Daniel Wheedong Kim uses the metaphor of 'GHOST' to describe contemporary images that are endlessly replicated across mediums. Embracing 'Hyper-Ghostism,' he creates paintings reflecting on the role of art in an era where reality and existence are increasingly blurred.

Kowit Wattanarach was born in Loei province, Thailand. Through out his career, he has continually creating a magnificent paintings.

Additionally, he had exhibited in domestic and international stages such as 

Asia Contemporary Art Show, Asia Top Gallery Hotel Art Fair (Hong Kong), Expo Exhibition, Absolute Art Gallery (Belgium), Art Busan 2023 (Korea), Art Busan 2024 (Korea).

Kang Kang Hoon's portrait series not only captures external features but also delves into the deeper emotional essence of each subject, inviting viewers to confront their true selves. His daughter, a recurring motif, serves as both the focal point of the artwork and a reflection of Kang himself. In a recent oil painting series, Kang incorporates symbolic object cotton, inspired by a yearning for his recently deceased mother. The contrast between withered branches and bloomed cotton subtly conflicts and harmonizes, contemplating intergenerational connections. Employing cotton as a metaphor for the enduring connections within humanity, Kang explores broad themes of the past and future on the delicate realm between figuration and abstraction.
Major exhibitions featuring his works include the Jeju Museum of Art, Jeju; Wooyang Museum of Contemporary Art, Gyeongju; Clayarch Gimhae Museum, Gimhae; Gyeonggi Provincial Museum, Ansan; Jeju Museum of Contemporary Art, Jeju; Gyeongnam Art Museum, Changwon, and Seoul Museum of Art, Seoul. His works are in the collection of the National Museum of Modern and Contemporary Art. He has been featured and sold out at numerous art fairs worldwide, including Hong Kong, Singapore, and Shanghai, and he continues to remain active internationally as one of the most recognizable, leading artists in Korean contemporary art today. 


Takuya Kamioka naturally began his journey in art under the influence of his grandfather and father, who were both painters and illustrators. However, the most decisive moment in his artistic journey was his childhood exposure to hip-hop music and street graffiti. This experience ignited a significant cultural and artistic inspiration in him, and to this day, street culture remains deeply rooted in his work. He focuses on capturing the beauty of harmony and contrast created by light and reflections in everyday landscapes, rather than symbolic subjects. He combines his own photography with imaginative elements to create dreamlike atmospheres in his paintings. He has consistently collaborated with companies and brands such as REEBOK, ADIDAS, TORIBA COFFEE, and DOUTOR, as well as musicians like FUJII KAZE, AWICH, ANARCHY, KOHH, and KANDYTOWN.

The artist Lee Seokyoung, who expresses the ventilation of everyday life through her painting work, transforms the complex state of daily life into expansive colors and uses the technique of "erasing to draw" on the wet surface of the paint, leaving only visual language and sensory experience. The process of revealing the broad colors on the white canvas creates a space where the body of the painting can take control. The live brushstrokes, made in a single sweep without layering multiple coats, demand the artist's intense concentration and create a composition that breaks free from conventional and rigid systems. In this process, by erasing between the wet paints, the work is not obliterated but reborn through exposure, transforming into a neutral and pure form of language.

Ku, Ja-Young(1969) studied B.F.A and M.F.A Painting at Seoul National University and received MFA, New Forms at Pratt Institute in NY, USA. The artist has worked as a visiting artist at Brigham Young University in Utah in 2001, Afterward being at Art Omi International Artist’s Residency in Omi, New York in 2001, by establishing himself as an international artist. Ku was invited to numerous solo exhibitions and group exhibitions at prominent art museums and galleries in the world, including Witworth Art Gallery, Manchester, England; Arts Center Nabi, Korea; Carrillo Gil Museum, Mexico
City, Mexico and Krakow Triennial Print Exhibition, Krakow, Poland.

YuSeong Choe (b.1983) is an artist who moves away from the premise that painting must interpret reality or convey a specific meaning, focusing instead on the act of painting itself. Rather than constructing a completed image, she concentrates on the sensory responses and processes that unfold on the surface. Her work begins with visual impressions captured from everyday moments and with reactions to spatial conditions on the plane. The surface is not formed according to a predetermined structure, but emerges through the accumulation and layering of elements. Color generates form and space while remaining unfixed, flowing to create emotion and rhythm. For her, painting is not a final statement but an ongoing process that continually questions the notions of completion and harmony. Through surfaces that reveal imperfection and the potential for change, she explores the possibility of painting as a state in which meaning remains open and unsettled.

