POSE began painting graffiti in 1992 and in years since has expanded his vigorous career to include murals, commercial collaborations and exhibitions around the globe. He earned his BFA from the Kansas City Art Institute in 2004, and then turned his own graffiti education into a body of work blending a wealth of pop culture’s ready-made visual languages. Street signage, comics, newspapers and advertisements are reimagined through dissection, digitization and reconstitution, collectively immortalizing post-industrial moments for the digital age. POSE was named “One to Watch” by CNN in 2015, and has exhibited in the Museum of Contemporary Art Los Angeles, Museum of Contemporary Art Denver, Powerlong Museum Shanghai, Museum of Contemporary Art Chengdu, and Chosun Ilbo Museum of Art, Seoul, among others. His work is enjoyed in numerous private collections worldwide.


Born in 1933 to an affluent family in Gaeseong, Han Youngsoo showed artistic talent from a young age and pursued photography as a hobby. After his military service in the Korean War, he became a member of the Shinsunwhue (New Line) group, an association of realist photographers who championed “everyday life photography.” In Seoul, they documented the resurrection of the city in the late 1950s and the social realities of the Korean people. South Korea’s economy saw explosive growth in the 1960s. In 1966, Han founded his photography studio, Han’s Photo, which pioneered the country’s advertising and fashion photography industries.

Han went on to take leadership positions in numerous photography associations and cultural institutes. In 1987, he published Life, a photography book that compiled historic scenes of Seoul in the aftermath of the Korean War. After his passing in 1999, his daughter Han Sunjung established the Han Youngsoo Foundation to promote Han’s legacy and preserve the estate of his negatives and other archives. The Foundation has garnered international recognition for Han’s photographs. His works were included in the Les Rencontres d’Arles (2014), and he has held recent solo exhibitions at the International Center of Photography in New York (2017), Baik Art Gallery LA (2018), and Harvard University Asia Center (2019). Han’s work has been included in groundbreaking international exhibitions such as The Space Between: The Modern in Korean Art at the Los Angeles County Museum of Art (LACMA) in September 2022.

Gungho - An artist with a collection of young collectors in the US, China, Taiwan, and Japan. He has incredible skill, working in a way that leaves no brushstrokes on the artwork.

JiHoon Cho continues his work with the purpose of exploring the value of art through an understanding of consumer culture. He analyzes the impact of consumerism on modern life, focusing on how it shapes personal identity and social status while simultaneously exacerbating environmental destruction and social inequality. His work invites viewers to reconsider fundamental human values within consumer culture, promoting critical thinking and reminding them of the necessity and role of art. To achieve this, the artist visually expresses the hollow yet seemingly attractive nature of consumer culture by associating it with the emptiness conveyed by the transparency of glass, emphasizing the critical function of art.

Doyo is a collage artist that focuses mostly on album cover design, print artwork, and art directing. The artist who became interested in collage work in 2016, studies Photoshop by himself and combines every item to communicate imagination and romance. Through the artist's unique use of colour and atmosphere, conveys to modern people the romance and relaxation of daily life.

Ryan Lee is based in New York and has held exhibitions in Chicago, Valencia, and Sacramento. The artist's work statically presents everyday spaces and flat, banal scenes. Scenes containing still life that highlight the absence of humans capture an unclear, open story as if someone has just passed by or may be approaching. It is full of the ambiguity of not knowing when and what will happen, and the production is cropped from a third perspective as if you are watching through CCTV. The work leads us to deeply observe familiar things, adds imagination and psychological anxiety, and, unlike the reproduction of everyday life, it is no longer distant from the ordinary.

Exploring photography not just as a mere recording medium but as a sculptural material with infinite possibilities, and through this, constructing a new visual language.

Alex Face (Patcharapon Tangruen) is a renowned Thai graffiti artist celebrated for his thought-provoking street art that transcends boundaries in Thailand and beyond. In 2009,
inspired by his newfound fatherhood, he introduced a distinctive three-eyed, bunny-eared character symbolizing innocence and wonder. Known for his street art skills and mastery of European old masters' techniques, Alex Face has seamlessly blended traditional and contemporary elements. In 2022, he marks two decades in the realms of street art and BANGKOK CITY CITY GALLERY fine arts, leaving an indelible imprint on the urban landscape and art scene worldwide


