Choi examines the process of actively embracing various intermediate parameters within the artwork, moving away from a subjective position of making sculptural decisions to expand concepts and forms encompassing regions, histories, places, and memories.

He has held solo and group exhibitions at prestigious galleries and museums both domestically and internationally, including the National Museum of Modern and Contemporary Art, Korea; Sungkok Art Museum; Gwangju Biennale; Changwon Sculpture Biennale; Yeosu International Art Festival; Doosan Gallery Seoul and New York; Hakgojae Gallery; Gallery SP; Space So; Yoon Seon Gallery; Musee d'Ansembroug (Belgium); Art Seasons gallery (Singapore); National Centre for Contemporary Arts (Moscow, Russia); Vestfossen Museum (Norway); Brandts Museum (Denmark); Jewish Museum (Berlin, Germany); Galerie Albert Benamou (Paris, France); Musée de la Halle St Pierre (Paris, France); Fine Art Gallery of Luxun National Institute (Shen Yang, China), among others.

 A JiHye abstractly depicts the inner energy that blossoms from her subconscious in her works. She primarily works with acrylic and colored pencils, utilizing striking contrasts of vivid colors to convey a sense of brightness and vitality—one of the defining characteristics of her art.
 Beyond her personal artistic practice, A JiHye is also the co-founder and designer of the design studio Sparks Edition. Additionally, she is an active member of Spectrum Object, a collective of creators from various fields. Through Spectrum Object, she explores the intersection of visual art and diverse cultural content, particularly music, translating these inspirations into paintings. In 2017, she produced a series titled Layer along with an accompanying art book, and more recently, she has been working under the theme BLOOMERS, expressing forms in the act of blooming. In 2019, she co-curated the exhibition DANCING BLUE at AvenueL Art Hall alongside her creative and life partner, artist Jun-Oh Jang. The exhibition was an attempt to capture their respective artistic expressions and individuality through shades of blue.
Through Sparks Edition, A JiHye has contributed to the branding and artwork for various musicians, including BTS’s fourth studio album MAP OF THE SOUL: 7, 10cm, and LE SSERAFIM. She has also worked on brand identity projects such as IOPE, demonstrating her ability to transcend genres and disciplines, consistently delivering innovative visual creations across different fields.

Haafiz Shahimi (b.1986) known as APIS, whose interdisciplinary work spans through printmaking and performance art. APIS began exploring pyrography print in 2014, developing a unique style rooted in Malaysian print and textile traditions. Inspired by batik printing, he created metal matrices depicting cultural and mythological imagery, heated and applied to surfaces like canvas and jute. His experimental approach to temperature variations led him to explore new pyrographic techniques, blending art with scientific principles of thermodynamics. APIS’s work often delves into dualities—science and mythology, East and West, physics and philosophy—establishing him as a boundary-pushing figure in contemporary Malaysian art.

Through his innovative techniques, including pyrography, inverted burn, and direct chemical and petrol burns, APIS has introduced a unique fusion of traditional and industrial materials to his practice. Recently, he combined automotive paint with pyrographic methods to produce vibrant, reflective pieces for Art Central Hong Kong, creating visuals with accidental markings and intentional deconstruction. After a decade, he also returned to the meticulous process of rod-based pyrography to evoke the appearance of charcoal lines, as seen in his recent work, "Desire", which showcases the culmination of his 13-year journey. APIS's impact lies in his transformative approach, which continues to challenge conventional art practices and redefine the scope of Malaysian contemporary art.

Attempts to interpret the image of flowers as a visual language of emotion, exploring the theme of “recording emotions through flowers.”

Pannaphan Yodmanee
b.1988, Thailand
Currently lives and works in Nakhon Si Thammarat, Thailand
 
Pannaphan Yodmanee combines found objects, natural elements such as rocks and minerals, and painted elements that recall traditional Thai art and architecture. The artist examines the relevance of Buddhist philosophy to our lives. Through her works, she explores Buddhist philosophy and cosmology. Utilising a combination of raw, natural materials with found objects of contemporary origin, her works imbue the painted designs and motifs endemic to traditional Thai art with the universal and persistent themes of loss, suffering, devastation, and the karmic cycles of death and rebirth. 

