Graduating with honors in Fine Art from UiTM Malaysia in 2013, Husin Othman, known as Sean, has rapidly established himself as an emerging talent in the Malaysian art scene. Hailing from the rural villages on the outskirts of Perak, his upbringing with seven siblings and a free-spirited childhood heavily influence his work. Sean’s art often explores the essence of Malaysian identity and traditional Malay culture, rekindling nostalgic memories of lifestyles and values that are increasingly overlooked in modern times. His skillful techniques and strong grasp of figuration have made his work stand out, evoking a deep sense of connection and familiarity for Malaysian audiences.

Sean's achievements include winning the UOB Painting of the Year award in 2014 as the Most Promising Artist (Emerging Artist category) in Malaysia, which has greatly bolstered his reputation in the local art scene. Through his reflections on Malaysian rural life, he offers viewers an intimate perspective on cultural heritage, inspiring a renewed appreciation for local traditions. Sean's art not only preserves these memories but also fosters a dialogue on the value of cultural continuity, making him a key figure among a new generation of artists dedicated to capturing the spirit of Malaysia.

Gwon summons fragments of memory into reality and reconstructs them into photographs, intersecting the objects that existed with the world we face now. His major works include 《Hubble》, 《Twinkle》, 《Nocturama》, 《SF》, 《Bukhansan》, 《Flashbulb Memory》, 《The Art of the Shovel》, and 《Conceptual Dictionary》. Gwon has participated in numerous curated exhibitions at institutions such as the National Museum of Modern and Contemporary Art, Korea (MMCA), Seoul Museum of Art, the Fotofest Biennial in the US, the Center for Creative Photography (CCP) in the US, and T3 Photo Festival in Japan. He was the recipient of the 1st Ralph Gibson Award (2024), the 10th Ilwoo Photography Award in the Publishing category (2019), and was selected as the Final Artist of the Year for the 7th KT&G SKOPF (2015). He has participated in residency programs including Goyang Residency, Incheon Art Platform, Geumcheon Art Space, and Nanji Art Studio. His publications include Bukhansan (Aprilsnow, 2021) and Flashbulb Memory (Hatje Cantz, Germany, 2020). His works are in the collections of the National Museum of Modern and Contemporary Art, Korea; Seoul Museum of Art; Jeonnam Museum of Art; The Museum of Photography, Seoul; and Goeun Museum of Photography.

JHU’s works confront the fragility and mutability of form, employing organic and fluid mediums to create abstract narratives that resonate with existential vulnerability. Through his pieces, he reflects on the impermanence of the human condition, inviting viewers to consider the moments when identity feels unfamiliar and fragmented.

Tomotoshi Hoshino (b. 1961, Tokyo) is a distinguished Nihonga painter and a specially selected
member of the Japan Art Institute (Inten), one of Japan’s most prestigious art organizations. He
encountered Japanese painting at the age of 14 and later studied under Kōhei Morita. Since his
first acceptance to the Inten Exhibition in 1987, he has continued to exhibit extensively both in
Japan and internationally. His solo exhibitions have been held in venues such as Nihombashi
Takashimaya (Tokyo), as well as in Paris, New York, and Oslo. His works are included in the
collection of the Omishima Museum of Art.

Philippe Parreno is a French Artist who rose to prominence in the 1990s, earning critical acclaim for his work that spans a diversity of media, including film, sculpture, drawing, and text. Parreno’s work redefined the exhibition experience by taking it as a medium, placing its construction at the heart of his process.
Parreno has exhibited extensively and has work in major institutions worldwide. His presentation at Cahiers d’Art inaugurates a year of major exhibitions and projects, including solo presentations at the Leeum Museum in Seoul, the Haus der Kunst in Munich, and an important project at the Fondation Beyeler in Basel.

Glen Wilson's multi-disciplinary practice is comprised of photography, sculpture, filmmaking, installation, and assemblage. Provoking questions around voice, visibility, and cartography, Wilson’s works suggest fluid narratives of place, diaspora, cultural heritage, and the intersections of individual and communal identity. Wilson received a B.A. from Yale University, New Haven, CT and an M.F.A. from the University of California San Diego. Recent group exhibitions include the Getty Center, Los Angeles; California African-American Museum, Los Angeles; the Museum of Contemporary Art, Los Angeles, CA; Honor Fraser, Los Angeles, CA; Charlie James Gallery, Los Angeles, CA; Quotidian, Los Angeles, CA; Torrance Art Museum, CA; Eastside International Los Angeles, CA; and the Los Angeles Municipal Art Gallery, CA. Wilson spent a year as a research fellow at the New York Public Library’s Schomburg Center for Research in Black Culture, Harlem, NY.

