The abstract paintings of Hyunjung Park show the process of a response to the new visual world we experience in the twenty-first century. The artist, who majored in Fine Art at Hongik University, has a long history of collecting images of minerals, geological formations, and textures. Since the attitude of collecting and consuming images online influences contemporary art, she is continuously asking concerns about the process of creating arts and she is using graphic technologies to construct the overall layer of her works. By using geometric colour schemes and disciplined brushstrokes, Hyunjung Park creates a new painting universe in which individual objects achieve a tight equilibrium through tension. 

Images and shapes on a canvas form an aimless arrangement and are repeated without context in In the “image(85)”. The forms in the painting are interconnected, intricate, and layered. While viewing an unknown screen, the artist attempts to redefine the relationship between shape and background, so she discovers her own form. The tension between the geometric elements, which is also reminiscent of Wassily Kandinsky, generates a new painting language unique to the artist, which is in a state of delicate equilibrium.  

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