Jung Kwang Ho, who aims to weave between painting and sculpture, desires to explore the essence and interpretation of sculpture in particular. A sculpture is a tangible representation of an image manifested by the sculptor using materials, techniques, and tools to create a specific object in a particular way. Jung oxymoronically refers to his works as "non-sculptural sculptures," as he works with non-sculptural properties to create essentially sculptural works. The paradoxical expression is part of how he explores the essence of sculpture. The artist made no distinction between inside and outside, instead exposing the surface and penetrating through to suggest that surfaces are merely the superficial layer of sculptural essence and the surface of reality.
Jung presented solo exhibitions in various museums worldwide, including the Stedelijk Museum in Amsterdam, Art Sonje Museum in Gyeongju, Kumho Art Museum in Seoul, Gallery Thomas in Munich, Lumen Gallery in Paris, and Canvas International Art Gallery in Amsterdam. He also participated in significant group exhibitions at institutions such as the Seoul Museum of Art, Samsung Museum of Art Leeum, Singapore Art Museum, and Gyeonggi Museum of Art. His works are held in various collections, including the National Museum of Modern and Contemporary Art, Daejeon Museum of Art, Hanlim Museum of Art, Sonje Museum of Contemporary Art, and Ho-Am Art Museum.


Toshimitsu Imai was an influential 20th-century Japanese painter. Best known for his monumental abstract works, Imai composed his canvases with a combination of thick impasto marks and fluid, inky lines to build chaotic, “allover” compositions.

Dain Lim captures the feeling of rest through sensory experiences in peaceful spaces, focusing on her "Window" series.

Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making.

SoYeong Kim reflects on urban life through photos taken in daily life, capturing fleeting moments that evoke a sense of both illusion and emptiness. Her work is characterized by creating illusionary scenes by adding painterly ambiguity to real landscapes. She paints by repeatedly layering vertical strokes of acrylic paint on traditional Korean paper (Jangji). The unique textures created from the combination of Jangji and acrylic form the depth and richness of her works. The warm texture of Jangji contrasts with the cold, artificial texture of acrylic, and through the brushstrokes, these elements merge to create a dualistic atmosphere in her compositions.

My paintings are inspired by everyday scenes that come to mind. I look at moments that catch my eye or are captured spontaneously in a new light, and in the course of my work, I crop or enlarge parts of them to give them a new meaning as paintings, beyond their realistic meaning. 

Yerin Jang has expressed her inner self through girl in the painting. She has faced herself as a being who is a mixture of memories, emotions, and expectations, and has expressed the psychological opposites that exist within her as an intersection of light and darkness, truth and lies, and beauty and anxiety. The young girl who appears in the new works can be said to symbolize the human being in the beginning, a part of pure nature embracing Mother Nature's providence. As a field of constantly changing energy, the essence of nature is the coexistence of vitality and destructive power. The vitality and destructive power of nature repeatedly circulate as starting and ending points for each other, and although contradictory, they become mutual elements of coexistence rather than opposition. Her new works further expands her previous works in that it explores the duality in the larger scale and humans as a part of nature.

After studying at Columbia University, he moved to the Bowery, joining that neighborhoods’ vibrant artistic community. It was there that he met Andy Warhol, who shot footage of him sleeping for his first film, Sleep. John Giorno’s collaborators have included William S. Burroughs, Robert Rauschenberg, Patti Smith, Philip Glass, Robert Mapplethorpe and, more recently, Elizabeth Peyton, Pierre Huyghe and Ugo Rondinone.

In 1965, Giorno founded Giorno Poetry Systems, an artists’ collective and record label, to relay poetry to a wider audience using innovative means of communication. One such innovation was Dial-A-Poem, which, since 1968, has continuously allowed access to anyone who wishes to hear poetry readings over the phone. John Giorno is also a pioneer of performance poetry, intense spoken word events performed before a live audience.
In the 1980s, Giorno begins to add a pictorial dimension to his work, creating Poem Paintings composed of words and phrases from his poems in the form of paintings, murals, drawings and screen prints.

Adam Bazlik is a cross‑media artist and creative director whose work spans branding, fashion, motion graphics, and designer art toys, blurring the boundaries between design, storytelling, and crafted visual identity.

Sunday B. Morning is an artistic enigma: a replicator of the 20th century’s most famous replicator. Once an authorized distributor of Andy Warhol prints, the company had its legality questioned after the artist had a change of heart, and its legitimacy as a producer of authentic prints has grown murky. The project began as a collaboration between Warhol and two anonymous friends in Belgium whom the artist contracted to make new editions of some of his most famous artworks—including his famed “Marilyn,” “Flowers,” and “Campbell’s Soup Cans” series—using negatives he gave them himself. Sunday B. Morning continued to make editions of Warhol’s iconic works after the split, in some ways continuing Warhol’s inquiries into image, iconography, reproduction, and ownership. Sunday B. Morning is now a well-known purveyor of prints including the aforementioned works as well as “Mao” and “Dollar” series.

