Joonun Kim brings easily accessible objects and images from daily life into the canvas after undergoing slight modifications. Sharing what is seen through her eyes as a painting serves to treat life as research material; at this moment, life and objects take on an equal stance for her. To share her keen observations, Joonun Kim employs painting, strategizing to communicate using the most recognizable images possible. Subjects with simple compositions and easily recognizable appearances generally have subtle emotional expressions and exist embedded within the painting. Those objects stuck on a thin canvas and not absorbed anywhere, are deliberately presented with reduced weight, being conveyed to the viewer's subconscious. While the subjects in the paintings seem to occupy a prominent position, they leave behind a faint, ghostly afterimage, conveying an inexplicable melancholy to the viewer. She has made an effort to paint simple subjects in such a way that life and objects appear differently to the viewer.

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Leather boots and ants

City without dog

Vase, Flower, Picture Frame

The flowers soon revived in water

Mother's hand

Dog with a bent back

Joonun Kim brings easily accessible objects and images from daily life into the canvas after undergoing slight modifications. Sharing what is seen through her eyes as a painting serves to treat life as research material; at this moment, life and objects take on an equal stance for her. To share her keen observations, Joonun Kim employs painting, strategizing to communicate using the most recognizable images possible. Subjects with simple compositions and easily recognizable appearances generally have subtle emotional expressions and exist embedded within the painting. Those objects stuck on a thin canvas and not absorbed anywhere, are deliberately presented with reduced weight, being conveyed to the viewer’s subconscious. While the subjects in the paintings seem to occupy a prominent position, they leave behind a faint, ghostly afterimage, conveying an inexplicable melancholy to the viewer. She has made an effort to paint simple subjects in such a way that life and objects appear differently to the viewer.

Leather

MFA candidate in Painting, Korea National University of Arts, Korea

BFA Painting, Art History, Ewha Womans University, Korea

<Time Dilation>, Sahngup Gallery, Seoul, Korea

<The Sun Was Gone,,,but Nothing Happened>, 100_0, Seoul, Korea

<Dry Skin>, alltimespace, Seoul, South Korea

<Homely>, Project Space Yeongdeungpo, Seoul, Korea

<Well of Anxiety>, Cadalogs, Seoul, Korea

<Small Animal Illustration>, 175 Gallery, Seoul, Korea

<Until We Meet Again>, Show and Tell, Seoul, Korea

<Seo:ro Project Report Exhibition>, Art Space Seo:ro, Seoul, Korea

<And Live>, Art Space Mullae, Seoul, Korea

Namhae Dolchanggo Residency, Gyeongnam Culture and Arts Foundation, Korea

Joonun Kim expresses the inherent anxieties in everyday landscapes through painting. Assuming that personal lives are a result influenced by social structures, he documents the strangeness derived from minor aspects. Instead of showcasing anxiety and trauma directly in his works, he subtly captures the landscapes left behind afterward. In this surreal space-time, questioning whether it's reality or a dream, he maintains a sharp perspective by observing his surroundings. To avoid being swept into apathy or making rash judgments about situations, he disciplines himself to maintain a moderate level of objectivity. His major exhibitions include the solo exhibition "Time Dilation" (2022, Sahngup Gallery), and group exhibitions "And Live" (2021, Art Space Mullae), and "Mind Sculpture" (2021, BGA).

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Marketplace

Exhibitions

On View

About

My Page

Joonun Kim

Joonun Kim
Seoul, South Korea, b. 1994

Marketplace

Exhibitions

On View

About

My Page

Joonun Kim

Joonun KimSeoul, South Korea, b. 1994

Joonun Kim
Seoul, South Korea, b. 1994