Jonghwan Lee attempts to extract the vitality of painting from the illusion of paintings medium's physical relationship. For this purpose, he frequently combines pictures from his prior works with new elements. Instead of being recognised for what the image itself represents, they are recognised as a material for paintings. Through the interaction between image and medium, vision and reality, the artist evokes the painting with a subjective vital eye. In addition, while he dissects, penetrates, deconstructs, examines the relationship between pictures produced in paintings and mediums, and investigates the 'vitality of painting.' The process begins with the hypothesis and repeats as 'production-observation-confirmation-hypothesize-resetting'. There are no such things as an independent project; rather, they are interconnected, moving forward and continuously reflecting.

“Wipe #1” is the first of four stages of a project with an organic structure that examines the disparity in access to materials and places that occur in planes and stereos. By this, he attempts to dismantle the illusion of painting by, among other things, applying sculptural techniques to paintings. Images on the canvas are created by actively utilizing calculated methods for visual space, such as perspective, overlap, symbols, color, and variations of reflected light, flowing liquid, and interfering phenomena. Through the work, the audience can have a three-dimensional experience verifying the actual space concealed within the painting, rather than the sculptures’ or painting’s distinct borders. 

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