Ho Sangun captures familiar yet strange scenes encountered in everyday life or while moving from place to place, recording them through photographs and drawings made with paper and colored pencils. Chosen for their ease and accessibility as recording tools, paper and colored pencils have become defining materials in Ho Sangun’s practice; they allow him to contain moments that might seem trivial or insignificant, sometimes spontaneously, sometimes with great delicacy, while pinpointing meaningful details within them.

Through the act of “drawing,” Ho Sangun has long communicated with the world—listening to others’ stories, living as an observer, and speaking about what he sees. If Hosanggeun Reproduction Center, a project he has sustained for over a decade, represents a way of remaining open to the world by “listening” to the stories of others, then drawing—his primary practice—functions as an act of “speaking.” Through drawing, he narrates what he has observed while drifting and moving through life, as well as what he has encountered by chance.

GALLERY IN, located in Yeonhui-dong, Seodaemun-gu, is a space dedicated to making Contemporary Art easily accessible and friendly to the public. We aim to introduce artists, both domestic and international, fostering communication with art lovers through various exhibitions. GALLERY IN annually showcases an exhibition featuring Japanese craft artists. We have plans to create various projects beyond crafts in the future.

GALLERY IN

Punching Machine Wearing a Fur Hat

Waiting to Toilet

Winter Tree 3

Ho Sangun captures familiar yet strange scenes encountered in everyday life or while moving from place to place, recording them through photographs and drawings made with paper and colored pencils. Chosen for their ease and accessibility as recording tools, paper and colored pencils have become defining materials in Ho Sangun’s practice; they allow him to contain moments that might seem trivial or insignificant, sometimes spontaneously, sometimes with great delicacy, while pinpointing meaningful details within them.

Through the act of “drawing,” Ho Sangun has long communicated with the world—listening to others’ stories, living as an observer, and speaking about what he sees. If Hosanggeun Reproduction Center, a project he has sustained for over a decade, represents a way of remaining open to the world by “listening” to the stories of others, then drawing—his primary practice—functions as an act of “speaking.” Through drawing, he narrates what he has observed while drifting and moving through life, as well as what he has encountered by chance.


Way to Toilet

Bread Eaten in the Middle

Hair Touching the Floor

n the works of Son Jeong-gi (b. 1991), nature unfolds as a space of overwhelming scale. A single small figure set within vast landscapes reveals both the minuteness of human existence and the profound depth of contemplation that becomes possible within silence. Standing before his paintings, viewers experience an inner expansion borne from the stillness of nature.

Amid an era of noise and information overload, Son guides us toward recovering silence, calm, and inner reflection. Viewers step into the scene as the lone figure, walking through quietness and entering a state of contemplation. That tranquility empties the self, opening a space that can be filled again—a space where new insight and subtle movement emerge even within a moment that appears completely still.

"Objecthood" is a concept that emerged from minimalism, often translated as "objecthood" or "materiality." It aims to strip objects of unnecessary elements, focusing on the essence of the object and the inherent properties of the material, to present works that are non-imitative and non-representational.

Based in Busan, Objecthood Gallery seeks to introduce the artistic worlds of emerging domestic and international artists who understand and interpret this pure concept of objecthood. The gallery also serves as a new platform to offer moments of relaxation and leisure in our modern lives.


OBJECTHOOD

Walking Alone

In the works of Son Jeong-gi (b. 1991), nature unfolds as a space of overwhelming scale. A single small figure set within vast landscapes reveals both the minuteness of human existence and the profound depth of contemplation that becomes possible within silence. Standing before his paintings, viewers experience an inner expansion borne from the stillness of nature.

Amid an era of noise and information overload, Son guides us toward recovering silence, calm, and inner reflection. Viewers step into the scene as the lone figure, walking through quietness and entering a state of contemplation. That tranquility empties the self, opening a space that can be filled again—a space where new insight and subtle movement emerge even within a moment that appears completely still.

Beyond Uncertainty

Fruit Offering for Nine

No Parking with drawing

After Work in the Toilet

Knee Button

Floating Parking

Dog in a Cast

Speedy Snoopy

Love of Pigeons

Resting in a Pot

Pigeons in the Bath

n the paintings of Son Jung-gi (b. 1991), nature unfolds as a space of overwhelming scale. A single small figure within the vast landscape reveals how minute human existence can be, and yet how profoundly one is able to contemplate within such quietude. In his works, the viewer encounters an expansion of the inner self through the stillness that nature affords.

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