Shigeki Matsuyama is a Japanese contemporary artist. His work was shaped by his early career as an illustrator and his philosophical reflections following the 2011 Great East Japan Earthquake. He has since pursued a more conceptual art practice, reinterpreting through his work the impact of modern society's consumerism, pop culture, media, and technology on the human experience. His works provide visual play through the use of repetitive patterns and intense colors, and he is expanding his artistic expression through various media,
including not only painting but also objects and installations.

Chris Ro(b.1976) is an artist who is fascinated by non-visual themes and
concepts. His projects have examined concepts that are often more felt than
seen. Themes like humor, sound, geomancy, thieves and space are recurring
elements in his project work. These projects can sometimes be characterized
for their kinetic, spatial, poetic and atmospheric properties. Coming from
both an architectural and graphic background, his work mixes components of
printing, installation, animation, writing and traditional painting and drawing.
He currently teaches at Hongik University. He has a mixed background of
research at institutions like UC Berkeley, the Rhode Island School of Design
and Seoul National University. His work has been exhibited all over the world
and is part of the permanent collections of the Victoria and Albert Museum,
Musée des Arts Décoratifs, Die Neue Sammlung, the Seoul National University
Museum of Art, Hongik University Museum of Art, Platform-L Contemporary
Art Center and the National Hangeul Museum.

Daniel Lergon (b.1978, Bonn) is a German artist who experiments with Jight effects and chemical reactions, exploring optics and perception. He began his inquiries into color, the interaction of Jight on different surfaces and optical effects. Lergon has been working with fabrics of different optical and physical qualities, to which he applies lacquers and transparent varnishes to produce a broad range of effects that vary with the position of the viewer. In his early works, Lergon used color pigments within the range of the color spectrum, applying them to all kinds of material surfaces. In later work, while using transparent varnishes and synthetic, retro reflective fabric as painting surface {which reflects the light in the same direction from which it comes), he also includes colors at the very extremes of the spectrum into his work. His intensive study of the colors was thus always tied to the materiality of the painting's ground and the question regarding this influence this would have on the viewer's perception.

YeonJae Chung(b. 1992) explores contrast as the central concept of her practice. As both a painter and a graphic designer, and having spent her childhood moving between the United States and South Korea, she developed a sensibility shaped by differing cultures and languages. She focuses on the tension and balance created by opposing elements such as horizontal and vertical, light and shadow, clarity and blur. Contrast functions in her work as both a visual device that evokes emotion and a framework through which objects are perceived and judged. Observing the points where logical and illogical elements intersect, she reconstructs everyday phenomena into abstract forms. By examining the gaps and relationships that arise from the combination of disparate elements, her practice expands across painting, objects, and furniture.

Rachata Siriyakul was born in Thailand and studied till 8th grade. He started to learn art in “Nanyang Academy of Fine Arts” Singapore in 2015. Later in 2017 he studied art at the school of John Angel (Pupil of Pietro Annigoni) and Martinho Corriea pupil of John Angel, Florence, Italy before moving to purposefully directly study art with Odd Nerdrum, a famous Norwegian painter. In 2018 he participated in an exhibition at Bangkok Art Biennial, Theatre of Indulgence Gallery by Lotus Arts de Vivre. Moreover in 2023 he participated an international art fair in Art Busan.

Since returning from Japan, AeGoh has passionately showcased the uniqueness of her painting through five solo exhibitions, beginning in 2016. Notably, from 2017 onward, she has cultivated a distinctive artistic realm by establishing her home in the heart of a serene forest, where she creates semi-abstract works that embody the vibrant colors of nature. The artist perceives her family, everyday individuals, plants, animals, light, wind, and still life as equitable beings that engage and coexist within nature, capturing the shared rhythms of life on her canvases. AeGoh's work originates from her personal narratives but expands into universally relatable expressions of life through simplified forms and harmonious color combinations viewed from a liberated perspective.

