Jina Park created in 2017
270 cm
130 cm
Jina Park employs snapshots to capture scenes of the everyday and translates them onto the canvas as paintings. Portraying the colorful expressions of exhibition installation sites, performance rehearsals, and night time sceneries, the platform of paintings allows the audience to look back on the otherwise unnoticed or forgotten mundane life anew. Simply defining painting as “both an image and a material,” Park focuses on its unique materiality. As her working process concentrates on repetitive physical contact with the canvas, the transient moment captured by chance with the camera is reconstructed on the canvas over a prolonged period of time. The fleeting moment that could have been easily bypassed, dons new materiality and temporality. One figure may repeatedly appear in various works, while another figure may appear numerous times within a single frame. Sometimes multiple photographs are rearranged into one composition. As such, Park’s paintings are the products of combining images from various timelines through her own painterly perspective.
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Kukje Gallery, initially founded in Seoul’s Insa-dong by chairman Hyun-Sook Lee in 1982, relocated in 1987 to its iconic K1 building in the heart of Sogyeok-dong, a neighborhood rich with historical and cultural context. Since its inception, Kukje Gallery has served as a vital cultural hub in Seoul, introducing important works by renowned modern and contemporary artists. Major solo exhibitions have showcased the work of internationally acclaimed artists including Louise Bourgeois, Alexander Calder, Anish Kapoor, Robert Mapplethorpe, Candida Höfer, Jenny Holzer, Bill Viola, Ugo Rondinone, Roni Horn, Jean-Michel Othoniel, and Julian Opie. At the same time, Kukje Gallery has been committed to educating collectors and institutions across the globe on Korean art history, as well as promoting the work of some of the nation’s most important artists including Wook-kyung Choi, Kim Yong-Ik, Koo Bohnchang, Ahn Kyuchul, Hong Seung-Hye, Kyungah Ham, Haegue Yang, Sungsic Moon, and Suki Seokyeong Kang. Also a regular participant in international art fairs including Art Basel, in which the gallery has taken part since 1998, Kukje Gallery remains deeply committed to establishing dialogue with international audiences previously unacquainted with Korean art. Equally as important, Kukje Gallery supports important postwar Korean artists including Kwon Young-Woo, Park Seo-Bo, Ha Chong-Hyun, and Lee Ufan. Internationally recognized as the leading champion of “Dansaekhwa (also known as the Korean Monochrome),” Kukje Gallery has introduced these seminal artists into the global art scene. As Collateral Event of the 56th International Art Exhibition – La Biennale di Venezia in 2015, the gallery mounted an unprecedented exhibition of Dansaekhwa artists, celebrating these important figures and providing essential context to recognize their historical contributions. The following year, the gallery launched another special exhibition in collaboration with the Boghossian Foundation in Brussels, titled When Process Becomes Form: Dansaekhwa and Korean Abstraction. In 2018, Shanghai’s Powerlong Museum presented Korean Abstract Art: Kim Whanki and Dansaekhwa, the first-ever comprehensive exhibition of Korean abstract art to be held in China, which established a platform for continued dialogue on the aesthetic impact and ongoing importance of Dansaekhwa internationally.
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