Artue - Korea

Who Am I

Echo

<Dreaming Namhae>, Space Mijo, Namhae, Korea

<Super Collection>, Superior Gallery, Seoul, Korea

<Piece by Piece>, Art Terminal Museum, Kohan, Korea

<This is Diptych>, Art Terminal Museum, Kohan, Korea

<Emotional Delivery>, Art Terminal Museum, Kohan, Korea

M.F.A in Fine Arts, Parsons School of Design, New York, USA

<Dancing Zelkova>, Space Ikki, Seoul, Korea

<Gateless Gate>, Lee Eugean Gallery, Seoul, Korea

<Flat Art>, Sun Contemporary, Seoul, Korea

<Omnivorous Interest>, John Connelly Presents, New York, USA

<Justin Samson and Haejin Yoon>, John Connelly Presents, New York, USA

<Moon Spell>, A.I.R. Gallery, New York, USA

<Color Anatomy>, Art N Edition, Paju, Korea

<Christmas and a Small Exhibition>, Bandi Trazos Gallery, Seoul, Korea

<Affordable Art>, Nama Gallery, F1 Pit Building, Singapore

<Art Jeju>, Nama Gallery, Lotte Convention Center, Jeju, Korea

<Rare Items>, Eulji Art Center, Seoul, Korea

<Horizontal Aesthetic>, Mm Art Center, Pyungtaek, Korea

<Oh Dokbuljangkun>, Woojong Museum, Bosung, Korea

Cite Internstionale Des Arts, Paris, France

<Meta-Tuality>, Art Museum Versi, Yongin, Korea

<Atelier near The Museum>, Gana Art Park, Jangheung Kyungki-do, Korea

<Hello Autumn>, Space Sazic, Seoul, Korea

B.F.A in Fine Arts, Parsons School of Design, New York, USA

<Gana Residency Artist Show>, Insa Art Center, Seoul, Korea

<Focus Arts>, Nama Gallery, Carrousel Du Louvre, Paris

<Ja Hwa Man Sa Sung>, Art Terminal Museum, Kohan, Korea

Haejin Yoon creates emerging new dimensions with fragments of memory drawn from various cultures, from ancient Lascaux cave paintings to extraterrestrial creatures in Sci-fi films. Yoon uses rich colors and uninhibited expressions to bring out her key word of High-Voltage Low-Tech reflected in her artworks. Her paintings and collage works depict new signs and icons with dynamic expressions. Following her undergraduate and graduate degrees in Fine Arts completed at Parsons School of Design, Yoon began her international career. She received wide attention following her solo exhibition at the A.I.R. Gallery (2009) receiving favorable reviews from New York Times critic, Roberta Smith.