Haeun Hong has continued to record, analyse, and decompose colours, images, techniques as materials, the body's movement to paint, and the materiality of the outcomes. She received a bachelor's degree in Fine Arts from Hongik University, a master's degree in Fine Arts from the same graduate institution. For her, who found great delight in discovering immersion and beauty when observing nature and transitioning it to paintings, life is described as a perpetual process of discovering its beauty. As an artist, she sees her fate as collecting shapes and colours and transforming them into paintings. She wishes to cover the manner in which contemporary people consume and generate images, as well as the materialisation of screen images through the body. Haeun Hong expresses the materiality of painting that the artist examines through the process of drawing on paper, cutting it, and placing it with scissors, which is a distinctive method of artistic production. 

“Blending with TOOLS no.7” is one of the series shown in the 2022 solo exhibition <TOOLS>, which addresses the function of the artist in painting. Haeun Hong catalogues, analyses, and deconstructs the materiality that appears in the artistic process, beginning with a query regarding the effectiveness of painting. As an artist in an era of machine developments such as AI, she collects the colours and styles of paintings that fit her taste and transfers them to big data. This series is experimenting with things made by machines that are meticulously calculated and printed under specified conditions, as opposed to works that are completed randomly through uncontrollable steps. The artist attempts to communicate with the audience about the consequences of creation and the definition of the behaviour of human artists by imitating the AI process in reverse. 

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