
Living and working in Bangkok, Thailand.
Butsapasilaexplores the process of creating collective memories through informal
storytelling across diverse contexts. This includes forms such as folk legends, historical fiction, mystical beliefs passed down orally, as well as conspiracy theories circulating on blogs, alongside personal memories from his own youth.
Much of his work delves into the historical memory of the Thai state, with a particular focus
on the northern region. His research examines the transformative period between the colonial era and the Cold War, a time when perceptions of space were shifting, laying the foundation for contemporary and future worldviews.

Soo Kyoung LEE (b. 1969, S. Korea) lives in Paris and works in Paris, Brussels and Seoul. She is represented by Galerie Oniris in Rennes, MM Gallery in Brussels (Belgium) and Accompany in Busan (South Korea).

Soo Kyoung LEE creates her work by accumulating, visualizing, and erasing various actions through momentary intuition and constant observation. When several layers are stacked as the finished work is erased and overlapped again, the background color and shape may turn into the main character or new shapes may be created on it again. In a plane, these layers produce infinite depth, repetitive time, and rhythm.

From the outset, Song E Yoon’s work has moved fluidly between painting and installation, consistently focusing on the sensory properties of material and the invisible dimensions that underlie it. Rather than emphasizing completed forms or fixed imagery, her practice centers on the conditions through which forms emerge and dissolve—on the traces material leaves behind and the immaterial layers of time, memory, and energy that accompany it.

My paintings are inspired by everyday scenes that come to mind. I look at moments that catch my eye or are captured spontaneously in a new light, and in the course of my work, I crop or enlarge parts of them to give them a new meaning as paintings, beyond their realistic meaning. 

Viriya Chotpanyavisut graduated with a Master’s degree with mention from Ecole Nationale Supérieure d’Arts Paris-Cergy in 2011. Before that Bachelor’s degree with congratulation in Visual Arts at L’Ecole supérieure de beaux-arts de Toulouse 2009 and earned Bachelor’s degree fine art photography at the Rangsit University in Bangkok 2004. Viriya is an artist whose photographic work is characterized by his ability to capture fleeting environments and imbue everyday objects with a poetic and immaterial dimension. In his photography and video, memory becomes a complex concept that goes beyond individual perspectives. Viriya’s work delves into intricate details often overlooked, presenting a silent and isolated world that encourages viewers to explore beneath the surface, fostering emotional reflection over explicit facts. He was involved in numerous international group exhibitions including: Fond d’art contemporain de Paris, France (2023), FRAC Auvergne, France (2017-2022), Silpabhirasri Creativity 19. Art centre Silpakorn University, Bangkok, Thailand (2022), Parc st leger Centre d’art contemporain, Paris (2020), Temporal Topography, MAIIAM Contemporary Art Museum, Chiang Mai, (2019), 38th Eva international, Ireland biennale (2018), Rendez-Vous 11, L’Institut d’Art Contemporain de Villeurbanne, France (2011).
Viriya has exhibited in solo shows at the Gallery N/A, Seoul, South Korea. (2022), Galerie de Multiple, Paris France (2020, 2014 & 2012), Ver Gallery, Bangkok, Thailand (2020). He is represented by the Galerie de Multiples, Paris, France & Ver Gallery, Bangkok, Thailand.

Morae Shin is a contemporary artist renowned for her dreamy yet sensuous artistic world. Her works often employ pink tones and neon lighting, creating a unique atmosphere that blends vivid colors with expressionless figures. Through these figures, she conveys emotions such as solitude and emptiness, inviting viewers to interpret and confront the feelings embedded within her art from their own perspectives.

Since beginning her career in 2013, She has expanded her creative endeavors across various mediums, including digital illustration, painting, and video art. She regards her work as a "diary," capturing elements closest to her heart. This approach allows her to infuse her creations with her distinctive sensibility and personal narratives.

