Yunhee Lee has reinterpreted Dante's "The Divine Comedy," a collection of Western religious/mythological worldviews and narratives, in a "saga of a girl who overcomes life's adversity and pioneers her way to destiny," building her own narrative and worldview rather re-presenting. Through this exhibition [The Stigmata], the artist hopes to bring light to her narrative based on the worldview she has meticulously built, about “desire and anxiety,” the essence of human nature, and “healing”, the process of overcoming them.

The artist produces each unit and completes the work by recombining them, which is similar to the way classical narratives are weaved into the artist's works. In this process, traces of iconography that crosses various boundaries can be seen, ranging from medieval European altars, baroque styles, grotesque patterns, to traditional Buddhist paintings (speciﬁcally Gam No Taeng Hwa) and historical paintings. These function as a universal and vast narrative device found in traces of history. If 'desire and anxiety' are viewed as the essence of human nature, these traces would eventually manifest into sacred remains unearthed from the process of overcoming the essence. However, in the present, we no longer discuss the stories of overcoming life and death, that is, the mythological narrative.

At this point, the artist views the process of overcoming the essence as the process of "healing" and newly constructs and recreates the story by implementing diverse methods of visualization. Each work, which is completed with a combination of various demarcated units, seems somewhat heterogeneous and contradictive, but performs as an individual allegory. Through a dialectical process, the viewers are able to reach the artist’s interpretation of “healing” that she intends to convey.

Life imposes various pains and wounds on men stemmed from desire and anxiety, but as humans grow through the process of pushing through them, desire and anxiety rather become powerful intrinsic driving forces. The wounds and pains may in fact be the stigmata of the process of striving to ultimately reach a better future. The dreamy imagery of the works resembles the moment of breaking free from pāramitā, of us when we wept vigorously from the intense shock of birth, ﬁercely ﬁghting against pain of life.

POSE began painting graffiti in 1992 and in years since has expanded his vigorous career to include murals, commercial collaborations and exhibitions around the globe. He earned his BFA from the Kansas City Art Institute in 2004, and then turned his own graffiti education into a body of work blending a wealth of pop culture’s ready-made visual languages. Street signage, comics, newspapers and advertisements are reimagined through dissection, digitization and reconstitution, collectively immortalizing post-industrial moments for the digital age. POSE was named “One to Watch” by CNN in 2015, and has exhibited in the Museum of Contemporary Art Los Angeles, Museum of Contemporary Art Denver, Powerlong Museum Shanghai, Museum of Contemporary Art Chengdu, and Chosun Ilbo Museum of Art, Seoul, among others. His work is enjoyed in numerous private collections worldwide.


Born in 1933 to an affluent family in Gaeseong, Han Youngsoo showed artistic talent from a young age and pursued photography as a hobby. After his military service in the Korean War, he became a member of the Shinsunwhue (New Line) group, an association of realist photographers who championed “everyday life photography.” In Seoul, they documented the resurrection of the city in the late 1950s and the social realities of the Korean people. South Korea’s economy saw explosive growth in the 1960s. In 1966, Han founded his photography studio, Han’s Photo, which pioneered the country’s advertising and fashion photography industries.

Han went on to take leadership positions in numerous photography associations and cultural institutes. In 1987, he published Life, a photography book that compiled historic scenes of Seoul in the aftermath of the Korean War. After his passing in 1999, his daughter Han Sunjung established the Han Youngsoo Foundation to promote Han’s legacy and preserve the estate of his negatives and other archives. The Foundation has garnered international recognition for Han’s photographs. His works were included in the Les Rencontres d’Arles (2014), and he has held recent solo exhibitions at the International Center of Photography in New York (2017), Baik Art Gallery LA (2018), and Harvard University Asia Center (2019). Han’s work has been included in groundbreaking international exhibitions such as The Space Between: The Modern in Korean Art at the Los Angeles County Museum of Art (LACMA) in September 2022.

Gungho - An artist with a collection of young collectors in the US, China, Taiwan, and Japan. He has incredible skill, working in a way that leaves no brushstrokes on the artwork.

JiHoon Cho continues his work with the purpose of exploring the value of art through an understanding of consumer culture. He analyzes the impact of consumerism on modern life, focusing on how it shapes personal identity and social status while simultaneously exacerbating environmental destruction and social inequality. His work invites viewers to reconsider fundamental human values within consumer culture, promoting critical thinking and reminding them of the necessity and role of art. To achieve this, the artist visually expresses the hollow yet seemingly attractive nature of consumer culture by associating it with the emptiness conveyed by the transparency of glass, emphasizing the critical function of art.