HaSeulLin Jeong has an interest in paintings that are located between images and materials and can simultaneously deduce the axis of time. She is a graduate of the Korea National University of Arts and the Academy of Fine Arts in Prague, where she studied Printmaking and Painting. Later, the artist deliberately leaves traces of the previous layer or creates a support structure that will be influenced by the prior and following layers of paint, resulting in visual interpretation. HaSeulLin Jeong's artwork provides the viewer with the experience of pondering for a prolonged period of time, imagining the source of the material, and sensing that the senses are real through an individual sense that is intuitive and universally shared. 

Path 1

Path 3

Grasp 1

Path 2

Namdaemun, Seoul, Korea 1956-1963

Myeong-dong, Seoul, Korea 1956-1963

Nodeulseom, Seoul, Korea 1956

Together

Where is the exit?

Cloud Girls

Sculpture 1

Sculpture 2

Packaged Things 1

Packaged Things 2

Time: repair

Packaged Things 4

Packaged Things 3

프리다;  Bellas flores, No tragedia.

Nearby Oddness; The Classic

Nearby Oddness; A garden inside it

Nearby Oddness; In Mild January

Near by Oddness; Library Station

Nearby Oddness; 2019

Live Is Life

HAKATA TRAVEL

Nearby Oddness; Harmonize

오마이걸 - 불꽃놀이

Nearby Oddness; Lost in reflection

Nearby Oddness; Komm Süsser Tod

SHIMONOSEKI TRAVEL

Nearby Oddness; Missing Garden

BUDAFEST TRAVEL

Nearby Oddness; 2020

Nearby Oddness; Into The Unknown

Wall in Vermont

Moving Up But Still Looking Down

Contradictions in Denim #06

She…#02

She…#01

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TMS021_w03_2021_Le

TMS039_w03_2021_Le

TMS035_w03_2021_Le

TMS018_w03_2021_Le

TMS002_w03_2021_Le

TMS001_w03_2021_Le

metaphysical metaphor for fragmentary existence #02

Gleaming Beauty Amidst the Conflict of Position and Prestige #01

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P008_W03_2020_LE

Contradictions in Denim #08

Contradictions in Denim #07

Contradictions in Denim #05

Contradictions in Denim #04

The Pot 24130

The Flower 21100

Illuminate

Resonate

Morn

Taaffe Place

Kippen

5pm Brooklyn

6pm Brooklyn

Spring in New York

Window 3

Window 10

Window 11

Window 12

Window 14

Night

Split seconds

Deep in Grey

JAVA

Window 17

Calder in France, Revue N°1

Calder by Matter

Say yes to peace

Back Up

Love

Friend of Dorothy

Not a freak

Crumpled paper

Melting Statue

Flesh 1

Expression

100 Keys

Flesh 3

Overload Image

The Sinking Glass

Ghost Flowers

Flesh 2

The End of One’s Gaze 3

Face

Fall Asleep

Empty Frame

A Shell Grave 2

A Shell Grave 1

A Pile of Shells 2

A List of Things

Impression

Tension 3

From Behind

Red Gem

Hand, Light, Shadow

A Single Flower

Trace

Remains 2

Beneath the Skin

The Shadow of an Object

Bouquet

Flesh Without Flesh

Low Light

Hands

The Weight of Skin

Incident Light

Remains

Affect

Image of an image

Outside of Light 2

Place of Gaze

Beyond the Fingertips

Outside of Lights 1

Green Beans

Melting Santa

Heart 2

Heart

Flexible frame

Broken sign

Great void

Weird space 1

Night view

The Scientist's room

A Piece of light

Show Window

Hallucinatory hero

A Pyre in Flames

OUTER SPACE EXPLORATION KIT

A Perfectly Ordinary Scene

Two Wrapped Offerings

Butterfly Shadows Over the House

A Shell Grave 3

Mobile

The Coral and The Conch

The End of One’s Gaze 2

We gave a party for the gods and the gods all came

Life is a Killer

The world just makes me laugh

CYRCON

Letters to Layer-Stripe

Letters to Layer-Swan

Toast

Letters to Layer-3

Letters to Layer-Parchment

18!practice

Orange Hill

Spotted dog

Sunday special

10!practice

Language of cake

Fitting hole

Cake itself

Letters to Layer-1

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