Pannaphan Yodmanee has widely exhibited her work and attend international art events including the She POSSIBLE International Women's Day (2023), Art collection in Soho house Bangkok (2023), PARADISE Lost BACC Bangkok(2023), Art Basel Hong Kong (2022), Art Macao (2021), 15th Lyon Contemporary Art Biennale (2019-2020), 11th Bienesse Prize, Southeast Asian, Shodoshima Island, Japan (2019), The 9th Asia Pacific Triennial of Contemporary Art (APT9), Gagoma, Australia (2018), The 1st Bangkok Art Biennale (2018), TIME LAPSE, Tang Contemporary Art Gallery, Beijing, China (2018), An Atlas of Mirrors, Singapore Biennale 2016, Singapore Art Museum, Singapore (2016), Thailand Eye, Saatchi Gallery, London, UK (2015), Myth/History II: Shanghai Galaxy, Yuz Museum, Shanghai, China (2015) and Thai Charisma: Heritage + Creative Power, Bangkok Art and Culture Centre, Bangkok (2014)

Her received numerous awards such as 1st Prize, Bualuang Gold Medal, The 35th Thai Traditional Painting Awards (2013), as well as the 1st Prize of the 1st and the 2nd Young Thai Artist Awards (2006, 2007). In 2016, Pannaphan Yodmanee also won the prestigious 11th Benesse Prize.


My faint light bent in a wavering arc. Swaying with unease and fragility, I barely traced a dim glimmer. I moved toward the light—clear in aim, but lost in direction. I gradually developed a sense for detecting and escaping the abyss of despair and the weight of its repeating patterns. Each crisis sharpened my acuity. I responded finely, moved in subtle steps. What may seem like reckless intuition was swift judgment, honed by time. The hours carved into my heart fed my intuition, nurtured my sensitivity. I evolved, bracing for the next trial. Sensitivity became my chosen trait— a way to survive, a skill to catch even the faintest light. I twisted, reached, and stretched as far as I could. Through the ground, into the sky. I bask in everything. /Text. DuRi Baek

Born in 1974, Korean artist Jamsan has developed a broad and distinctive artistic practice that encompasses painting, sculpture, and conceptual art.

Vassily Kandinsky pioneered abstract painting in the early 20th century. He believed that geometric forms, lines, and colors could express the inner life of the artist—a theory quite evident in his own explosive paintings, which were often inspired by music. Today, Kandinsky’s canvases sell for tens of millions at auction and belong in the collections of the Museum of Modern Art, the Art Institute of Chicago, and the Tate, among other prestigious institutions. In 1911, Kandinsky played a central role in organizing Der Blaue Reiter, a group of avant-garde artists in Munich that included Franz Marc and Paul Klee. From 1922 to 1933, he taught at the Bauhaus, the historic Weimar institution that brought together artists including Josef Albers, Lazlo Maholy-Nagy, and Piet Mondrian.

Surachai Mawornkanong, also known as Niam Mawornkanong, is an established
Thai artist specializing in intricate acrylic painting on canvas. He used his art to captivate audiences' attention then set them free to explore their own subconsciousness.
Though possessing degrees in philosophy and fine art, the majority of his technique
is self-taught and compliments the fact that he is colorblind. His work also displays a
versatile vision ranging between abstract principles and realistic portraiture.


The artist Lee Seokyoung, who expresses the ventilation of everyday life through her painting work, transforms the complex state of daily life into expansive colors and uses the technique of "erasing to draw" on the wet surface of the paint, leaving only visual language and sensory experience. The process of revealing the broad colors on the white canvas creates a space where the body of the painting can take control. The live brushstrokes, made in a single sweep without layering multiple coats, demand the artist's intense concentration and create a composition that breaks free from conventional and rigid systems. In this process, by erasing between the wet paints, the work is not obliterated but reborn through exposure, transforming into a neutral and pure form of language.