Doyo is a collage artist that focuses mostly on album cover design, print artwork, and art directing. The artist who became interested in collage work in 2016, studies Photoshop by himself and combines every item to communicate imagination and romance. Through the artist's unique use of colour and atmosphere, conveys to modern people the romance and relaxation of daily life.

Ryan Lee is based in New York and has held exhibitions in Chicago, Valencia, and Sacramento. The artist's work statically presents everyday spaces and flat, banal scenes. Scenes containing still life that highlight the absence of humans capture an unclear, open story as if someone has just passed by or may be approaching. It is full of the ambiguity of not knowing when and what will happen, and the production is cropped from a third perspective as if you are watching through CCTV. The work leads us to deeply observe familiar things, adds imagination and psychological anxiety, and, unlike the reproduction of everyday life, it is no longer distant from the ordinary.

Exploring photography not just as a mere recording medium but as a sculptural material with infinite possibilities, and through this, constructing a new visual language.

JiMin Chae brings images discovered in life's moments to coexist on a single canvas, constructing figurative paintings where fragments of art and everyday life, reality and unreality, collide and intersect.

Alex Face (Patcharapon Tangruen) is a renowned Thai graffiti artist celebrated for his thought-provoking street art that transcends boundaries in Thailand and beyond. In 2009,
inspired by his newfound fatherhood, he introduced a distinctive three-eyed, bunny-eared character symbolizing innocence and wonder. Known for his street art skills and mastery of European old masters' techniques, Alex Face has seamlessly blended traditional and contemporary elements. In 2022, he marks two decades in the realms of street art and BANGKOK CITY CITY GALLERY fine arts, leaving an indelible imprint on the urban landscape and art scene worldwide


Jung Kwang Ho, who aims to weave between painting and sculpture, desires to explore the essence and interpretation of sculpture in particular. A sculpture is a tangible representation of an image manifested by the sculptor using materials, techniques, and tools to create a specific object in a particular way. Jung oxymoronically refers to his works as "non-sculptural sculptures," as he works with non-sculptural properties to create essentially sculptural works. The paradoxical expression is part of how he explores the essence of sculpture. The artist made no distinction between inside and outside, instead exposing the surface and penetrating through to suggest that surfaces are merely the superficial layer of sculptural essence and the surface of reality.
Jung presented solo exhibitions in various museums worldwide, including the Stedelijk Museum in Amsterdam, Art Sonje Museum in Gyeongju, Kumho Art Museum in Seoul, Gallery Thomas in Munich, Lumen Gallery in Paris, and Canvas International Art Gallery in Amsterdam. He also participated in significant group exhibitions at institutions such as the Seoul Museum of Art, Samsung Museum of Art Leeum, Singapore Art Museum, and Gyeonggi Museum of Art. His works are held in various collections, including the National Museum of Modern and Contemporary Art, Daejeon Museum of Art, Hanlim Museum of Art, Sonje Museum of Contemporary Art, and Ho-Am Art Museum.


The series, which began in 2024, is the result of a condensation of artistic interests that the artist has been exploring for a long time. Building a deep understanding of art and space through more than 30 years of work on cathedral architecture and sacred art, the color experience of stained glass in particular became an important basis for forming the artist's own painting world.

In this series, the artist unravels the mysteries of love and life, space and existence in a unique formative language. The work talks about the beauty of life, expressing gratitude and wonder for small moments in everyday life and precious beings around us in various colors.

Toshimitsu Imai was an influential 20th-century Japanese painter. Best known for his monumental abstract works, Imai composed his canvases with a combination of thick impasto marks and fluid, inky lines to build chaotic, “allover” compositions.

Dain Lim captures the feeling of rest through sensory experiences in peaceful spaces, focusing on her "Window" series.

Sun Young Byun initially focused on still-life subjects but gradually turned her attention to what was once dismissed as “background” — wallpaper, lace, and calendars. Questioning the conventional hierarchy of value, she seeks to invert and blend established notions of worth, exploring the “identity of value” through visual contradictions.