Gijeong Goo’s practice begins by interrogating the conditions through which images are produced and the hidden structures that sustain them. Transforming real landscapes into digitally rendered imagery and reconfiguring them as installations in physical space, he explores the intersections of humans, machines, and nature. Oscillating between sensation and perception, reality and virtuality, structure and interpretation, his work ultimately raises critical questions about how images are constructed and perceived within today’s multi-layered visual environment.

Morae Shin is a contemporary artist renowned for her dreamy yet sensuous artistic world. Her works often employ pink tones and neon lighting, creating a unique atmosphere that blends vivid colors with expressionless figures. Through these figures, she conveys emotions such as solitude and emptiness, inviting viewers to interpret and confront the feelings embedded within her art from their own perspectives.

Since beginning her career in 2013, She has expanded her creative endeavors across various mediums, including digital illustration, painting, and video art. She regards her work as a "diary," capturing elements closest to her heart. This approach allows her to infuse her creations with her distinctive sensibility and personal narratives.

Chris Ro (b.1976) is a graphic designer and artist. His work can be characterized for their kinetic, spatial, poetic and atmospheric properties. Born in Seattle, Chris went on to study architecture at the University of California at Berkeley. After working as both architect and designer he went on to study graphic design at the Rhode Island School of Design. This mixed background continues to influence his explorations that fluctuate between both two and three dimensions. He is often at home when exploring concepts in motion and space and their relationship to the more static surfaces of graphic design. He recently finished research exploring concepts in Korean space at Seoul National University.
His work has been exhibited all over the world and is part of the permanent collections of the Victoria and Albert Museum, Musée des Arts Décoratifs, Die Neue Sammlung, the Seoul National University Museum of Art, Hongik University Museum of Art, Platform-L Contemporary Art Center and the National Hangeul Museum.

Genteki Yamashita was born in 1998 in Kanagawa Prefecture. He graduated from BA Oil Painting at Tama Art University. Yamashita explores the possibilities of diverse materials such as charcoal, crayon, oil and waste wood from everyday objects in his paintings, drawings and sculptures. By drawing lines and surfaces as if in direct contact with the screen, the distance from the screen and the physicality of the act of drawing remain on the screen. The medium that accumulates on the screen is like a pool of water that accumulates during a tour, and is formed as a work of art with unpredictable phenomena, instability, inevitability and coincidence in the production process. By wearing the accumulation of time through Yamashita’s handiwork, the work has a sense of weight, including an appearance and shape caused by artifice.


Works are landscapes with blurred shapes that drift and become entangled
due to numerous traces of brush strokes and erasures. The vision, which cannot be fixed,
changes everything fluidly without exception, and the gaze of a precise moment naturally
blurs and disappears. The characteristics of the gaze captured by the artist are intuitively
transferred to the flatness of the painting as if scrawling along with rhythmic movements. The
artist records what she sees on the screen by repeatedly filling and removing unrealistically
intense colors and building up layers.

Faozee or Narathip Leewan (b. 1998) is a Thai contemporary artist whose visual language speaks directly to the heart. A graduate of the College of Fine Arts and later the Faculty of Fine and Applied Arts at Chulalongkorn University, Faozee discovered his love for art at a young age and has since regarded it as a “language of emotion”—a way to communicate thoughts and feelings without the need for words.

Hong Jung-Ouk is a Seoul-based artist and Associate Professor of Painting at Hong-ik University. Working at the intersection of painting, sculpture, and installation, his practice persistently interrogates the ontological conditions of the painted surface—questioning why a canvas must always be rectangular, and why it must hang on a wall.

Rather than abandoning painting for three-dimensional work, Hong expands its logic outward: frames become polygons and circles, cloth is removed to expose open structures, and glass, acrylic, wire, and light are combined to create works that occupy the threshold between painting and site-specific installation. His ongoing series—INFILL, cacophony, ENTITY, and ulterior—reflect what he calls "evolution": each work finding its most optimized form through iterative material and spatial experiment.

Hong holds a Ph.D. in Technology Art from Chung-Ang University, an M.F.A. from the Slade School of Fine Art, UCL (London), and degrees from Hong-ik University, Seoul.