Panuwat "Pay" Kamdee, born in 1999 in Chiang Mai, Thailand, pursued his studies in Fine Arts at Silpakorn University, Bangkok, where he cultivated a unique style that merges traditional Thai art forms with modern techniques and natural pigments. His work often explores the concept of a societal harmonious allegory, symbolizing ideals of unity, balance, and peaceful coexistence. Drawing from Thai mythology and folklore, Pay expresses these themes in a surreal, dreamlike style, presenting accessible and playful pieces that resonate with audiences. His work reflects his childhood memories, making his art both nostalgic and relatable.

Pay has exhibited extensively both in Thailand and internationally, earning acclaim for his innovative approach and thoughtful exploration of environmental and social issues. His art subtly addresses these concerns, inspiring audiences to recognize the depth of his work and its connection to Thai cultural identity. He has also participated in various community art projects, using his platform to promote sustainability and cultural preservation.

Nuttiwut (1993) presents his artwork through the chaotic journey of his own life because these experiences are relatable to may people who may have never realized it. Also, he expresses his work to make fun of himself and the surrounding society, The artist has been creating works and exhibiting constantly. For example, “The Twelve Labours of Hercules” in 2018, “The Art of Survival” in 2019 and additionally he had joined group exhibitions such as “HUMAN-19” in 2020 and “The spirit of Six” in 2019 at Number1Gallery, Hotel Art Fair in 2024. Besides he had participated an international exhibition for instance “Art Expo Malaysia 2019” and Art Fair Philippines in 2020 , Art Busan 2024.


After working as an architecture 3D renderings in Japan, he moved to the United States and started working as an artist in New York. He creates characters called Poi in sculptures and paintings, and installs them in various places in the city. When he sees the installation locations on a map, he places them in the shape of Poi. “Poi” means “Path of Imagination”. The artist's wish is that everyone in the world can live in harmony so that everyone can smile. The Poi placed throughout the town heals and encourages the hearts of those who meet them, like Jizo statues on the roadside.

Salvo was an Italian Conceptual artist that transitioned from producing austere sculptures to painting richly colored depictions of the Italian countryside. Born Salvatore Mangione on May 22, 1947 in Leonforte, Italy, he became associated with artists of the Arte Povera movement during the late 1960s, meeting Alighiero Boetti, Mario Merz, Gilberto Zorio, and Guiseppe Penone, while living in Turin. Originally achieving recognition for his text-based works—which consisted of his name or a tombstone for himself—Salvo began painting in 1973. Characterized by simplified forms reminiscent of the early Modern avant-garde. These dream-like scenes like are reminiscent of the Italian Metaphysical painter Giorgio de Chirico. In 1977, the Museum Folkwang in Essen, Germany gave the artist his first retrospective. He died in Turin, Italy on September 12, 2015 at the age of 68.

Eun Sook JEON (b.1980, S. Korea) lives and works in Seoul.
She completed her M.F.A.(2006), B.F.A.(2003) in Sungkyunkwan University. Her main solo exhibitions include ≪Fragments of Sensation≫(Space xx, Seoul, 2024), ≪Slow Move≫(JIDAM gallery, Seoul, 2024), ≪Pacho≫(accompany, Busan, 2023), ≪Pipetting≫(Pyo gallery, online show).

Eun Sook JEON, an artist reminiscent of a TikToker in the art world, exudes an energy that bridges an anxious era with positivity. Her work blurs the line between realism that feels abstract, abstraction that feels realistic an improvisation that transcends boundaries, akin to an anthology of short stories where each scene carries its own distinct narrative. The artist’s character, which dismantles preconceptions, is evident in every aspect of her paintings. She finds beauty even in the flowers blooming in the garden of a redevelopment apartment complex, revealing empathy for soon-to-disappear places and discovering urban gardens in their natural state, thriving only when untouched by human influence. …The keen wiht evident in her work shines particularly as it embodies the stark contrast between life’s expectations and their actual outcomes. Her paintings resemble a collection of life’s ironies compiled as short stories, not for the sake of a polished narrative but to express a genuinely human language through color. _ by Ahn Hyun-jung (Art critic and PhD in Art Philosophy)

