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Joan Miró b. 1893Joan Miró, Revue, 2018
Listed by Cahiers d'Art
31.5 cm x 24.5 cm
Edition of Edition of 1200
Includes a Certificate of Authenticity

$113

About the work

The new Revue Cahiers d’Art 2018 revisits the works and the relationship between Miró and Cahiers d’ Art through an anthology of the most beautiful texts published in the review. It also presents unpublished objects and pieces from the artist’s collection. The cover of this review is a screenprint from a stencil made by Miró for issue 1-4 of 1934. The issue also includes an interview with Staffan Ahrenberg and Miquel Barceló, as well as works by Helen Marten, Koo Jong A and Karel Malich. Miró is indeed present in Cahiers d’Art from the first year (1926) to the last one (1960). He notably designed several covers of the magazine and it was in issue 4-5 of the year 1937 that he published the famous Help Spain.

Artwork details+
Size
31.5 cm x 24.5 cm
Year
2018
Edition
Edition of 1200
Certificate
Certificate of Authenticity issued by the gallery
Shipping & taxes+
Shipping
  • Ships from the gallery's location (set per work, defaults to the gallery address)
  • Cost calculated at checkout by destination
  • Optional full insurance in transit
  • Usually ships within 10 business days, fine-art packed
  • In-person pickup available for some works (no shipping fee)
Taxes & customs
  • Listed price may include VAT applicable in the seller's country or the work's place of shipment
  • Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
  • These are assessed by the destination customs authority and billed separately by the carrier
  • Sales tax may be added at checkout depending on jurisdiction
For general guidance only — not legal or tax advice. Obligations vary by jurisdiction.
Joan Miró
Joan Miró
Barcelona, Spain · b. 1893

Joan Miro was a Catalan artist born in Barcelona in 1893. A painter, sculptor, engraver, and ceramist, Joan Miro was one of the main representatives of the Surrealist movement, marked by the exuberant character of his native province. In the beginning, he showed strong Fauvist, Cubist, and Expressionist influences before evolving towards a flat painting marked by a certain naivety and then sliding towards a more dreamlike work in a Surrealist spirit. From 1923 onwards, he created a style free of cubism in which a fantastic universe populated by strange symbols and geometric forms was born from his imagination. Miro tends towards an original combination of sometimes disturbing and sometimes joyful elements that plunge into the unconscious, the imagination, and poetry. His world is often magical and strange. Over time, his paintings become more abstract and the forms more organic, even though a theme is always recognizable.

Go to artist page
Cahiers d'Art
Cahiers d'Art

Founded in 1926 by Christian Zervos at 14, rue du Dragon in the heart of Saint-Germain-des-Prés, Cahiers d’Art encompasses a publishing house, a gallery, and a revue. The Cahiers d’Art Revue was entirely unique when it was introduced, and it still is: a revue of contemporary art defined by its combination of striking typography and layout, abundant photography, and juxtaposition of ancient and modern art. Between the 1920s and the mid-1970s, Cahiers d’Art published ninety-seven issues of the Revue and more than fifty books on fine art and architecture, as well as the thirty-three volume catalogue raisonné of Pablo Picasso. After its acquisition and relaunch in 2012 by Staffan Ahrenberg, an editorial board comprised of Sam Keller, Hans Ulrich Obrist, Isabela Mora, and Staffan Ahrenberg was created. Cahiers d’Art has since published several new Revues and art books devoted to Ellsworth Kelly, Rosemarie Trockel, Hiroshi Sugimoto, Alexander Calder, Pablo Picasso, Thomas Schütte, Gabriel Orozco, Joan Miró, Lucas Arruda, Ai Weiwei, Arthur Jafa, Frank Gehry, Christo, and others. From the 1920s till today, Cahiers d’Art has maintained a gallery, exhibiting the artists it publishes. Cahiers d’Art continues to fulfill its mission to be the cultural bridge between the avant-garde of Picasso, Duchamp, and Le Corbusier, and the leading artists and architects of our time.

Go to gallery page
Joan Miró b. 1893Joan Miró, Revue, 2018
Listed by Cahiers d'Art
31.5 cm x 24.5 cm
Edition of Edition of 1200
Includes a Certificate of Authenticity

$113

About the work

The new Revue Cahiers d’Art 2018 revisits the works and the relationship between Miró and Cahiers d’ Art through an anthology of the most beautiful texts published in the review. It also presents unpublished objects and pieces from the artist’s collection. The cover of this review is a screenprint from a stencil made by Miró for issue 1-4 of 1934. The issue also includes an interview with Staffan Ahrenberg and Miquel Barceló, as well as works by Helen Marten, Koo Jong A and Karel Malich. Miró is indeed present in Cahiers d’Art from the first year (1926) to the last one (1960). He notably designed several covers of the magazine and it was in issue 4-5 of the year 1937 that he published the famous Help Spain.

Artwork details+
Size
31.5 cm x 24.5 cm
Year
2018
Edition
Edition of 1200
Certificate
Certificate of Authenticity issued by the gallery
Shipping & taxes+
Shipping
  • Ships from the gallery's location (set per work, defaults to the gallery address)
  • Cost calculated at checkout by destination
  • Optional full insurance in transit
  • Usually ships within 10 business days, fine-art packed
  • In-person pickup available for some works (no shipping fee)
Taxes & customs
  • Listed price may include VAT applicable in the seller's country or the work's place of shipment
  • Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
  • These are assessed by the destination customs authority and billed separately by the carrier
  • Sales tax may be added at checkout depending on jurisdiction
For general guidance only — not legal or tax advice. Obligations vary by jurisdiction.

$113