Instead of presenting a sense of eternity, ‘Pink’ is a chaotic arrangement of chaotic masses that acknowledges the limitations of time and space. For the artist, painting is about recognizing the responding faithfully to the square’s limited area. The directionless brushstrokes either cover the canvas with heavy layers of paint or scrape over the screen with a noise-like sound. The canvas, which was a space of escape in life, strives to reconcile with reality by immersing itself in it and recognizing its existence. In this way, she believes that the images she portrays will freely connect and collide within the physically closed and flat screen, so producing a story of chance. 

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Artue - Korea

Pink

Instead of presenting a sense of eternity, ‘Temple’ is a chaotic arrangement of chaotic masses that acknowledges the limitations of time and space. For the artist, painting is about recognizing the responding faithfully to the square’s limited area. The directionless brushstrokes either cover the canvas with heavy layers of paint or scrape over the screen with a noise-like sound. The canvas, which was a space of escape in life, strives to reconcile with reality by immersing itself in it and recognizing its existence. In this way, she believes that the images she portrays will freely connect and collide within the physically closed and flat screen, so producing a story of chance. 

Temple

Instead of presenting a sense of eternity, ‘Wind and feather’ is a chaotic arrangement of chaotic masses that acknowledges the limitations of time and space. For the artist, painting is about recognizing the responding faithfully to the square’s limited area. The directionless brushstrokes either cover the canvas with heavy layers of paint or scrape over the screen with a noise-like sound. The canvas, which was a space of escape in life, strives to reconcile with reality by immersing itself in it and recognizing its existence. In this way, she believes that the images she portrays will freely connect and collide within the physically closed and flat screen, so producing a story of chance. 

Wind and feather

Instead of presenting a sense of eternity, this artwork is a chaotic arrangement of chaotic masses that acknowledges the limitations of time and space. For the artist, painting is about recognizing the responding faithfully to the square’s limited area. The directionless brushstrokes either cover the canvas with heavy layers of paint or scrape over the screen with a noise-like sound. The canvas, which was a space of escape in life, strives to reconcile with reality by immersing itself in it and recognizing its existence. In this way, she believes that the images she portrays will freely connect and collide within the physically closed and flat screen, so producing a story of chance. 

Summer of Frogs

Firefly

M.F.A. Fine Arts, Seoul National University of Science and Technology, Seoul, Korea

B.F.A. Fine Arts, Kaywon University of Art & Design, Gyeonggi-do, Korea

<My painting moment>, The SoSo gallery, Seoul, Korea

<Ahamoment>, Art space Hyeong, Seoul, Korea

<PLEASESELECT1>, Seoul Tech Museum of Art, Seoul, Korea

Painting is a gauge of gravity, according to Jeongyoon Park. The artist, who is taking a master's degree in the Department of Fine Arts at Seoul National University of Science and Technology, has been focusing on the concept of gravity. Instead of defying or destroying gravity, she investigates what is possible with gravity. The artist actively utilizes various materials and methods in her works, experimenting with the horizontal possibility of the painting by incorporating fragmentary or complex elements into her works to show various art universes. 

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About

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Jeongyoon Park

Jeongyoon Park
Seoul, South Korea, b. 1996

Marketplace

Exhibitions

On View

About

My Page

Jeongyoon Park

Jeongyoon ParkSeoul, South Korea, b. 1996

Jeongyoon Park
Seoul, South Korea, b. 1996