Gijeong Goo explores the relationship between humans, machines, and nature by transforming real landscapes into digital imagery through 3D rendering, translating them into video and installation works within physical spaces. In this process, digitally reconstructed landscapes converge with virtual elements, giving rise to an ambiguous sensibility that hovers on the boundary between the real and the virtual.

CHOI&CHOI Gallery was founded in Cologne, Germany, in 2012. Since then, the gallery has built an extensive network of artists and institutions across Korea, London, Paris, Berlin, and Geneva — driven by a commitment to fostering cultural exchange between these regions. A Seoul space opened in Gangnam in 2016, and has since relocated to Yeonhui-dong, a neighbourhood where independent galleries and experimental spaces are forming a community of their own.
CHOI&CHOI has consistently championed Korean contemporary art through ongoing relationships with Korean artists, introducing both local and diasporic Korean contemporary art to international audiences via exhibitions and art fairs.
The gallery's Western roster focuses on emerging talents whose work has gained recognition in their local scenes. CHOI&CHOI is committed to nurturing these artists over time — and to building lasting relationships with both new and established collectors.

CHOI&CHOI Gallery

The Transparent Visual Apparatus no.3

Han Jaehyuk (b. 1993) explores a new painterly language by dismantling and reconstructing hanji and hwaseonji, departing from their conventional functions and inherited meanings. For him, paper is no longer a surface for recording, but a sculptural entity poised between being and non-being. This return to material begins from a state of “emptiness,” where new possibilities emerge through the questioning and suspension of established standards and experience.

"Objecthood" is a concept that emerged from minimalism, often translated as "objecthood" or "materiality." It aims to strip objects of unnecessary elements, focusing on the essence of the object and the inherent properties of the material, to present works that are non-imitative and non-representational.

Based in Busan, Objecthood Gallery seeks to introduce the artistic worlds of emerging domestic and international artists who understand and interpret this pure concept of objecthood. The gallery also serves as a new platform to offer moments of relaxation and leisure in our modern lives.


OBJECTHOOD

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With You (feat. On the Way to the Bean Field #2602), 48 x 30cm

Gallery Belle Vie takes its name from the French phrase La Belle Vie, meaning “the beautiful life.”

Beyond its literal translation, Belle Vie embodies a way of living grounded in warmth, generosity, and a sense of grace in everyday moments.

Established in Seoul in January 2020, Gallery Belle Vie held its first exhibition in September 2021, and has since presented a series of exhibitions that naturally weave contemporary art into life and space. By curating a dynamic range of exhibitions each year, the gallery seeks to engage with the current moment of contemporary art while discovering and highlighting new perspectives from artists both in Korea and abroad.

We believe that when art dissolves the boundary between daily life and personal space, life expands beyond routine and opens into an intimate realm of perception. Gallery Belle Vie aims to be a companion in that journey—guiding viewers to discover their own aesthetic language and to broaden the horizons of their inner world.

Gallery Belle Vie

With You (feat. On the Way to the Bean Field #2602)

With You (feat. On the Way to the Bean Field #2601), 48 x 30cm

With You (feat. On the Way to the Bean Field #2601)

함께 노닐다 (feat. 우키요에 파도) 

Drifting Togeher (feat. Ukiyo-e Waves)

Night of Waiting #2502

Description
A work dedicated to the small creature that exists closest to life itself — the one we find ourselves watching and caring for. The weight of its presence, grown quietly through an exchange of glances, is captured in pixel form. This work was realized from a winning idea submitted through 'Joo Jaebum Arena,' a collaborative project with blockchain platform CONX, inspired by AzacielXD.

아르투(Artue)는 동시대 예술 현장의 역동성을 자양분으로 삼은 역량 있는 예술가들의 작품을 엄선하여 생동감 넘치는 미술의 본질을 세계에 알리는 데 헌신하고 있습니다. 예술가들을 위한 플랫폼 구축은 갤러리, 컬렉터 및 미술 애호가들을 연결해 지리적, 물리적 경계를 넘어선 총체적 경험을 제공하려는 아투의 핵심 미션과 연결됩니다. 아투를 통해 매력적인 미술의 세계를 발견하고 그 어디에서도 만날 수 없는 기회를 경험해 보시기 바랍니다. 

