EUN LEE
EUN LEE
Jincheon, South KOREA, b. 1984

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Jincheon, South KOREA, b. 1984
Eun Lee is a visual artist who captures the quiet wonder found in everyday landscapes. Inspired by ordinary moments such as grass moving in the wind or subtle shifts in natural light, her paintings begin with familiar scenes and gradually guide the viewer into spaces where the boundaries of reality begin to soften. Her work exists in a place where what is real and what is imagined gently overlap, inviting moments of reflection and emotional depth. Rather than aiming to reproduce nature exactly as it appears, Lee focuses on its quiet contradictions. She often combines elements that do not typically appear together, such as vegetation from different climates or light that could belong to either sunrise or sunset. These thoughtful combinations create a gentle sense of disorientation, encouraging the viewer to step into a space that feels both real and dreamlike. Lee’s paintings are deeply personal and shaped by her own memories and experiences. She describes them as variations of time and stories she has lived. Although the work is rooted in her own life, it speaks in a language that others can understand and relate to. Her landscapes become open spaces where viewers may recognize something of their own inner world. A central idea in her practice is the creation of a safe and protective space within the painted scene. Each work offers a moment of pause, away from the urgency and unpredictability of daily life. These are spaces of protection, offering both the artist and the viewer a chance to rest, observe, and feel at ease. In this way, her paintings become more than visual expressions. They become emotional environments that invite peace and contemplation. Eun Lee is a visual artist who captures the quiet wonder found in everyday landscapes. Inspired by ordinary moments such as grass moving in the wind or subtle shifts in natural light, her paintings begin with familiar scenes and gradually guide the viewer into spaces where the boundaries of reality begin to soften. Her work exists in a place where what is real and what is imagined gently overlap, inviting moments of reflection and emotional depth. Rather than aiming to reproduce nature exactly as it appears, Lee focuses on its quiet contradictions. She often combines elements that do not typically appear together, such as vegetation from different climates or light that could belong to either sunrise or sunset. These thoughtful combinations create a gentle sense of disorientation, encouraging the viewer to step into a space that feels both real and dreamlike. Lee’s paintings are deeply personal and shaped by her own memories and experiences. She describes them as variations of time and stories she has lived. Although the work is rooted in her own life, it speaks in a language that others can understand and relate to. Her landscapes become open spaces where viewers may recognize something of their own inner world. A central idea in her practice is the creation of a safe and protective space withi
2014
Academy of Fine Arts Munich, Diploma in Painting, Supervised by Prof. Schirin Kretschmann and Prof. Axel Kasseböhmer, Germany
2010
Central Saint Martins College of Art & Design, MA in Communication Design, London, UK
Education
2022
Junge Kunst und neue Wege, Bayern, Germany
2019
Oskar-Karl-Forster-Stipendium-Fonds, Germany
2012
Artist Residency, 33 Officina Creativa, Toffia, Italy
Award
2025
The Light That Flows, Gallery Dam, Seoul, Korea
2024
Poems Left in the Lakes and the Forest, Gallery In hq, Seoul, Korea
2024
Shimmering Solace, Junghyun Gallery, Wroclaw, Poland
Solo Exhibition
2025
Blooming Art Pieces, Gallery We, Youngin, Korea
2024
KUNST AKTUELL – Jahresausstellung, Städtische Galerie Rosenheim, Rosenheim, Germany
2022
Sights, Galerie im alten Gefängnis Freising – Kulturverein Modern Studio Freising e. V, Freising, Germany
Group Exhibition
2 Aug 2024 - 18 Aug 2024
Poems Left in the Lakes and the Forest
Solo exhibition
Gallery in hq