
Artist Miseon Yoon (b. 1979) majored in textile art at Hongik University was introduced to the art scene with her patchwork in 2009. The pieces of fabric that are dyed and cut into different shapes represent portraits and these were sewn over and over again countlessly. According to the artist, she was under pressure from her family when she was young because she did not fit into the society’s ideal standards. Under the pressure of comparison and contempt with violent language, she was left with a deep internal wound and engulfment of unresolved anxiety. Her patchwork, which nails the questions and concerns about good and evil, human nature, and the anxiety followed along, symbolizes the extremely desperate and tragic self. After suffering a shoulder injury from the Face-to-Face solo exhibition in 2017 in which she worked painfully with anxiety as its source, she finally attempted herself to be free from the patchwork. Did the painful work itself act as a way to relieve anxiety for the artist? While experimenting various executions of her artwork, the artist tried to redirect herself from her serious pain and distorted gaze on others into positivity Aspects of Cubism can be found in her artwork which visualizes analytical interpretation by gradually adding delicate aspects to the shapes of the objects. The organic figures which compose the characters in the artwork and the spheres as the major component of the expression, the Balance Ball, is the artist's own language when dealing with anxiety. Her change was reflected in responding to the fate of human beings of anxiety and fear with a flexible, spherical attitude toward life. The Balance Ball that flows freely on the paper is the artist's unique point of view that reveals the emotional darkness in the purest form. The work with graphite in pencils captures emotions of the various people with outstanding details that acrylic or oil painting cannot display.
Artwork details+
- Medium
- Pencil and acrylic on hard paper
- Size
- 70 cm x 50 cm x 3 cm
- Year
- unknown
- Signature
- Miseon Yoon
- Framing
- 71 cm x 51 cm x 4 cm
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction

Yoon Miseon (b.1979) works from the conviction that a portrait is not a record of an outward appearance but a form that emotion takes as it pushes toward the surface. Looking at portraiture from classical painting through to the present, she reads the tension held behind an expression and the density of feeling that never becomes visible, and she takes that reading as the starting point of her own work. The figures she paints are unnamed others whose bodies lose their correct shape and are broken down into lines and planes before being reassembled, in a manner where the structural dismantling of Cubism and the emotional gesture of Abstract Expressionism sit together. For her the human body is a vessel that holds feeling, so distortion is not the destruction of a form but the necessary surfacing of what has been held down. Torn divisions of line and planes of differing density register the intensity of that pressure, while the collision of unlike materials across the canvas gives each work its own rhythm. Having studied textile art and worked for several years as a designer, she came to painting through portraits pieced together from fabric, and from around 2018 drawing became the foundation of her practice as her own hand replaced the mechanical processes behind the earlier works. Built up in repeating spheres and shaded in graphite, her figures hold no fixed identity, existing at once as another person and as herself. What her work traces is the passage through which private unease is transformed, by way of someone else's form, into an image of a more universal anxiety.
Go to artist page →
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Go to gallery page →Artist Miseon Yoon (b. 1979) majored in textile art at Hongik University was introduced to the art scene with her patchwork in 2009. The pieces of fabric that are dyed and cut into different shapes represent portraits and these were sewn over and over again countlessly. According to the artist, she was under pressure from her family when she was young because she did not fit into the society’s ideal standards. Under the pressure of comparison and contempt with violent language, she was left with a deep internal wound and engulfment of unresolved anxiety. Her patchwork, which nails the questions and concerns about good and evil, human nature, and the anxiety followed along, symbolizes the extremely desperate and tragic self. After suffering a shoulder injury from the Face-to-Face solo exhibition in 2017 in which she worked painfully with anxiety as its source, she finally attempted herself to be free from the patchwork. Did the painful work itself act as a way to relieve anxiety for the artist? While experimenting various executions of her artwork, the artist tried to redirect herself from her serious pain and distorted gaze on others into positivity Aspects of Cubism can be found in her artwork which visualizes analytical interpretation by gradually adding delicate aspects to the shapes of the objects. The organic figures which compose the characters in the artwork and the spheres as the major component of the expression, the Balance Ball, is the artist's own language when dealing with anxiety. Her change was reflected in responding to the fate of human beings of anxiety and fear with a flexible, spherical attitude toward life. The Balance Ball that flows freely on the paper is the artist's unique point of view that reveals the emotional darkness in the purest form. The work with graphite in pencils captures emotions of the various people with outstanding details that acrylic or oil painting cannot display.
Artwork details+
- Medium
- Pencil and acrylic on hard paper
- Size
- 70 cm x 50 cm x 3 cm
- Year
- unknown
- Signature
- Miseon Yoon
- Framing
- 71 cm x 51 cm x 4 cm
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction







