Park Cheol-ho was born in Jeongeup in 1975. All of his creative stories are connected to form a worldview. Each story captures a moment in the personal history of human culture where complex emotions intersect. He determines the achievement of his work by the length of time the audience stays in front of his work. He does not unilaterally convey the artist’s story but seeks a communication method. The most important thing for the author is humor. Self-taught artist Park covers various media, including fiction, playwriting, painting, photography, video, film, sculpture, installation, and performance.

Kim Doyeon (b.1992) centers her work on how personal experiences are shared, aiming to evoke a sense of coexistence that includes even invisible elements of life through both individual narratives and broader dialogues with all living beings. She has created a series of drawings in response to letters received from exhibition viewers and has organized two-person exhibitions through exchanges with artists who share similar bodily experiences. Kim primarily works with finely detailed oil paintings and prints, employing a meticulous, persistent drawing technique that incorporates her own stories and gestures, expanding the possibilities for communication.

Kim earned her B.F.A. in Contemporary Art from Konkuk University, Seoul, KR, and her M.F.A. in Fine Arts from Seoul National University of Science and Technology. Her solo exhibitions include From, Kim Doyeon, EveryArt, Seoul (2022); CRR, Space Illy, Seoul (2021); Don’t Engage with Snowflake, AlterSide, Seoul (2021); and A Dog, A Bird, A Pot, Uhjjuhdah Gallery 2, Seoul (2019). She has also participated in group exhibitions, such as Mountain–Halyang, Chamber 1965, Seoul (2023); A Story That Never Happened, Gallery Inn HQ, Seoul (2023); OOOOO, ooooon, Seoul (2022); Performativity as Painting, TINC, Seoul (2021); Now Let’s Break the Bed, Art Space Pool, Seoul (2019); and New Drawing Project, Yangju City Chang Ucchin Museum of Art, Yangju (2018).

Hyun Jung Ahn is a Brooklyn and Seoul-based multidisciplinary artist from Seoul, South Korea. Through her work, she investigates enigmatic abstract forms, which she references as “shapes of mind.” She begins by drawing from her visual diary, which captures feelings, personal connections, and emotional states of being. She then translates these notions into minimalistic drawing, painting, and sculpture. Ahn was selected as the ‘Emerging Young Artist’ at La Mer Gallery, Seoul, South Korea, and was the winner of the Emerging Art Award at Baditto Art, Tuscany, Italy. She has attended residencies including Vermont Studio Center, Johnson, VT, MASS MoCA, North Adams, MA, and Trestle Art Space, Brooklyn, NY. Ahn Graduated from Duk-Sung Women’s University, Seoul (in 2010 B.F.A and 2013 M.F.A) and received her second M.F.A in painting and drawing from Pratt Institute and currently lives and works in Brooklyn.

During this time he worked under filmmakers Paul Sharits and Hollis Frampton who introduced him to structural filmmaking and Sergei Eisenstein’s films. In 1974, while at Buffalo, he co-founded, with Charles Clough, the exhibition space Hallwalls, organizing shows with Vito Acconci, John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra, and establishing relationships that proved seminal to his development. It was at this time that his life-long friendship with Cindy Sherman began. Longo is best known for Men in the Cities, his critically acclaimed, larger-than-life, photorealistic drawings of contorted figures, done from 1977 to 1983. Using charcoal, graphite and ink, this monochrome series depicting the reactive movements of businessmen and women in static suspension became icons of 1980s art. Longo has had retrospective exhibitions at the Hamburger Kunstverein, the Menil Collection in Houston and the Isetan Museum of Art in Tokyo, and his work has been exhibited in the Whitney Museum Biennial in New York, documenta in Kassel and the Venice Biennial, among others. He is represented in the collections of the Art Institute of Chicago, the British Museum, London; the Centre Georges Pompidou, Paris; the Guggenheim Museum, NY; the Los Angeles County Museum of Art, CA; the Menil Collection, Houston, the Museum of Modern Art, NY; the Stedelijk Museum, Amsterdam, the Tate Gallery, London, and the Whitney Museum of American Art, NY among many others. He lives and works in New York.

Mi Seon Yoon’s work is given vitality through the temporal narrative of her life. Her portrait works, completed in the form of repetitive spheres, are colored with graphite to add emotional depth. The works are given the meaning of an act of resolution because they begin with an obsessive life experience. In this way, Yoon’s works are unique focal points that reveal emotional darkness in its pure raw form.

Ros Kamolros is a British-Thai artist, her work examines urban subjects and forms, repositioning their sub-cultural, cross-societal and historical essences.