SoYeong Kim reflects on urban life through photos taken in daily life, capturing fleeting moments that evoke a sense of both illusion and emptiness. Her work is characterized by creating illusionary scenes by adding painterly ambiguity to real landscapes. She paints by repeatedly layering vertical strokes of acrylic paint on traditional Korean paper (Jangji). The unique textures created from the combination of Jangji and acrylic form the depth and richness of her works. The warm texture of Jangji contrasts with the cold, artificial texture of acrylic, and through the brushstrokes, these elements merge to create a dualistic atmosphere in her compositions.

From 1973-76 he attended the University Witwatersrand, in Johannesburg, South Africa. He studied at the  Johannesburg Art Foundation, Johannesburg, South Africa, from which he graduated in 1978. In the early ‘80s he moved to Paris to study theater, attending the École Jacques LeCoq, and investigating acting, directing, and filmmaking, with little success. In the late 1980s he went back to art, making drawings and animated films and other films. Between 1989 and 2011, he created 10 Drawings for Projection, a set of 10 animated movies, which caused him to understand that the films were fundamental to his work. Kentridge has also directed several operas. He has been awarded The Carnegie Prize, Pittsburgh in 2000, and is the recipient of several honorary doctorates, including an Honorary Doctorate from the Royal College of Art, London in 2010.

He was Humanitas Visiting Professor in Contemporary Art at Oxford University, Oxford, UK in 2013. He was honored as a Commandeur des Arts et des Lettres.  In 2016, his solo exhibition “Thick Time” opened at Whitechapel Gallery in London. Kentridge has participated in Documenta (2012, 2002, 1997) as well as the Venice Biennale (2015, 2005, 1999 and 1993). His work is in the collections of the Tate, London, the Museum of Contemporary Art, Chicago, the Metropolitan Museum of Art and the Museum of Modern Art in New York and the San Francisco Museum of Modern Art, among many others.

During this time he worked under filmmakers Paul Sharits and Hollis Frampton who introduced him to structural filmmaking and Sergei Eisenstein’s films. In 1974, while at Buffalo, he co-founded, with Charles Clough, the exhibition space Hallwalls, organizing shows with Vito Acconci, John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra, and establishing relationships that proved seminal to his development. It was at this time that his life-long friendship with Cindy Sherman began. Longo is best known for Men in the Cities, his critically acclaimed, larger-than-life, photorealistic drawings of contorted figures, done from 1977 to 1983. Using charcoal, graphite and ink, this monochrome series depicting the reactive movements of businessmen and women in static suspension became icons of 1980s art. Longo has had retrospective exhibitions at the Hamburger Kunstverein, the Menil Collection in Houston and the Isetan Museum of Art in Tokyo, and his work has been exhibited in the Whitney Museum Biennial in New York, documenta in Kassel and the Venice Biennial, among others. He is represented in the collections of the Art Institute of Chicago, the British Museum, London; the Centre Georges Pompidou, Paris; the Guggenheim Museum, NY; the Los Angeles County Museum of Art, CA; the Menil Collection, Houston, the Museum of Modern Art, NY; the Stedelijk Museum, Amsterdam, the Tate Gallery, London, and the Whitney Museum of American Art, NY among many others. He lives and works in New York.

Driven by a permanent quest for innovation and meaning, Gehry has designed many major buildings over the last forty years, mainly in the United States and Europe. Notable among them is his residence in Santa Monica, which served as his manifesto, the Guggenheim Museum in Bilbao, the DZ Bank Building in Berlin, the Walt Disney Concert Hall in Los Angeles, the IAC Building and the New York Tower.  In 1989, Gehry was awarded the Pritzker Architecture Prize. At the time, the jury praised Gehry, stating: “Always open to experimentation, he has as well a sureness and maturity that resists, in the same way that Picasso did, being bound either by critical acceptance or his successes.
His buildings are juxtaposed collages of spaces and materials that make users appreciative of both the theater and the back-stage, simultaneously revealed.” In 2006, Gehry was the subject of a Sydney Pollack documentary, Sketches of Frank Gehry. Vanity Fair magazine ran a cover story labeling him “the most important architect of our age.”

