Gyeonggi-do, b. 1970

Set Byul LI (b.1970, S. Korea) lives in Daejeon and works in Seoul. Early on, the artist created paintings that intersect multiple layers of time and space through solo exhibitions such as ≪Green Catastrophe≫(2013), ≪Interface Scenery≫(2014), And ≪Layerscape≫(2022) has been released, and has dealt with the theme of social tragedy and the evils of reality hidden behind the scenery. The key themes in her works are ‘green’ and ‘the human.’ Green, which should represent life, a place of respite, and a source of regeneration, seeps and clings to the skin—a kind of green that emanates from a system of capital that has now become our natural domain. Because seeing is always filtered through the desires of the subject who looks, a gaze that is both distorted and captivated, she questions this through the act of placing various objects or effects onto the face. Through these reconstructed landscapes and altered human forms, she explores the anguish and ethical questions of existence that emerge from the contradictions of capitalism, such as the tension between the artificial and the natural, ecological crises, and the subject in a digital society.