Bac Jungwon has drawn compositional paintings that express the invisible emotions and minds of humans through various scenes encountered in daily life. After receiving a bachelor's and master's degree in Fine Arts from Kookmin University, she painted unusual, dreamlike, and dramatic situations, but in her mid-30s, she began to paint natural objects and everyday landscapes. Her paintings reveal the fragile psychology and feelings of contemporary people, which are concealed beneath the solid shell of civilization. The artist portrays difficult-to-express psychological levels through a variety of painting mediums, including sketching, watercolor, and oil painting. It defines creation as the discovery of remarkable moments in the repetition of her previous everyday existence and the transformation of the meaning into a material known as painting and reconstructs a daily life from her own unique perspective.

Peter Chey draws "faceless comfort" under a single idea—that comfort should reach anyone, easily. Working with the most familiar of materials, ballpoint pen and marker, he leaves each figure's face empty so that viewers can project their own stories and complete the work through their own reading. Moved by those who told him his small drawings brought them great comfort, he developed his "Giant Drawing" technique, enlarging tiny ballpoint sketches over a hundredfold and redrawing them by hand in the same medium. The result feels like a picture made by a giant standing steadfastly beside you—an image that shifts with distance, offering comfort through both scale and perception.

HaSeulLin Jeong has an interest in paintings that are located between images and materials and can simultaneously deduce the axis of time. She is a graduate of the Korea National University of Arts and the Academy of Fine Arts in Prague, where she studied Printmaking and Painting. Later, the artist deliberately leaves traces of the previous layer or creates a support structure that will be influenced by the prior and following layers of paint, resulting in visual interpretation. HaSeulLin Jeong's artwork provides the viewer with the experience of pondering for a prolonged period of time, imagining the source of the material, and sensing that the senses are real through an individual sense that is intuitive and universally shared. 

Jihye, born in Seoul in 1993, is an artist who uses photography, videography, and writing to capture the essence of everyday life. Her fascination with her surroundings began at a young age when her father gifted her a camera. Her passion for recording the beauty of mundane moments has only grown stronger over time. Jihye's art is a reflection of her belief in the power of capturing and preserving moments that are often overlooked. Through her lens, she finds joy in revealing the beauty of the everyday world, from the landscapes that she encounters to the people she meets. Her work serves as a reminder that it's often the small, seemingly insignificant details that make life worth living. Jihye's art is deeply personal, yet it speaks to universal truths that connect us all. Through her art, she hopes to inspire others to appreciate the beauty of everyday life and to find joy in the moments that might otherwise be forgotten.

Kim Hanna is a painter who has lived and worked in Busan since she graduated from the College of Fine Arts at Busan ​​National University. She has depicted the life and relationship between two characters, Hanna and Rabbit which the artist's internal world is reflected by.  

She has had many solo exhibitions, including Alternative Space Loop in 2006, Arario Gallery Beijing in 2007, Arario Gallery Seoul in 2008 and 2013, and Gana Art Gallery Busan in 2017. She also completed her solo exhibitions at Seoul Lotte Hotel & Resort Gallery in 2018, and Ecru in Busan in 2021. She had her first solo exhibition in Bangkok, Thailand in 2023.

She has tried to work with her wide span of creativity. She collaborated with Uniqlo, Shinsegae Department Store, etc. She also created the album cover work for Monthly Yoon Jong Shin. In 2022, she published a Poem book with drawings with the poet Park June. 

Ku, Ja-Young(1969) studied B.F.A and M.F.A Painting at Seoul National University and received MFA, New Forms at Pratt Institute in NY, USA. The artist has worked as a visiting artist at Brigham Young University in Utah in 2001, Afterward being at Art Omi International Artist’s Residency in Omi, New York in 2001, by establishing himself as an international artist. Ku was invited to numerous solo exhibitions and group exhibitions at prominent art museums and galleries in the world, including Witworth Art Gallery, Manchester, England; Arts Center Nabi, Korea; Carrillo Gil Museum, Mexico
City, Mexico and Krakow Triennial Print Exhibition, Krakow, Poland.