Fairuz Paisan (b. 1981, Malaysia), affectionately known as Po Oi in the Malaysian art scene, graduated with a Master’s degree in Fine Art and Technology from Mara University of Technology in 2014. Actively participating in numerous projects and exhibiting in seminal art exhibitions, Po Oi has gained recognition as an innovative voice in contemporary Malaysian sculpture. His work uniquely explores the organic form of the circle through materials such as wood and fiberglass, combining traditional craftsmanship with a modern Art Deco sensibility.

Through his dedication, Po Oi delves into the hidden complexities of the circular shape, which he sees as a pathway to uncovering deeper simplicity. His sculptures, from wall-mounted pieces to free-standing forms, are carefully constructed, blending fiberglass—symbolic of external beauty—and wood—to represent the underlying essence within. This approach invites viewers to reflect on the contrast between appearance and inner reality, leading them to a quiet, almost sacred center within each piece.

Not only are his pieces celebrated for their technical skill and elegant form, but they also reflect a subtle interplay with pop culture, capturing elements of movement and fluidity. Po Oi’s work is exhibited widely in Malaysia and has garnered acclaim in regional art fairs and galleries. Through his artistic exploration, Po Oi continues to enrich Malaysia's contemporary art scene, inspiring new perspectives on form, depth, and beauty in sculpture.

After working as an architecture 3D renderings in Japan, he moved to the United States and started working as an artist in New York. He creates characters called Poi in sculptures and paintings, and installs them in various places in the city. When he sees the installation locations on a map, he places them in the shape of Poi. “Poi” means “Path of Imagination”. The artist's wish is that everyone in the world can live in harmony so that everyone can smile. The Poi placed throughout the town heals and encourages the hearts of those who meet them, like Jizo statues on the roadside.

Artist Jamsan is an artist who moves fluidly between the commercial and fine art fields, engaging in a wide range of creative practices. In the early stages of his painting career, he developed Mastic Art—a new approach that reconstructs materials such as cement, brass, and steel, merging sculpture and painting into a unique artistic language.

Recognized as one of Korea’s leading concept artists, he has produced outstanding works in advertising and art since 2004. His major projects include the concept art for Seo Taiji’s “Sogyeokdong” album, Nike’s Park Ji-sung CF, and Samsung Galaxy Note 2. He was selected as a representative Korean artist for the 2018 PyeongChang Winter Olympics (15 Featured Korean Artists), and in 2020, he created the concept art for the tvN drama “It’s Okay to Not Be Okay.”

Currently, Jamsan is widely loved for his “Red Chair” and “Rose from the Star” series. Continuing to introduce new bodies of work, he is shaping and expanding a genre he defines as “Surreal Fantasy Painting.”

Tat or Nattee Sujithara was born in Bangkok in 1983. He received a Bachelor Degree of Fine Arts in Painting from Chiang Mai University in 2006. After graduation, he opened a solo exhibition ‘Color of Life’ at Neilson Hays Library in Bangkok in 2009. He later took on many portraiture and illustration projects, and also worked on ideas for next exhibitions. With more experiences in an art world, he decided to be a full-time professional artist and opened his second solo exhibition ‘Circle of Thought’ at The Meeting Room Art Gallery in 2019. He received the Triennale Prize in Drawing Category from the 5th Bangkok Triennale International Print and Drawing Exhibition, at Bangkok Art & Culture Centre in Bangkok. He currently works and resides with his family in Chiang Mai. 


Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art.

Yoo Suzy work explores the connections between nature and people, between the self and others. She paints ordinary experiences and memories with a personal touch. Her paintings of landscapes and memories resemble real scenes while blending personal impressions and sensations, with the size, color, and form of subjects freely interchanging and overlapping each other fluidly. The "continuity" in her paintings encompasses all shapes of connection that are naturally assigned at birth and continue to link somewhere throughout life. Her works, written as daily records like a diary, are expressed through various materials and techniques, expanding personal stories into universal narratives that connect everyone.

