Hyundoo Jung gathers subjective conversational language by accumulating brushworks that show the physicality of the senses that arise from the inside. After graduating from the Department of Painting at Hongik University, the artist earned a master’s degree in the Department of Fine Arts at the Seoul National University of Science & Technology and was a resident artist at the Gyeonggi Creation Centre. His paintings reflect the trajectory and substance of the human body, while also being hospitable and evoking a distinct feeling. He repeats the process of his works by reacting intuitively to the colours and images formed by the improvisational movement and the state and concentration of the paint application on the canvas. The image of the stacked layers on the screen exposes a spectrum of colours and the artist’s sensual judgement. Hyundoo Jung also gradually makes the chroma heavier while adding a sense of density of colour. He treats the entire screen of his painitngs as a result of complete abstraction and sensation, as if it were directed from the surface to another kind of space. 

“19.10.30-12.19” attempts to avoid the subjective senses established by empiricism and to transfer phenomenological experiences to the current senses. For artist, painting is not separating from others with a perfectly controllable object, but rather a force that simultaneously conveys the frame of mind and the direction of movement. The learned senses and recollections are transmitted to raw colours and brushstrokes, leaving an atypical signature. The outcome of the overlapping actions extends beyond merely replicating the scene, allowing for active exploration. In the artist’s landscape painting, which has been erased or reduced to shards, the audience can experience a sensation of rhythmic movement and the pleasure that comes with leaving the limitation of the landscape. 

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