Bo Kim (b. 1994) is an artist currently based in South Korea, who earned a degree in Painting (BFA) from the Rhode Island School of Design (RISD) in the United States. Bo explores the aesthetics of “impermanence” observed in the gap between nature and humanity. Based on the understanding that all relationships—among humans, nature, and objects—exist in a constant state of flux rather than permanence, the artist visualizes specific moments while embracing the passage of time. Similar to journaling a significant day, Bo translates personal memories and thoughts into her work. This creative act can be seen as an attempt to remember, record, and deeply embody the form and meaning inherent in fleeting moments within the flow of time. In this process, Bo utilizes materials from nature such as sand, hanji (traditional Korean paper), and flowers. For Bo, the act of creation is not merely about making something; rather, it is a process of sensing and understanding the impermanent nature of time that transcends both nature and humanity through these natural materials.

Minji Ryu recalls the emotions she experienced while observing the landscape in her daily life and investigates the manner in which gathered images are displayed in paintings. As a graduate of the Department of Fine Arts at Seoul National University of Science and Technology, she acknowledged the inevitable gap between the experience of gazing at reality and drawing it and took a moment to recognize the landscape that was shared through abstraction and conceptualization. Her paintings focus on the experience of seeing and reproduce the impression produced by substituting an object for a function consisting of light and darkness as a physical image. In this manner, the artist hopes that paintings will serve as a channel for evoking past experiences in the minds of the audience, so reviving their perspective on current life. 

Heejoon Lee creates abstract paintings from images of the natural world. In 2012, he earned a bachelor's degree in Fine Arts and Sculpture from Hongik University, and a master's degree in Fine Art from the University of Glasgow School of Art in 2014. In this way, the artist collects, edits, and brushes the accumulated experiences and daily images obtained from travels from close surrounding to distinct locations, and incorporated them into geometric shapes. The composed instant images add the texture and time of the accumulated paint to generate a new space on the canvas. In addition to the photo collage and thick matière geometric shapes in <The Tourist> in 2020, the artist shifts his focus from minor objects to the surrounding landscape and extends the visual experience beyond abstract painting to the experience of space in which architecture and painting coexist.

Sojin Park (b.1983) draws from personal reflections on societal structures—seen as fated—and her own sense of hybrid identity. Through intricate drawings and stitching on fabric, she constructs imaginative realms where thread functions as both connector and destroyer of singular worlds. Her work depicts beings—part hero, part creature—that exist between reality and unreality, evolving within repeated patterns rich with layered meaning. Her practice breaks from the archetypes of the contemporary, encouraging introspection while stirring dormant utopian visions within the viewer.

Yoonhee Na, a graduate of the Department of Comics and Animation at Sejong University, has been actively publishing since 2014 to the present. She has worked on serials such as <Blind Garden>, <This Magical Moment>, <Whale Star: The Gyeongseong Mermaid>, and <A Heartfelt Andante> and was awarded the Presidential Award at the Korea Content Awards in 2021.

A water droplet hovers, suspended in the moment just before it falls. Artist Yoo Choong-mok captures this precarious instant, freezing it within space through the materiality of glass. This moment—poised on the brink of vanishing—is never static; it shifts and transforms with the interplay of light, gaze, and movement. Rather than explaining the subject, his work reveals the very moment when our senses are awakened. At the intersection of water droplet, glass, light, space, and the viewer’s own movements, the work emerges as a singular scene. As viewers pass through, they find themselves slowing down, if only for a brief moment.

Blake Daniels, born in 1990 in Cincinnati, Ohio, is an artist known for his unique blend of figurative and abstract art. Working between New York and Johannesburg, Daniels has a rich artistic heritage and developed his passion for art early on. With a Master of Fine Arts from the University of the Witwatersrand and a Bachelor of Fine Arts from the School of the Art Institute of Chicago, where he received the Edward L. Ryerson Fellowship, Daniels employs various techniques, including traditional oil painting and mixed media. His works explore themes of intimacy and human connection, portraying intricate interpersonal relationships set against mystical backdrops, creating an intimate, enchanting atmosphere for the audience.

Painting is a gauge of gravity, according to Jeongyoon Park. The artist, who is taking a master's degree in the Department of Fine Arts at Seoul National University of Science and Technology, has been focusing on the concept of gravity. Instead of defying or destroying gravity, she investigates what is possible with gravity. The artist actively utilizes various materials and methods in her works, experimenting with the horizontal possibility of the painting by incorporating fragmentary or complex elements into her works to show various art universes. 

TEMPORARYWEST began in 2018 as a collaboration among a group of street artists who came together to organize community-based activities in the hometown of Y?, Bang Saphan District, Prachuap Khiri Khan Province.