Japanese artist Ken Kagami is known for his brashly humorous and playfully erotic works that involve stuffed toys, exposed genitals and bodily functions. Often merging Pop figures with bizarre, appropriative add-ons or colorful appendages, Kagami challenges contemporary Pop art sensibilities. The artist is also known for his collaborations with the band Deerhoof and since 2010, Kagami has operated the Strange Store, a retail space in Tokyo that sells clothing, objects, and printed ephemera.

Stripping away the symbols that we indifferently encounter daily, Kim depicts the unreadable shapes on canvas. The artist’s refusal of readily accepted norms of social symbols feels both lighthearted and romanticized in her art.

WAL, Wal Chirachaisakul (born in 1991) is an artist of oil paintings, printmaker, and a trailblazer in the art scene for a decade. Emerging from a family deeply passionate about the business of playthings, WAL found unwavering support and genuine enthusiasm for art within his family, which has been a constant pillar throughout his artistic journey. Starting his artistic exploration at College of Fine Arts , WAL later pursued advanced studies in the Department of Painting, specializing in printmaking, at Silpakorn University. During his academic pursuits, WA;L’s artistic prowess shone through, earning him prestigious awards, notably clinching the championship in Mezzotint art competitions both domestically and internationally, spanning Japan, Russia, Canada, and more.

Haafiz Shahimi (b.1986) known as APIS, whose interdisciplinary work spans through printmaking and performance art. APIS began exploring pyrography print in 2014, developing a unique style rooted in Malaysian print and textile traditions. Inspired by batik printing, he created metal matrices depicting cultural and mythological imagery, heated and applied to surfaces like canvas and jute. His experimental approach to temperature variations led him to explore new pyrographic techniques, blending art with scientific principles of thermodynamics. APIS’s work often delves into dualities—science and mythology, East and West, physics and philosophy—establishing him as a boundary-pushing figure in contemporary Malaysian art.

Through his innovative techniques, including pyrography, inverted burn, and direct chemical and petrol burns, APIS has introduced a unique fusion of traditional and industrial materials to his practice. Recently, he combined automotive paint with pyrographic methods to produce vibrant, reflective pieces for Art Central Hong Kong, creating visuals with accidental markings and intentional deconstruction. After a decade, he also returned to the meticulous process of rod-based pyrography to evoke the appearance of charcoal lines, as seen in his recent work, "Desire", which showcases the culmination of his 13-year journey. APIS's impact lies in his transformative approach, which continues to challenge conventional art practices and redefine the scope of Malaysian contemporary art.

Lugosis is a contemporary artist, tattooer, and graffiti writer from Italy, currently based in Berlin. His work is heavily inspired by cartoons and animation from various origins, through which he explores biographical events, social connections, and youth culture.


Takuya Kamioka naturally began his journey in art under the influence of his grandfather and father, who were both painters and illustrators. However, the most decisive moment in his artistic journey was his childhood exposure to hip-hop music and street graffiti. This experience ignited a significant cultural and artistic inspiration in him, and to this day, street culture remains deeply rooted in his work. He focuses on capturing the beauty of harmony and contrast created by light and reflections in everyday landscapes, rather than symbolic subjects. He combines his own photography with imaginative elements to create dreamlike atmospheres in his paintings. He has consistently collaborated with companies and brands such as REEBOK, ADIDAS, TORIBA COFFEE, and DOUTOR, as well as musicians like FUJII KAZE, AWICH, ANARCHY, KOHH, and KANDYTOWN.

Lee Koz, through her artwork, delivers a deep contemplation on profound themes. The boundaries between memory and dreams, and the translational gaps and accompanying confusion that emerge from these boundaries, are experiences many people encounter but find difficult to articulate clearly. The artist attempts to represent these intricate concepts through her paintings. She explores how techniques evolve between the history of representation and the desire for documentation. Reproduction raises questions about what and how we remember, and these questions play a central role in a artist's creations. Lee Koz communicates his unique perspective on memory, dreams, and the spaces in between through her art. By addressing these topics, she connects with the lives of all, providing an opportunity for deeper thought and self-reflection.