Eunju Jeong is an abstract artist currently living and working in Daegu, South Korea. After graduating from a Masters degree in Western Painting at Kyemyung University, Eunju Jeong studied abroad at HBK Braunschweig in Germany, where she reached a deeper dimension in her color surface abstract paintings through a calm and stable exploration of the feelings and sensations of color. The artist focuses on expressing her inner flow through various colors that surface the canvas, and has had numerous solo and group exhibitions in various cities at home and abroad (need the names), working both on various flat works and semi-cubic sculptures. For over 30 years, Jeong's work has gone through a process of transformation, from painting to semi-cubic abstraction on acrylic and wooden boards, to a return to painting on canvas. To this day, she continues to work on imagining, contemplating, and dreaming through material and physical attributes, while evoking the emotional and tangible, as well as sensing what cannot be verbalized, codified, or most importantly, reproduced. Jeong's paintings are similar in appearance to chromatic abstraction through the  paint smears, brushstrokes, layers of color, the subtle spaces and crevices they create, the trajectory of the paint as it flows toward the floor by the law of gravity, and the way it smears and solidifies. It also allows us to see the myriad traces of the painting's progress and the passage of time that reveals all of its processes. These dense, wet paintings, with their cool, bold brushstrokes, are at once highly performative and a longing for a representation of a world that cannot be represented, a world that lies outside of visibility but is clearly felt and sensed. At the same time, they are paintings with impressions and tones that evoke a very specific empathy with the beautiful nature.

Yujin Lee (b. 1986) is a visual artist and a collaborator living and working on Jeju Island, South Korea, where she also runs an experimental artist residency named Next Door to the Museum. Guided by the rural life on the island, her practice revolves around ecological thinking and relationship building.

Benzilla (Parinya Sirisinsuk)
b.1984, Bangkok, Thailand

Parinya Sirisinsuk or better known as Benzilla, is a graduate of Fine and Applied Art from Bangkok University. The artist finds profound inspiration in the realms of Japanese and American Pop Culture, Street art, Sci-Fiction. Guided by the character "LOOOK," a 3 eyes alien that presents a concept of perspective of an outsider. 
Benzilla combines the techniques of craft painting, spray painting, and graphic art to craft a mesmerizing narrative.
Benzilla’s work challenges boundaries, ignites contemplation, and humbly invites viewers to explore the intricate complexities of our world. Delve into the realm of curiosity and embark on an enlightening journey through the artistic.

Jin Han investigates and depicts incidents related to universal feelings of sadness and anxiety. She is currently studying visual arts at Seoul National University of Science and Technology, she actively exhibits his work to the public. The artist analyses emotions such as melancholy and an inherent sense of isolation, beginning with a sensation of anxiousness based on fragments of autobiographical recollections. The artist creates a distinctive sense of self-using thin, overlapping, and dripping brushstrokes to 'bring out' the memories and feelings onto the canvas. Through her art, she offers contemporary audiences a message of shared experience, empathy, and healing.

Embarking on his career in 1991 as a freelance sculpture artist, Pawarest Choksaen (Doe) (b.1970, Bangkok, Thailand) transitioned into the role of Art Director at an advertising agency in 1997. In 2019, he made the pivotal decision to resign from the advertising agency, embracing a full-time commitment to his passion as a fine artist.

In his artistic journey, Choksaen delves into the lives of those in his community, keenly observing their gestures, activities, and diverse perspectives. Through the expressive medium of acrylic paintings, his works become windows into the stories that unfold in the everyday lives of individuals within different contexts.

Matthew Antezzo (1962, USA) in the 90s made a substantial body of work which took as their models photographic reproductions that he found in magazines, catalogues, monographs and publications dedicated to contemporary art, particulary art from the late Sixties and the early Seventies, the era that witnessed the birth of the most radical neo-vant-garde movements of the postwar period.

Panuwat "Pay" Kamdee, born in 1999 in Chiang Mai, Thailand, pursued his studies in Fine Arts at Silpakorn University, Bangkok, where he cultivated a unique style that merges traditional Thai art forms with modern techniques and natural pigments. His work often explores the concept of a societal harmonious allegory, symbolizing ideals of unity, balance, and peaceful coexistence. Drawing from Thai mythology and folklore, Pay expresses these themes in a surreal, dreamlike style, presenting accessible and playful pieces that resonate with audiences. His work reflects his childhood memories, making his art both nostalgic and relatable.

Pay has exhibited extensively both in Thailand and internationally, earning acclaim for his innovative approach and thoughtful exploration of environmental and social issues. His art subtly addresses these concerns, inspiring audiences to recognize the depth of his work and its connection to Thai cultural identity. He has also participated in various community art projects, using his platform to promote sustainability and cultural preservation.