Park Kyung Ryul(b.1979) is based in Seoul, South Korea. Park received a B.F.A and a M.F.A in Fine Arts from Hongik University, and an M.F.A from Chelsea College of Arts. Park has held solo exhibitions at Baik Art Seoul (2024, Seoul), One and J. Gallery (2021, Seoul), DOOSAN Gallery New York(2020, New York), DOOSAN Gallery (2020, Seoul), Baik Art Seoul (2019, Seoul), and Lungley Gallery (2018, London). Park has also participated in group exhibitions at Buk-Seoul Museum of Art(2023, Seoul), Open Studio(2022, California), Perigee Gallery(2021, Seoul), Gyeonggi Museum of Modern Art (2020, Ansan), Ilmin Museum of Art (2019, Seoul), Mine Project (2019, Hong Kong), Beijing Commune (2019, Beijing), SongEun Art Space (2018, Seoul). Park was awarded the SongEun Art Excellence Award in 2018, and also participated in 18th Street Art center Residency, DOOSAN Residency New York, SeMA Nanji Residency and MMCA Residency Goyang.

Jiyoon Jeong - has held group and solo exhibitions in the UK and Hong Kong.  She has a strong domestic fanbase and is an emerging artist with a lot of potential for future success.


Kitty Kaburo (b. 1987) is a Filipino artist of Korean descent. She works with various traditional and non-traditional mediums, incorporating each of their peculiar properties to simulate transformations and effects of time, the elements and human activity on our environments, communities and planet. Shegraduated from the University of the Philippines’ College of Fine Arts in 2015, receiving an Outstanding Thesis award and a series of videos has been shortlisted for the Ateneo Art Awards in 2017. Aside from the Philippines, she has also exhibited in varied locations, including Indonesia, Taiwan and South Korea.

Born in Ukraine in 1993, Katia Lifshin lives and works in Tel Aviv, Israel. She studied art at Pima College in Tucson, Arizona, before continuing her practice independently, gradually shaping a distinctive visual language.

Ellsworth Kelly revolutionary emphasis on pure abstractive forms and innovative treatment of color reshaped the practice of painting in the late 1940s and early 1950s. His approach greatly influenced the nascence of Pop Art, Minimalism, Color Field precipitating the decline of expressionist energetic gestures and the adoption of spare lines and geometries, flatly painted in vivid color.
A sharp observer of the natural world from a young age inspired by the play of light, space and color in the architecture around him, Ellsworth’s use of found compositions was a source of endless inspiration and lifelong artistic openness which he translated into visually powerful multi-panel paintings, sculptures, drawings, prints, and photographs. 
Ellsworth Kelly nurtured a special relationship with France. After serving as a soldier in the liberation of the country at the end of the Second World War, Kelly returned to live in France from 1948 to 1954, and returning to the country regularly throughout his life. 
He befriended Picasso, Calder, Brancusi, Arp and familiarised himself the works of Matisse, Monet and geometric abstraction which would influence his painting, particularly in his quest for balance and intensity of feeling.

POSE began painting graffiti in 1992 and in years since has expanded his vigorous career to include murals, commercial collaborations and exhibitions around the globe. He earned his BFA from the Kansas City Art Institute in 2004, and then turned his own graffiti education into a body of work blending a wealth of pop culture’s ready-made visual languages. Street signage, comics, newspapers and advertisements are reimagined through dissection, digitization and reconstitution, collectively immortalizing post-industrial moments for the digital age. POSE was named “One to Watch” by CNN in 2015, and has exhibited in the Museum of Contemporary Art Los Angeles, Museum of Contemporary Art Denver, Powerlong Museum Shanghai, Museum of Contemporary Art Chengdu, and Chosun Ilbo Museum of Art, Seoul, among others. His work is enjoyed in numerous private collections worldwide.


Instead of waiting for a moment of inspiration, Nature Haan has continued to work, focusing on the landscape and emotions surrounding him. Since majoring in Western Painting at Seoul National University, he has shown a variety of artworks that capture the artist's daily life in their respective fields in different ways. Beginning in 2016, “Receipt Work” is based on receipts, a common material of daily life, and the objective text is gradually erased, leaving just the image of the moment, which is presented to the audience as a daily record. The artist aspires to become an unostentatious artist in the future, who communicates with the audience through works that show his own self.