Traveller Novice #3

HUBBLE

The Art of Shovel #10

Dictionary of Notion #The Change of Seasons

The Art of Shovel #5

Flashbulb Memory #Summer Break 7

Traveller Novice #5

Dictionary of Notion #The World of Fruits

The Bounty

Portrait of Master Katsukuni

Guardian

Maiko

Geiko

Merry-Go-Round

Turning Point

Circle of Presence

Midday

Calm

Through Autumn

The Patterned Hem

Tiny Beginnings

Philippe Parreno, Revue

Philippe Parreno, Limited edition including original artwork

Shared Garden

금지구역(A)

사막의 길

주차장(어린이집)

Wavelength Constellation #1

Traveling

Resonant Alignment (An Elliptical Pull)

Wavelength Constellation #2

Tidescape (Pacific Frequency #2)

Element Series No. 2 (Origin)

Equivalents (Ethereal Observation #1)

Portrait of dazzle #265

Portrait of dazzle #264

Portrait of dazzle #263

Portrait of dazzle AH(bot) #250

Portrait of dazzle AH #245

Portrait of dazzle #260

Portrait of dazzle #235

Portrait of dazzle(bot) #228 AI-generated eyes

Portrait of dazzle #262

Self-portrait for multiple accounts #08

Portrait of dazzle #270

Portrait of dazzle #279

Portrait of dazzle #301

Portrait of dazzle AH #285

Untitled

[1,2,3] C

[1,2,3] B

Portrait of The Dueller

Portrait of Marco Polo in Da Yuan

Bird Shadow

Duck

Iris on a Cloudy Day

Six colors, Four still life series(3pcs)

Blue Window

Carnation

Tiger Cry

บางพลัด Got talent

Bangkok Sea

Home quarantine no.1

Footbridge

สะพานลอย Got talent

F$CK

INNER UNITY

Un quadro coi fiocchi, 1998

Pipetting

Firefly

Body

pipetting

Seed Bank

Peony

Fuzz ball

아나토미 드로잉 시리즈 - 파워워킹

아나토미 드로잉 시리즈 - 끼인 몸

아나토미 드로잉 시리즈 - 헬프미

Anna

지나가는 하늘

Dance

목련

Still life

Girl from Seoul

죽어가는 정물

여자, 여자, 여자

아나토미 드로잉 시리즈 - A Hard day night

아나토미 드로잉 시리즈 - 줄넘기

오래된 몸짓

아나토미 드로잉 시리즈 - 댄스 댄스 댄스

아나토미 드로잉 시리즈 - 화려한 스텝

아나토미 드로잉 시리즈 - 러버

아나토미 드로잉 시리즈 - 사이즈의 문제

아나토미 드로잉 시리즈 - 의지의 문제

아나토미 드로잉 시리즈 - 구원자

아나토미 드로잉 시리즈 - 마음을 뜯는 노래

아나토미 드로잉 시리즈 - 님은 먼곳에

아나토미 드로잉 시리즈 - 내일의 기억

아나토미 드로잉 시리즈 - 탈출

어려운 스텝

밤과춤

womanwomanwoman

아나토미 드로잉 시리즈 - 무거운 길

여자 여자 여자

아나토미 드로잉 시리즈 - 추위와여자

A passing sky

Lonely flower

아나토미 드로잉 시리즈 - 너의 감각 2

아나토미 드로잉 시리즈 - 갈라진 마음

아나토미 드로잉 시리즈 - 너의 감각 1

Silver Tree Skin

A Rainforest

A Grape Tree

Black Wave

#companion

#overlap

#home

#rockscissorspaper

#dday

#myself

#hurt

#discovery_of_happiness

#if_together

#have

10!practice

Spotted dog

Sunday special

18!practice

Cake itself

Letters to Layer-Stripe

Letters to Layer-3

Letters to Layer-Parchment

Letters to Layer-Swan

Toast

Fitting hole

Language of cake

Letters to Layer-1

Orange Hill

Ginger Lemon Tea

Under the small light 1

Under the small light 2

Under the small light 3

Hibernation 2

The Beginning of Winter

In an unknown realm 2

In an unknown realm 1

Steamy Glasses

Hibernation 1

Morning Once Again

A Recording Ritual of Dustgrapher 359

Smoothing the Wild Bangs

Rock in Red

Walker

Blue Tree

Green Forest

Artists