London, b. 1993

Adam Boyd transforms images multiple times to reinterpret the poetic landscape from reality. Digital lenses such as LiDAR scanners collect information that exceeds what human eyes can perceive simultaneously. The artist uses those lenses to get images of nature and urban landscapes, printing them onto thin fabric. The artist connects fabrics with various colors and textures along the stitches to the output images, obtaining images between figuration and abstraction. Adam’s artisanal language, like patchwork and quilting, resembles the principles of composing multiple worlds connected through irregular seams. The entire process of cutting, threading, piercing, and layering implies the artist’s continual questioning of a singular and solid perception.