Ryan Lee is based in New York and has held exhibitions in Chicago, Valencia, and Sacramento. The artist's work statically presents everyday spaces and flat, banal scenes. Scenes containing still life that highlight the absence of humans capture an unclear, open story as if someone has just passed by or may be approaching. It is full of the ambiguity of not knowing when and what will happen, and the production is cropped from a third perspective as if you are watching through CCTV. The work leads us to deeply observe familiar things, adds imagination and psychological anxiety, and, unlike the reproduction of everyday life, it is no longer distant from the ordinary.

Jiwon 2

Michiyo 2

Lavons

Icicle

Moment

Pocari

Spring

Hallway

Rico

Hokkaido butter

Pachinko

Jung Eun

Pudding

Jiwon

Cheeun

Train

1, 2, 3, 4

Gas Stove

There is no grassland here

The grassland

Smile

First day at school

After Sunset (240709)

Cotton (230817)

Against the Sunshine

Ideal Backyard

Silver Lake Cityscape

Pink House & Pool

Virgil Village Sidewalk

Pink Sky & Cactus

Kidney Shape Pool

The White Breath of the Tree

A Walk in the Air

Writing Lightness Floating

Reading Lightness Floating

Connecting Water

Color in Motion

Trees Looking in the Same Direction

Persistent Grass

Tender Grass

A Stream Touching the Surface

A Landscape Unfolding Through a Stream

The Act of Collecting Softness

The Expression of Watching

Cluster of Flowers in the Water

Wandering Bubbles

Deep Tree

The Place Made by Bubbles

The Rain of the Bubble Island

Movements on the Surface

The Water Can Gaze at the Vast Sky

A Flowing Piece

Water Mist 2

Water Mist

Water Reflection

Vacuum and Bubbles

Movement of Water

Drawing in the Air

Shaping

The Root Seeking the Ground

The Fruit Following the Roots

Breathing Out

The Place Where It Grows

Clustered Flower and Tree

Clustered Flower

The Flowing Tree

To Bear Seeds

The Bubble Softens

The Bubble Stirs the Flow

The Body of Permanence and the Outside

The Body of Permanence

The Gesture of the Bubble

Water mirror

Water stream

Water unbound

Rock in Red

Walker

Green Forest

Blue Tree

Open space 4

Open space 3

Open space 2

Open space 1

The Transparent Visual Apparatus no.5

The Transparent Visual Apparatus no.3

The Transparent Visual Apparatus no.6

Gentle Ghost

Reflect 2

December

Holiday

Rice ball

Answer

Reflect 1

I waited for you

Temperature

Response

The day I was sitting for a long time

Untitled

Lingers 1

Lingers 2

A damp and unclear night

A photo taken in front of the flower shop

When we are still

Sweet Dream

Happiness is a warm gu(m)

Counting Seconds As Opposed to Hours.

Friends Of Those Who Wish To Be Friends

Arrive on a New Planet

No One

Sculpture

Artificial Eden

Astronaut

The Silent Gaze from Beyound

Wasteland

We Still Light the Candle

Space Cafe

Who Am I?

Parallel I

Parallel II

The Prophet

A World Of My Own

Homunculus

Notification On

Nothing out there

Between Metal and Memory

Cosmic Dreamer

In the Name of Progress

The Infinite Identities

INFILL

Moreish

Cacophony

Hanging from a pull-up bar

18:02

Picture 2-7

Picture 2-14

His back 2

Quiet within the pages

A mental friend

Twin Fates

Lilac Girls

Dancer

Portal

Spinner

Soft Spot

Flower Diver

Meadow

Floral Immersion

Halo

바람

저녁노을

밤하늘의 별처럼

Ellsworth Kelly, Catalogue Raisonné of Paintings, Vol. 1

Ellsworth Kelly, Revue N°1 

Ellsworth Kelly, Catalogues Raisonnés of Paintings, Vol. 2

Ellsworth Kelly, Limited Edition Revue

Path 1

Grasp 1

Path 3

Path 2

Seeing the flower pot

My personal cigarette

Spreading sun set

Special sunny day

Pine Tree

Empty seats at Cafe

Sunrise A.P.T

Seoul Sadang police station

When I think the grandmother’s house 

The night of fish market

Red rest

Sun set & tree at Han River

Sadang Station

Wall in Vermont

Moving Up But Still Looking Down

Apartment Color: Trend vs Le Corbusier

Gallery Wall #6-Drawing

Gallery Wall #5-Drawing

Gallery Wall #4-Drawing

Gallery Wall #3-Drawing

Artists