The abstract paintings of Hyunjung Park show the process of a response to the new visual world we experience in the twenty-first century. The artist, who majored in Fine Art at Hongik University, has a long history of collecting images of minerals, geological formations, and textures. Since the attitude of collecting and consuming images online influences contemporary art, she is continuously asking concerns about the process of creating arts and she is using graphic technologies to construct the overall layer of her works. By using geometric colour schemes and disciplined brushstrokes, Hyunjung Park creates a new painting universe in which individual objects achieve a tight equilibrium through tension. 

”Image (117)” was carried on paper following a lengthy sketch on the iPad, one of the artist’s media, to communicate the depth of the space in the center and perimeter by replacing various materials against a gravitational background. However, the modifications found during the implementation of digital sketches on paper established a new order and ideal coincidence. Using this approach, the artist creates a space in which unidentified forms collide with one another or keep an appropriate distance, so generating tension. 

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