GAMMANZI
GAMMANZI
Kyoung Ju, b. 1995

- #korean artist
- #happy
- # hope
- #smile
- # young
- #ink
- #drawing
Kyoung Ju, b. 1995
I track the countless emotions felt in everyday life and stage witty scenes with my own lovable characters. The characters appearing in my work draw inspiration from the animated characters I mainly watched during childhood. The backgrounds and overall atmosphere in the paintings embody the sensibility formed from living for a long time in a large extended family in the countryside during my early years, creating a pastoral, idyllic mood within the works. To make the figures’ forms and facial expressions feel both ambiguous and yet clearly convey emotion, I use the dry brushstrokes of ink. To express rough, textured brush marks, I sometimes create my own brushes directly from natural materials such as hardened brushes, reed grass, and dried flowers. To delicately capture the strength and nuance of the brushstrokes, I put great effort into the preparation of the canvas surface. To achieve an extremely smooth, paper-like texture, I apply my own researched materials as a base layer, then repeatedly sand it by hand with sandpaper and a grinder. By applying and sanding more than 30 times, a very fine, paper-like foundation is completed—this process is based on the plate preparation technique used in copperplate etching (intaglio). Ultimately, through the encounter between the bold, dry ink brushstrokes made with hardened brushes and the acrylic coloring, I create a unique formative beauty. Through my work, I hope to help viewers recall emotions they had forgotten, and to make the feelings they never want to forget become even more vivid and clear in their hearts.
External links
instagram4 Aug 2023 - 26 Aug 2023
Pause and Play
In April 2019, after saying goodbye to my beloved grandfather—whom I loved and who loved me deeply—I began to consider opening a part of my heart that I had never dared to open before. When we lose someone we have loved with our whole heart, the heart closes in on itself, as if shutting its eyes. After the time of tears passes, days of laughter return, yet suddenly, thoughts of my grandfather resurface. Now, at a moment when the time of mourning for my grandfather has grown faint and the narrative of my own life has begun to take clearer shape, I choose to look back once more at the emotions of that time. This exhibition reveals my earliest works for the first time, tracing the moment I began painting figures and the origin of my use of dry brush ink. It is an attempt to connect the emotional trajectory that leads from monochrome figures to their emergence as character-like forms, stitching together the shifting feelings that shaped this transformation
Gallery COLORBEAT