the Temple of Doom no.2

S2340 Olive

우주의 신용도

Vicinity

Flying

Untitled

Essence_2

Drip

Evolution Involution

Möbius strip

lotus

Fuel Spills#3

seascape

When we are still

Sweet Dream

Lingers 1

Lingers 2

Response

The day I was sitting for a long time

A damp and unclear night

A photo taken in front of the flower shop

I waited for you

Reflect 1

Answer

Rice ball

Holiday

December

Reflect 2

Gentle Ghost

Happiness is a warm gu(m)

Temperature

Outside of Light 2

Image of an image

Expression

Affect

Remains

Incident Light

The Weight of Skin

Hands

Low Light

Impression

틀과 줄기 (Frame and Stem)

부품 키트 (Component Kit)

뒤집어진 개구리 (The Upended Frog)

머리맡의 괴물들 (Monsters at My Bedside)

산호와 조개껍데기 (Corals and Shells)

정감 2 (Affect 2)

시선 (The Gaze)

향하는 손 Reaching Hand

기억 Retention

프레임 Frame

Uncontained

Eye Contact

ICON

Another Object

Object

The End of One’s Gaze 2

The Coral and The Conch

Mobile

A Shell Grave 3

Butterfly Shadows Over the House

Two Wrapped Offerings

A Perfectly Ordinary Scene

OUTER SPACE EXPLORATION KIT

A Pyre in Flames

Crumpled paper

Hallucinatory hero

The Scientist's room

Show Window

A Piece of light

Night view

Weird space 1

Great void

A List of Things

Broken sign

Flexible frame

Melting Statue

Flesh 1

Heart

Heart 2

Melting Santa

Green Beans

Outside of Lights 1

Beyond the Fingertips

Place of Gaze

The Shadow of an Object

Beneath the Skin

Remains 2

Trace

A Single Flower

Hand, Light, Shadow

Red Gem

From Behind

Tension 3

100 Keys

Flesh 3

Overload Image

The Sinking Glass

Ghost Flowers

Flesh 2

The End of One’s Gaze 3

Face

Fall Asleep

Empty Frame

A Shell Grave 2

A Shell Grave 1

A Pile of Shells 2

Flesh Without Flesh

Bouquet

Unremember Me

Guernica Redacted (After Picasso's Guernica, 1937)

Frank Gehry, Catalogues Raisonnés ﻿of the drawings, Vol. 1

F$CK

INNER UNITY

Red Chair (04)

A Certain Blacksmith Shop

The Blue House

The Square

The Rose from the Stars

The Horse and the Carrot

Poetry of the Stars

RED CHAIR

ROSE FROM THE STARS

IT’S OKAY

Rose from the Stars (16)

Rose from the Stars (12)

Rose from the Stars (20)

Rose from the Stars (13)

Rose from the Stars (17)

Red Chair (03)

Rose from the Stars (25)

Rose from the Stars (24)

Rose from the Stars (23)

Rose from the Stars (22)

Rose from the Stars (07)

Red Chair (02)

Rose from the Stars (26)

Rose from the Stars (02)

Rose from the Stars (09)

Red Chair (01)

Rose from the Stars (05)

Rose from the Stars (19)

Rose from the Stars (18)

Rose from the Stars (15)

Rose from the Stars (14)

Rose from the Stars (01)

Rose from the Stars (03)

Rose from the Stars (21)

Rose from the Stars (11)

Rose from the Stars (04)

Rose from the Stars (06)

Rose from the Stars (08)

Rose from the Stars (10)

Albino space kids no. 4

Albino space kids no. 2

To the Moon

You are your own rainbow

Pablo Picasso's catalogue raisonné by Christian Zervos

PICASSO, COLLECTION DU MUSÉE ZERVOS

Picasso in the Studio, Special issue Revue

Cover Cahiers d'Art Picasso

Parasocial XII

Parasocial I

Parasocial XI

Parasocial X

Spaces Once Held

Parasocial XIII

I'm not Alone

Star Maze

Star With

Green Light

Yellow Light

Red Light

Shooting Star

Crow and Star

Dream

The Blue Bird

Pink Bird