<Reverse> is a piece from the project "Habitat," which signifies a study of the way flat paintings are displayed and their expansion into space. It represents an attempt to expand the domain of painting by applying the connection and method between the artist's current work and living in the same space and reconfiguring and relocating it to new spaces around them. The project centers on flat paintings and includes the surrounding living area and elements that influence them in the exhibition layout. By connecting with environmental elements, it amplifies emotions and often provides clues for conceptualizing future works through installation activities.

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Reverse

<Watchtower#2> is a piece from the project "Habitat," which signifies a study of the way flat paintings are displayed and their expansion into space. It represents an attempt to expand the domain of painting by applying the connection and method between the artist's current work and living in the same space and reconfiguring and relocating it to new spaces around them. The project centers on flat paintings and includes the surrounding living area and elements that influence them in the exhibition layout. By connecting with environmental elements, it amplifies emotions and often provides clues for conceptualizing future works through installation activities.

Watchtower#2

<Ridge#18> is a piece from the project "Habitat," which signifies a study of the way flat paintings are displayed and their expansion into space. It represents an attempt to expand the domain of painting by applying the connection and method between the artist's current work and living in the same space and reconfiguring and relocating it to new spaces around them. The project centers on flat paintings and includes the surrounding living area and elements that influence them in the exhibition layout. By connecting with environmental elements, it amplifies emotions and often provides clues for conceptualizing future works through installation activities.

Ridge#18

<Vessel> is a piece from the project "Habitat," which signifies a study of the way flat paintings are displayed and their expansion into space. It represents an attempt to expand the domain of painting by applying the connection and method between the artist's current work and living in the same space and reconfiguring and relocating it to new spaces around them. The project centers on flat paintings and includes the surrounding living area and elements that influence them in the exhibition layout. By connecting with environmental elements, it amplifies emotions and often provides clues for conceptualizing future works through installation activities.

Vessel

M.F.A Painting College of Fine Art, Kookmin University, Seoul, Korea 

B.F.A Painting College of Fine Art, Kookmin University, Seoul, Korea

<Coolness and Freshness>, Soyang Gotaek, Wanju, Korea

<SeosangWoohwa>, Galley Bank, Seoul, Korea

<Watchtower>, Yangpyeong Art Museum, Yangpyeong, Korea

<From deer to leopard>, Space Sun+, Seoul, Korea

<Eye to see the ridge>, Collabomarket, Seoul, Korea

<The beat, that I remember>, Gallery DOS, Seoul, Korea

<Indusprism_have no wish>, Jeongnimri Gallery, Yanggu, Korea

<Bodhi tree world>, Gallery DOS, Seoul, Korea

<Trajectories>, Schema Art Museum, Cheongju, Korea

<Ambiguous murmur, but a shining microcosm>, Danwon Art Museum, Ansan, Korea

<Evolving art language_painting>, Cheongseok Gallery, Cheongju, Korea

<The Sideways Glance>, Samyook bldg, Seoul, Korea

<Abstract is verb>, ARTERTAIN, Seoul, Korea

<Brush Strokes>, Gallery palais de Seoul, Seoul, Korea

<Self-Propelled Wheel>, KSD gallery, Seoul, Korea

<Water and Dreams>, Sempio Space, Icheon, Korea

<Shared Isolation>, Kumho Museum of Art, Seoul, Korea

<Fresh blood>, Sempio Space, Icheon, Korea

<Link>, Park Soo Keun Museum, Yanggu, Korea

<Das Schloss(crawling Landscape)>, Total Museum of Contemporary Art, Seoul, Korea

<Voice of East Asia>, Alternative Space Pool, Seoul, Korea

Welcome Residency, Gimhae Cultural Foundation, Gimhae, Korea

Evo Media Residency, Jeollabuk-do Culture and Tourism Foundation, Jeonju, Korea

Studio Residency, Kumho Art Studio, Icheon

Based on an interest in 'how a wishing heart manifests in daily life,' Seokwoo Chung visualizes the energy emitted when a being strives toward something. He is fascinated by the flow of consciousness formed from cause and effect, and by the culture of wishes permeating the mundane. Drawing inspiration from the fundamental cultures of various religions, his current work extends the realm of the canvas by basing it on painting and incorporating installations in space. He implements a device that amplifies the characteristics of each, by going through various processes with painting works that correspond to the nature of specific spaces or places.

Project 'Habitat'

Danwon Art Museum, Ansan, Gyeonggi-do, South Korea

Marketplace

Exhibitions

On View

About

My Page

Marketplace

Exhibitions

On View

About

My Page

Seokwoo Chung

Seokwoo Chung
Seoul, South Korea, b. 1981

Project 'Habitat'

Ambiguous murmur, but a shining microcosm

Marketplace

Exhibitions

On View

About

My Page

Seokwoo Chung

Seokwoo ChungSeoul, South Korea, b. 1981

Project 'Habitat'

Ambiguous murmur, but a shining microcosm

Seokwoo Chung
Seoul, South Korea, b. 1981