Germany-based Jieun Choi creates abstract narratives that capture fleeting moments and inner psychological landscapes. Through the delicate interplay of form and atmosphere, she explores the boundaries between abstraction and figuration, consciousness and intuition.

Gallery STAN is a contemporary art gallery based in Seoul, dedicated to presenting bold and thought-provoking works by emerging and established artists from Korea and beyond. Founded with a vision to serve as a dynamic platform for experimental narratives and cultural dialogues, the gallery is committed to fostering artistic practices that engage with the complexities of our time.

Through solo and group exhibitions, public programs, and interdisciplinary collaborations, Gallery STAN seeks to blur the boundaries between visual art, performance, design, and new media. The gallery places a strong emphasis on curatorial experimentation and social relevance, offering both local and international audiences a space to encounter new ideas and perspectives.

As an active player in the global art ecosystem, Gallery STAN also participates in major art fairs and collaborates with institutions, collectors, and curators to support the long-term growth of its artists. At the heart of its mission lies a belief in art’s ability to question, connect, and transform.

Gallery STAN

Slow Dream

More than You

 Digital graphics have evolved from the era of sharply defined square pixels to ever smoother and more refined imagery. However, from the perspective of pixel art, this transformation can be seen as a process that diminishes the unique charm of the pixel itself. With this in mind, this piece preserves traces of pixels like sculpted fragments, serving as the outcome of an artistic exploration into the distinctive expressive possibilities that only pixel art can offer.

CDA is a gallery stands for ‘Creative’, ‘Discovery’, and ‘Appreciation’. The gallery mainly presents creative activities in various fields of contemporary visual arts in the form of exhibitions. CDA exhibition mainly focuses on paintings but subjects to all kinds of genres and mediums such as sculpture, prints, photography, animation, and video. The form of the exhibitions is also balanced, with a mix of solo and group exhibitions, as well as art fairs and collaborative projects. We sincerely hope that our activities will serve as a spark for the realization of meaningful projects for creators(artists) and an opportunity for audiences to expand their inspiration and collecting.

Scattered Memories 10

Obsession

Smile

Maria

Unsung Requiem

Shatterd Bonds

Sisters

Peter Ravn explores the existential conditions of being human in contemporary society. Through the loss of identity, control, and certainty, he exposes the latent tension that defines modern existence. His figures appear simultaneously as agents and as victims, inhabiting a liminal state between action and surrender. Rather than offering a linear narrative, Ravn constructs staged scenes and cinematic mise-en-scènes that invite the viewer’s interpretation. His visual language, informed by his background in graphic design and film, evokes theatrical moments of conflict and reflection—an aesthetic inquiry into the psychological and social dimensions of anxiety.

Architecture is a practice of space and design—and also of sociology, history, philosophy, literature, and more; it is art in action and interaction, use and relation. Directed by an architect, “The Untitled Void” is a space intended for thought, inviting the formulation of new and living questions rather than the simple display of packaged conclusions.

The Untitled Void values collaborative process as a part of our curatorial approach. We are committed to showcasing artists and projects that trouble binaries and transcend the ego, boldly engaging the issues of our shared past, present, and future. We place no limits on genre or medium; we love to be surprised and challenged.

The Untitled Void

Group Dynamics Team Formation No. 1

Siesta

Look at Me!

Sujin Lee captures the quiet, psychological unease embedded in the everyday. Borrowing emotionally neutral imagery—film stills, mundane objects, and diagrammatic forms—she turns them into compositional experiments that probe the instability of feeling. By revealing only fragments of the human figure or treating still life as a kind of portrait, Lee transforms personal experience into a shared sensibility. Her paintings balance tension and stillness, strangeness and calm. In her work, anxiety becomes not a singular emotion but a medium for painterly exploration, reframing how emotion itself can be seen and understood.

Night’s Edge

Secret Rave

Masked People

Minor Friction

Digital graphics have evolved from the era of sharply defined square pixels to ever smoother and more refined imagery. However, from the perspective of pixel art, this transformation can be seen as a process that diminishes the unique charm of the pixel itself. With this in mind, this piece preserves traces of pixels like sculpted fragments, serving as the outcome of an artistic exploration into the distinctive expressive possibilities that only pixel art can offer.

Scattered Memories 6

Finale

Born in 1992, Jieun Choi majored Korean painting at Dongguk University and continued her studies at the National University of Arts in Karlsruhe. Currently, she is pursuing her artistic career in Germany. At the heart of her artistic expression is the creation of abstract images, skillfully capturing the transient and ephemeral qualities of the moment.

Choi seamlessly integrates the soft curves of her subjects with abstract backgrounds, crafting a unique visual narrative that places her characters within a distinctive and captivating realm. Through this, she delves into the intricate and nuanced aspects inherent in the linguistic and subtle nature of the human body. The artist pursues mysterious, intuitive, and sensorial expressions, skillfully capturing the inner narratives and psychological realms of her characters through the intricacies of their gaze and tension.

The artist's creative process navigates the delicate balance between abstraction and concreteness, cycling through phases of creation and destruction. She sculpts her narratives with unexpected forms and situations, elevating the tension and mystery of the characters through moments of anticipation and unwavering pursuit.

Choi endeavors to immerse viewers in an experience of intuition and empathy by infusing her characters' gestures and gazes with profound meaning. In doing so, she cherishes the exploration of boundaries between the unconscious and conscious realms, forging innovative narrative structures. Through this distinctive approach, Choi actively seeks profound engagement with the audience, persistently delving into the dynamic exchange of meaning and emotions within the realm of art.

Artist JaeBum Joo is a leading figure in the realm of pixel art in South Korea, garnering international acclaim for his distinctive vision. He has collaborated with an array of prestigious global brands, including Google, Starbucks, Nexon, Gentle Monster, Adobe, Uniqlo, Hypebeast, and entertainment giants such as SM, YG, and JYP. Through these partnerships, he has firmly established himself as a singular force in the world of illustration, all while pursuing his personal artistic endeavours with unwavering curiosity and innovation.

His work is deeply rooted in personal experience and perception. Having discovered his artistic identity through the 8-bit graphics of the cartoons and animations he grew up with, he has seamlessly woven nostalgia with contemporary technology to cultivate a style uniquely his own. For him, pixels are not merely a nod to retro aesthetics; they serve as a bridge between digital interfaces—such as animation and gaming—and the language of traditional painting, unlocking new dimensions of expression. In his hands, pixels transcend their conventional role as the smallest unit of a screen, becoming colour, form, and a sensory experience in their own right.

Discovery

Exhibitions

3D On View

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