artwork_slide_front_artwork_image_01M3NEG1F9C9B7R58DZ4WXVWKR
Jiho Kim b. 2005Dulgi and me, 2025
Listed by CDA
Oil on canvas
142 cm x 127 cm x 4 cm
Unique work
Includes a Certificate of Authenticity

$3,791

About the work

We have always been here Pigeons are often seen as symbols of peace, love, and freedom, yet the pigeons we pass by every day are generally regarded as dirty, untouchable, and unwelcome. These negative perceptions resonate with how queerness is often perceived in Korea. This series of painting was created to dismantle objectifying, flat stereotypes and to resist queer erasure. I gathered my queer friends — myself included — and painted them as they are, to record and make visible our existence. I hope this work can offer empathy and courage to some, and a chance for understanding to others.

Artwork details+
Medium
Oil on canvas
Size
142 cm x 127 cm x 4 cm
Year
2025
Signature
Hand signed by artist
Edition
Unique work
Certificate
Certificate of Authenticity issued by the gallery
Shipping & taxes+
Shipping
  • Ships from the gallery's location (set per work, defaults to the gallery address)
  • Cost calculated at checkout by destination
  • Optional full insurance in transit
  • Usually ships within 10 business days, fine-art packed
  • In-person pickup available for some works (no shipping fee)
Taxes & customs
  • Listed price may include VAT applicable in the seller's country or the work's place of shipment
  • Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
  • These are assessed by the destination customs authority and billed separately by the carrier
  • Sales tax may be added at checkout depending on jurisdiction
For general guidance only — not legal or tax advice. Obligations vary by jurisdiction.
Jiho Kim
Jiho Kim
Seoul · b. 2005

Jiho Kim paints what is present but rarely looked at — queerness, women, violence: things that sit plainly within society yet go unmentioned, or are addressed only within a fixed frame. The artist describes the work not as healing but as digestion. A sore muscle only loosens if you keep pressing on it, and painting is much the same: a return, again and again, to the uncomfortable places usually left alone. The starting point is always personal experience. Painting something unrelated, something that stirs no feeling, leaves the artist doubtful of the work. So the first stage is to retrieve the emotions pushed into a corner and left unexamined, and to fold and sort them. One is chosen — whichever feels most urgent — and turned over for weeks until a scene surfaces in the mind like a film still. It passes through sketch and photograph before reaching the canvas. The surface is built from many thin layers of oil, blended and rebuilt until a colour that reads as flat from across the room reveals faint shifts up close — the way skin does. This is what draws Kim to the figure, and why the canvases are large. What the work asks for is time: not to be passed by, but stood in front of, approached, and found to hold something new on each looking. Nothing changes, Kim says, unless it is brought out.

Go to artist page →
CDA
CDA
Seoul

CDA is a gallery stands for ‘Creative’, ‘Discovery’, and ‘Appreciation’. The gallery mainly presents creative activities in various fields of contemporary visual arts in the form of exhibitions. CDA exhibition mainly focuses on paintings but subjects to all kinds of genres and mediums such as sculpture, prints, photography, animation, and video. The form of the exhibitions is also balanced, with a mix of solo and group exhibitions, as well as art fairs and collaborative projects. We sincerely hope that our activities will serve as a spark for the realization of meaningful projects for creators(artists) and an opportunity for audiences to expand their inspiration and collecting.

Go to gallery page →
Jiho Kim b. 2005Dulgi and me, 2025
Listed by CDA
Oil on canvas
142 cm x 127 cm x 4 cm
Unique work
Includes a Certificate of Authenticity

$3,791

About the work

We have always been here Pigeons are often seen as symbols of peace, love, and freedom, yet the pigeons we pass by every day are generally regarded as dirty, untouchable, and unwelcome. These negative perceptions resonate with how queerness is often perceived in Korea. This series of painting was created to dismantle objectifying, flat stereotypes and to resist queer erasure. I gathered my queer friends — myself included — and painted them as they are, to record and make visible our existence. I hope this work can offer empathy and courage to some, and a chance for understanding to others.

Artwork details+
Medium
Oil on canvas
Size
142 cm x 127 cm x 4 cm
Year
2025
Signature
Hand signed by artist
Edition
Unique work
Certificate
Certificate of Authenticity issued by the gallery
Shipping & taxes+
Shipping
  • Ships from the gallery's location (set per work, defaults to the gallery address)
  • Cost calculated at checkout by destination
  • Optional full insurance in transit
  • Usually ships within 10 business days, fine-art packed
  • In-person pickup available for some works (no shipping fee)
Taxes & customs
  • Listed price may include VAT applicable in the seller's country or the work's place of shipment
  • Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
  • These are assessed by the destination customs authority and billed separately by the carrier
  • Sales tax may be added at checkout depending on jurisdiction
For general guidance only — not legal or tax advice. Obligations vary by jurisdiction.

$3,791