Her works combine images of famous paintings, still lifes, patterns, and furniture across time and
culture, celebrating the aesthetics of the overlooked. Through meticulous, repetitive painting-a labor that may seem futile-she engages in a performative act that tests the boundaries between value and valuelessness, transforming the marginal into the core of our lives.

Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making.

Sung Min Woo is a contemporary artist who explores ecological order and the dignity of existence through marginal life forms, particularly grass. By capturing the tenacious vitality of grass-often overlooked-the artist extends its quiet resilience into narratives of organic interconnectedness that shape our shared lives.
The work moves beyond simple representation of nature, focusing instead on the values and relationships between beings. Using a distinctive technique of gold leaf and traditional pigments on silk, Sung elevates plants grown in harsh environments into sacred presences. The delicate stems and leaves spreading across the luminous golden surface visualize the unseen flow of life, inviting viewers to reflect on a sense of awe toward all existence and the value of coexistence.

SoYeong Kim reflects on urban life through photos taken in daily life, capturing fleeting moments that evoke a sense of both illusion and emptiness. Her work is characterized by creating illusionary scenes by adding painterly ambiguity to real landscapes. She paints by repeatedly layering vertical strokes of acrylic paint on traditional Korean paper (Jangji). The unique textures created from the combination of Jangji and acrylic form the depth and richness of her works. The warm texture of Jangji contrasts with the cold, artificial texture of acrylic, and through the brushstrokes, these elements merge to create a dualistic atmosphere in her compositions.

My paintings are inspired by everyday scenes that come to mind. I look at moments that catch my eye or are captured spontaneously in a new light, and in the course of my work, I crop or enlarge parts of them to give them a new meaning as paintings, beyond their realistic meaning. 

Yerin Jang has expressed her inner self through girl in the painting. She has faced herself as a being who is a mixture of memories, emotions, and expectations, and has expressed the psychological opposites that exist within her as an intersection of light and darkness, truth and lies, and beauty and anxiety. The young girl who appears in the new works can be said to symbolize the human being in the beginning, a part of pure nature embracing Mother Nature's providence. As a field of constantly changing energy, the essence of nature is the coexistence of vitality and destructive power. The vitality and destructive power of nature repeatedly circulate as starting and ending points for each other, and although contradictory, they become mutual elements of coexistence rather than opposition. Her new works further expands her previous works in that it explores the duality in the larger scale and humans as a part of nature.

After studying at Columbia University, he moved to the Bowery, joining that neighborhoods’ vibrant artistic community. It was there that he met Andy Warhol, who shot footage of him sleeping for his first film, Sleep. John Giorno’s collaborators have included William S. Burroughs, Robert Rauschenberg, Patti Smith, Philip Glass, Robert Mapplethorpe and, more recently, Elizabeth Peyton, Pierre Huyghe and Ugo Rondinone.

In 1965, Giorno founded Giorno Poetry Systems, an artists’ collective and record label, to relay poetry to a wider audience using innovative means of communication. One such innovation was Dial-A-Poem, which, since 1968, has continuously allowed access to anyone who wishes to hear poetry readings over the phone. John Giorno is also a pioneer of performance poetry, intense spoken word events performed before a live audience.
In the 1980s, Giorno begins to add a pictorial dimension to his work, creating Poem Paintings composed of words and phrases from his poems in the form of paintings, murals, drawings and screen prints.

Adam Bazlik is a cross‑media artist and creative director whose work spans branding, fashion, motion graphics, and designer art toys, blurring the boundaries between design, storytelling, and crafted visual identity.

Sunday B. Morning is an artistic enigma: a replicator of the 20th century’s most famous replicator. Once an authorized distributor of Andy Warhol prints, the company had its legality questioned after the artist had a change of heart, and its legitimacy as a producer of authentic prints has grown murky. The project began as a collaboration between Warhol and two anonymous friends in Belgium whom the artist contracted to make new editions of some of his most famous artworks—including his famed “Marilyn,” “Flowers,” and “Campbell’s Soup Cans” series—using negatives he gave them himself. Sunday B. Morning continued to make editions of Warhol’s iconic works after the split, in some ways continuing Warhol’s inquiries into image, iconography, reproduction, and ownership. Sunday B. Morning is now a well-known purveyor of prints including the aforementioned works as well as “Mao” and “Dollar” series.