Jourdain Jongwon Lee is sculptor, and artist based in New York. He moved to the United states from Korea in 2010 and had M.F.A. from Long Island University. He has been working on his ‘Golem’ series since 2008 through Seoul to New York. The name of series, Golem is originally from Jewish folk lore. Golem is an animated anthropomorphic being, created entirely from inanimate matter. The Golem series is connected to the idea of protection, guardian, and golem which is connected to shamanism in Korea.

From the outset, Song E Yoon’s work has moved fluidly between painting and installation, consistently focusing on the sensory properties of material and the invisible dimensions that underlie it. Rather than emphasizing completed forms or fixed imagery, her practice centers on the conditions through which forms emerge and dissolve—on the traces material leaves behind and the immaterial layers of time, memory, and energy that accompany it.

YuChun Chen (b.1980, Changhua, Taiwan), now living in Tamsui. She received her M.F.A. from the Graduate School of Fine Arts, Fo Guang University. Her works are mainly oil paintings and film photography. She focused on themes of past memories, dreams and the continuity of time, traveling through the atmosphere of both the real and the imaginary.

Chris Ro (b.1976) is a graphic designer and artist. His work can be characterized for their kinetic, spatial, poetic and atmospheric properties. Born in Seattle, Chris went on to study architecture at the University of California at Berkeley. After working as both architect and designer he went on to study graphic design at the Rhode Island School of Design. This mixed background continues to influence his explorations that fluctuate between both two and three dimensions. He is often at home when exploring concepts in motion and space and their relationship to the more static surfaces of graphic design. He recently finished research exploring concepts in Korean space at Seoul National University.
His work has been exhibited all over the world and is part of the permanent collections of the Victoria and Albert Museum, Musée des Arts Décoratifs, Die Neue Sammlung, the Seoul National University Museum of Art, Hongik University Museum of Art, Platform-L Contemporary Art Center and the National Hangeul Museum.

Rizal Hasan
b.1992, Gresik, Indonesia

Graduated from Indonesia Institute Of The Arts Yogyakarta, Indonesia. He is currently based in Sewon, Bantul, D.I Yogyakarta, Indonesia. Artist selected solo exhibition: “POP Script : Encoding The Everyday” 2021 Indie Art House Yogyakarta; Special Art Project with Jogja Affordable Art at Jogja Art Gallery, 2022; ARTJOG 2022; ARTJAKARTA 2022.

Seongjoon Hong(b.1987) continuously investigates the properties of painting, particularly its mediums and materials. Through various techniques, Hong repeatedly depicts scenes layered with smooth, thin, or translucent membranes that subtly reveal the flat canvas surface and the materials composing it. His works feature delicately colored landscapes where light refracts through layered silhouettes, leaving behind only faint shadows where color and image have dissolved. In his Layers of the air series, for instance, Hong centers soap bubbles on the canvas or positions them just beyond the frame, focusing on their lightness and transparency. By zooming in on these surfaces, he distorts the landscape, allowing waves of projected light to transform his work into abstract paintings.

Hong holds both a BFA and MFA in Fine Arts from Hongik University in Seoul. He has held solo exhibitions including at SEOJUNG ART(Seoul & Busan, 2024), 68projects(Berlin, Germany, 2024), Prompt Project(Seoul, 2023), Galerie BHAK(Seoul, 2022), Pipe Gallery(Seoul, 2022) and Hakgojae Design Project Space(Seoul, 2020). He has also participated in various group shows, including at Art Space Hohwa(Seoul, 2024), Frieze No.9 Cork Street(London, UK, 2024), ThisWeekendRoom(Seoul, 2024), M5 GALLERY(Ginja, Japan, 2023), Art space Hohwa(Seoul, 2023), Galerie BHAK(Seoul, 2022), Seojung Art Center(Seoul, 2022), Koo House Museum(Yangpyeong, 2022), Ilwoo Space(Seoul, 2022), and UARTSPACE(Seoul, 2019). He was selected as a 2020 New Hero by Public Art Magazine and participated in the 68projects Residency(Berlin, Germany, 2023). His works are part of collections at the PARKSEOBO Foundation and Art Space Hohwa.

Gungho - An artist with a collection of young collectors in the US, China, Taiwan, and Japan. He has incredible skill, working in a way that leaves no brushstrokes on the artwork.

Ursula Palla was born 1961 and grew up in Chur, today she lives and works in Zürich. In her work she interlinks video and room sculptures and works with sensitive materials such as moulded sugar, coal dust or snow. The fragility of nature and wild life is the focus in many works. On a first level an enchanting aesthetic make these accessible. Yet all works are based on comprehensive research, and only its knowledge completely reveals the depth and urgency of the work. The video and room installations by Ursula Palla are poetic and at the same time show up voids that often leave behind a stale feeling and remind us of our responsibility towards nature and environment. This makes the artist’s work highly topical.
While in Ursula Pallas’ early work the accent was on the human being as a figure between appearance and disappearance, after 2000 the plant and animal world came into focus as motifs. The artificiality of nature crystallises ever more clearly as the central theme of the multimedia oeuvre.