Artue is dedicated to bringing the vibrant essence of art to the world stage, presenting a curated selection of works by talented artists who embody dynamic contemporary scenes. By creating a platform for these artists, we foster connections among galleries, collectors, and art enthusiasts, offering an immersive experience that transcends geographical boundaries. Discover the captivating world of contemporary art through Artue and unlock unparalleled opportunities for growth, exposure, and success. Join us in celebrating the diverse and remarkable contributions of artists to the global art community.

Artue - Korea

Small Yet Great Cuteness, Inspired by AzacielXD

Description
A work capturing the city as countless beings gather in fragments to form a single, continuous flow. Set against the nightscape of Seoul, the rhythm felt within that ceaseless movement is rendered in the language of pixels. This work was realized from a winning idea submitted through 'Joo Jaebum Arena,' a collaborative project with blockchain platform CONX, inspired by KDS.

A Flow of Countless Small Movements Inspired by KDS

Beyond the dawn

A Tiny Comfort

The Rain Approaches 5

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Tangerine warehouse 38

RCB Experimental Art Lab, an innovative project by River City Bangkok, is more than just a gallery—it’s a dynamic space where artistic boundaries are pushed, and new horizons are explored. We encourage a variety of artists, both new and experienced, to "Explore" unexplored creativity, "Experiment" with ideas and stories from various art media, and "Exchange" conversations between Thai and international artists to spark new creativity. We also intend to provide a platform where artists, viewers, and collectors may share ideas and support. The talented artists ; Art Jeeno, Chonnapas Yokyai, FAHFAHS, Munins, Phichai Keawvichit, Tuagomstudio, Tum Ulit, and WAL, have all shown their work with us.

RCB Experimental Art Lab

The Night The Roots Didn't Hold

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Gijeong Goo’s practice begins by interrogating the conditions through which images are produced and the hidden structures that sustain them. Transforming real landscapes into digitally rendered imagery and reconfiguring them as installations in physical space, he explores the intersections of humans, machines, and nature. Oscillating between sensation and perception, reality and virtuality, structure and interpretation, his work ultimately raises critical questions about how images are constructed and perceived within today’s multi-layered visual environment.

Jaehyuk Han creates new forms of painting by transforming traditional Eastern materials like Hanji and Hwasunji into his unique visual language. His work deconstructs and reconfigures familiar elements, generating unfamiliar images that provoke deep reflection. Through this process of transformation, Han invites dialogue with the inner self, opening pathways to new possibilities and creative potential.

Artist JaeBum Joo is a leading figure in the realm of pixel art in South Korea, garnering international acclaim for his distinctive vision. He has collaborated with an array of prestigious global brands, including Google, Starbucks, Nexon, Gentle Monster, Adobe, Uniqlo, Hypebeast, and entertainment giants such as SM, YG, and JYP. Through these partnerships, he has firmly established himself as a singular force in the world of illustration, all while pursuing his personal artistic endeavours with unwavering curiosity and innovation.

His work is deeply rooted in personal experience and perception. Having discovered his artistic identity through the 8-bit graphics of the cartoons and animations he grew up with, he has seamlessly woven nostalgia with contemporary technology to cultivate a style uniquely his own. For him, pixels are not merely a nod to retro aesthetics; they serve as a bridge between digital interfaces—such as animation and gaming—and the language of traditional painting, unlocking new dimensions of expression. In his hands, pixels transcend their conventional role as the smallest unit of a screen, becoming colour, form, and a sensory experience in their own right.

Small Yet Great Cuteness

A Flow of Countless Small Movements

Wichuda Khuntijit (b. 1999) is a rising voice in the new generation of Thai female artists, known for her quiet strength and unwavering dedication to her craft. She holds a Bachelor’s degree in Visual Arts from the Faculty of Fine Arts.

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