Billy Gibney has exhibited in New York, Norwich, London, Madrid, Milan, Melbourne, Sydney, Amsterdam, and Auckland, and he approaches existing objects and scenes not simply as subjects of representation but as “mediators” that condense narrative and memory over time. These mediators expand across a wide range of sources, including the artist’s personal photographs, film stills, online auction images, and privately owned objects and souvenirs. To foreground this mediating role, Gibney treats the surface of his paintings with materials such as glass powder and wax, which metaphorically evoke stones or fossils bearing traces of time. Through this material process, his images are endowed with a sense of historicity, durability, and permanence, and his paintings emerge as crystallized condensations of the forms and scenes through which he perceives the world—visual records that directly articulate the artist’s worldview.

Architecture is a practice of space and design—and also of sociology, history, philosophy, literature, and more; it is art in action and interaction, use and relation. Directed by an architect, “The Untitled Void” is a space intended for thought, inviting the formulation of new and living questions rather than the simple display of packaged conclusions. The Untitled Void values collaborative process as a part of our curatorial approach. We are committed to showcasing artists and projects that trouble binaries and transcend the ego, boldly engaging the issues of our shared past, present, and future. We place no limits on genre or medium; we love to be surprised and challenged.