Even though I knew it was only just a Tangerine warehouse 2

The Rain Approaches 5

A Tiny Comfort

Beyond the dawn

Tangerine warehouse 38

My Place to Breathe 30

THE END, 2014

TASTE OF THE BEGINNING, 2010

START OF ART, 2010

RELIEFVUITTON, 2009

PICASSO’S POSITION IN THE HISTORY OF 20TH CENTURY PAINTING, 2009

NO!!HERO, 2009

PRESENT, 2010

MOUSE HUNTING, 2010

MC DONALD HOME SERVICE, 2014

l WARDSTOCK FESTIVAL, 2010

IS HE KNOW NAMJUN PAIK, 2009

IMPRESSIVE INFLUENCE URINATE OF DUCHAMP, 2014

HI! DONALD, 2014

HEART OF BANKSY, 2010

JUST DO EAT, 2014

FAST, FREE MOON DELIVERY, 2010

DIRECTOR, 2009

CLOCK, 2010

CHANUN, 2009

A MASTEROIECE OF PICASSO, 2014

A HELLO TO ARMS, 2009

A GRENADE-THROWER, 2010

HUNTING, 2010

IS HE KNOW NAMJUNE PAIK, 2009

WITH THOMAS, 2014

WAITING PEOPLE, 2010

TOM & HUMAN, 2014

BATTLES, 2010

BETWEEN 83PAGE, 2010

Living Together

Piopiotahi (A piopio bird)

Apricot Flower

Along with you

Purakanui (The Legendary Mythical)

Hokitika (The Water of Green Jade)

Duologue in Double Yellow

Cream Cup

The Afternoon Sun Dives

The Layers of Clouds_Petit Contrast

Petit Rendezvous_Contrast

The Red by the Window at 6am

Guernica Redacted (After Picasso's Guernica, 1937)

P24-9

P24-12

p25-7

P23-10

P22-31

P23-4

P23-16

P23-14

Roses

Pendant

Sweet

It blooms, in its time 피어 가는 줄도 모르다

Always beside, always with love 뿌린 씨가 뿌리를 내리고

And is gathered, in time 아름답게 피어난 것을 거두는 것

Softly, with his open arms 한껏 팔을 벌린 그의 바람

The shape of leaves

Flowery

Untitled

Surface

A tree with the street lamp

The color of days 

A moon

The way of leaves

Beyond the Horizon of a Black Hole

Utopia

The Orbit of a Red Comet

Orchids and Haze

Machine's Score

Floating Lane

Something Between, to be Between, If It’s Between

Whale Star: The Gyeongseong Mermaid

Formation - Recollection_unrestraint M 2

Formation - Recollection_unrestraint M 4

Formation - Recollection_unrestraint M 3

Formation - Recollection_Belief 1-21

Formation - Recollection_moderation 2-9

Formation - Recollection_moderation 1-16

Formation - Recollection_unrestraint 3-1

Formation - Recollection_unrestraint 2-6

Formation - Recollection_unrestraint 2-5

Formation - Circle 10

Formation - Circle 9

Formation - Recollection_unrestraint M 1

Formation - Recollection_unrestraint 3-4

Formation - Circle 7

Formation - Recollection_Belief 2

Formation - Recollection 4-40

Formation - Recollection 4-39

Self-portrait (Apoptotic Corpus)

Small Street

Cave at Pope Lick Creek

Wind and feather

Pink

Firefly

Summer of Frogs

Temple

Water Beetle Form

Water Primrose Form

Water Lettuce Form

Golem

Drip

Möbius strip

우주의 신용도

Essence_2

Vicinity

Flying

Evolution Involution

The Moon

Is My Fate in Your Hand?

Rooftop

We Left a Sweet Place

Everything and Nothing

Circular Time

Talking Hands

The Sofa

Days of the Past

After the Rain

Iron Pheasant

The Shades of Night

Head to Somewhere

Dreamed of the Sea and Tears

Is Your Fate in My Hand?

As I Went Over the Water

Costal Wind

Going Home

Gloves

Square

Friends Of Those Who Wish To Be Friends

Counting Seconds As Opposed to Hours.

Persistence

Touch the sky 24

Touch the sky 22

Layers of the air 35

Layers of the air 34

Layers of the air 36

Touch the sky 36

Touch the sky 8

Layers of the air 40

Layers of the air 41

Layers of the air 38

Touch the sky 28

Touch the sky 27

Layers of the air 39

Cloud Girls

Together

Where is the exit?

Herb and Weeds 130

Herb and Weeds 105

Empty Garden 3

Artists