Tai Shani’s artistic practice, comprising performance, film, photography, and installation, uses experimental writing as a guiding method. Oscillating between theoretical concepts and visceral details, Shani’s texts attempt to create poetic coordinates in order to cultivate, fragmentary cosmologies of marginalised nonsovereignty. Taking cues from both mournful and undead histories of reproductive labour, illness and solidarity, her work is invested in recovering feminised aesthetic modes – such as the floral, the trippy or the gothic – in a register of utopian militancy. In this vein, the epic, in both its literary long-form and excessive affect, often shapes Shani’s approach: Her long-term projects work through historical and mythical narratives, such as Christine de Pizan’s allegorical city of women or the social history of psychedelic ergot poisoning. Extending into divergent formats and collaborations, Shani’s projects examine desire in its (infra-)structural dimension, exploring a realism that materially fantasises against the patriarchal racial capitalist present. Tai Shani is the joint 2019 Turner Prize winner together with Lawrence Abu Hamdan, Helen Cammock and Oscar Murillo. Her work has been shown extensively in Britain and internationally.

Gathering is a gallery with a diverse programme of exhibitions focusing on immersive installations and radical practices by a roster of international artists. Alongside our exhibitions we host a series of events called Gathering Talks, bringing artists and creatives together to discuss their practices. Gathering was established in 2021 as a platform for cultural exchange; a space that is committed to its local and global communities. Gathering is a member of the Gallery Climate Coalition and is working collaboratively with Embode and The Anti-Slavery Collective to bring awareness and contribute to understanding the challenges which require immediate action and a long-term pledge of support.