HaSeulLin Jeong has an interest in paintings that are located between images and materials and can simultaneously deduce the axis of time. She is a graduate of the Korea National University of Arts and the Academy of Fine Arts in Prague, where she studied Printmaking and Painting. Later, the artist deliberately leaves traces of the previous layer or creates a support structure that will be influenced by the prior and following layers of paint, resulting in visual interpretation. HaSeulLin Jeong's artwork provides the viewer with the experience of pondering for a prolonged period of time, imagining the source of the material, and sensing that the senses are real through an individual sense that is intuitive and universally shared. 

The Castle Of The Spider's Web

La Divina Commedia

Path 1

Path 2

Grasp 1

Path 3

Myeong-dong, Seoul, Korea 1956-1963

Namdaemun, Seoul, Korea 1956-1963

Nodeulseom, Seoul, Korea 1956

Together

Where is the exit?

Cloud Girls

Packaged Things 1

Packaged Things 3

Packaged Things 4

Sculpture 2

Sculpture 1

Title 01

Time: repair

Packaged Things 2

오마이걸 - 불꽃놀이

Nearby Oddness; 2020

Nearby Oddness; Into The Unknown

Nearby Oddness; Komm Süsser Tod

Live Is Life

Nearby Oddness; 2019

Near by Oddness; Library Station

SHIMONOSEKI TRAVEL

Nearby Oddness; Lost in reflection

Nearby Oddness; In Mild January

Nearby Oddness; A garden inside it

Nearby Oddness; The Classic

프리다;  Bellas flores, No tragedia.

Nearby Oddness; Harmonize

HAKATA TRAVEL

BUDAFEST TRAVEL

Nearby Oddness; Missing Garden

Wall in Vermont

Moving Up But Still Looking Down

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She…#01

She…#02

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파괴를 전제한 생성 I

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Contradictions in Denim #07

Contradictions in Denim #08

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Gleaming Beauty Amidst the Conflict of Position and Prestige #01

metaphysical metaphor for fragmentary existence #02

Contradictions in Denim #04

Contradictions in Denim #05

Contradictions in Denim #06

반복은 항상 다르다. 왼쪽 장면

Slightly Misaligned Landscape #2

Slightly Misaligned Landscape #1

Untitled 04

Stage of Fragments #1

Untitled 01

Untitled 02

The Flower 21100

The Pot 24130

Window to the Cosmos_Hydrangea

Window to the Cosmos_Solomon's Seal

Window to the Cosmos_Red Zinnia

Window to the Cosmos_Alpine Poppy

Window to the Cosmos_Unfamiliar Moon and Climbing Roses

Inner Sunrise

Split seconds

Night

Morn

JAVA

Illuminate

Resonate

Taaffe Place

Kippen

5pm Brooklyn

6pm Brooklyn

Spring in New York

Window 3

Window 10

Window 11

Window 12

Window 14

Window 17

Window into infinite 3

Window into infinite 2

Lucid Drift 7

Outhouse 2

Outhouse 1

Summer Vacation

Sleep Net

Lunar Shelter

Slit of day

Blue Threshold

Night Barrier

Whispering Slit 2

Deep in Grey

Nightfall

Inner Eclipse

Mirror of Day

Window into infinite 4

L.I.of V.

Calder by Matter

Calder in France, Revue N°1

Grass Garden

Not a freak

Friend of Dorothy

Love

Back Up

Say yes to peace

A Single Flower

Melting Statue

Flesh 1

Expression

100 Keys

Flesh 3

Overload Image

The Sinking Glass

Ghost Flowers

Flesh 2

The End of One’s Gaze 3

Face

Fall Asleep

Empty Frame

A Shell Grave 2

A Shell Grave 1

A Pile of Shells 2

A List of Things

Impression

Tension 3

From Behind

Red Gem

Hand, Light, Shadow

Trace

Remains 2

Beneath the Skin

The Shadow of an Object

Bouquet

Flesh Without Flesh

Low Light

Hands

The Weight of Skin

Incident Light

Remains

Affect

Image of an image

Outside of Light 2

Place of Gaze

Beyond the Fingertips

Outside of Lights 1

Green Beans

Melting Santa

Heart 2

Heart

Flexible frame

Broken sign

Great void

Weird space 1

Night view

The Scientist's room

A Piece of light

Show Window

Hallucinatory hero

Crumpled paper

A Pyre in Flames

OUTER SPACE EXPLORATION KIT

A Perfectly Ordinary Scene

Two Wrapped Offerings

Butterfly Shadows Over the House

A Shell Grave 3

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