Sublime Condensation

Parallel Greens

Tree of Life, 2024

Things to Look Forward to

A conversation between us, 2024

Pick Berry, Pick Feelings, Pick Sunset

Reindeer Ride

Midnight Lake in Tromso

The Myth of Trolls

Rainy Forrest

Lady butterfly, 2024

Take some time

Butterfly snail

Gate of Declaration 'THE ASEAN WAY'

The Garuda

Monument IV 'Nation, Religion, King'

Assemblage H1

Assemblage C5

Assemblage C3

Fragment 23

Orange Breeze on Wood Panel

Moonlit Glow

Nocturnal breeze Part 1

Smoky Glow

Bloomers No.5

Blue flames

Impromptu Sonata No.2

My luminous Yellow No. 1

Symmetry in Harmony

Gardens of Orchestra No.1

Impromptu Sonata No.3

Impromptu Sonata No.1

Dancers No.1

Seed to fruit

Into the Glow

Where the Light Rests

Flame

Lilac Wine

Midsummer Night

The Fate

Moonlit Whispers

Dawn's glow

Composition pattern No02

Composition No19

No01

Blues

No Tears Left 5cm 2

Trojam Horse X

Bloom12

The Last Dance

Jari 21

Toward 21

Toward 20

Toward 19

Toward 8

Jari 36

Toward 18

Toward 17

Toward 16

Toward 15

Toward 12

Toward 11

Toward 10

Toward 9

Toward 14

Toward 13

Jari 32

Synchronism 2

Jari 11

Synchronism 3

Synchronism 5

The Beginning of Spring

Jari 31

Jari 22

Jari 25

Jari 23

Jari 24

Jari 34

Jari 33

Jari 35

Toward 7

Toward 6

Bawi Wi 10

Jari 28

Jari 30

Jari 29

Jari 27

Jari 26

Majung 7

Bawi Wi 9

Bawi Wi 2

Bawi Wi 1

Yi-won

Cheon-yi

Rose from the Stars (16)

Rose from the Stars (01)

Rose from the Stars (03)

Rose from the Stars (04)

Rose from the Stars (05)

Rose from the Stars (06)

Rose from the Stars (07)

Rose from the Stars (08)

Rose from the Stars (10)

Rose from the Stars (11)

Rose from the Stars (12)

Rose from the Stars (13)

Rose from the Stars (14)

Rose from the Stars (15)

Rose from the Stars (17)

Rose from the Stars (18)

Rose from the Stars (19)

Rose from the Stars (20)

Rose from the Stars (21)

Rose from the Stars (22)

Rose from the Stars (23)

Rose from the Stars (24)

Rose from the Stars (25)

Rose from the Stars (26)

Red Chair (02)

Red Chair (03)

Red Chair (04)

Rose from the Stars (02)

Red Chair (01)

Rose from the Stars (09)

KANDINSKY. FORMES NOIRES SUR BLANC

House Warming

Looking for Red

Looking for Blue

Clustered Flower and Tree

Clustered Flower

The Flowing Tree

To Bear Seeds

The Bubble Softens

The Bubble Stirs the Flow

The Body of Permanence and the Outside

The Body of Permanence

The Gesture of the Bubble

The White Breath of the Tree

Water mirror

Water stream

Water unbound

Breathing Out

Movement of Water

Shaping

The Root Seeking the Ground

The Fruit Following the Roots

The Place Where It Grows

Wandering Bubbles

Cluster of Flowers in the Water

The Expression of Watching

The Act of Collecting Softness

A Landscape Unfolding Through a Stream

A Stream Touching the Surface

Tender Grass

Persistent Grass

Trees Looking in the Same Direction

Color in Motion

Connecting Water

Reading Lightness Floating

Writing Lightness Floating

A Walk in the Air

The Place Made by Bubbles

The Rain of the Bubble Island

Movements on the Surface

The Water Can Gaze at the Vast Sky

A Flowing Piece

Water Mist 2

Water Mist

Water Reflection

Vacuum and Bubbles

Drawing in the Air

Deep Tree

Brush stroke

Breath

People Go Around

Look Back

Shadow

Tundra

Grain

Distance

Garden

Discovery

Exhibitions

3D On View

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