Li Erpeng graduated from the Oil Painting Department at the Central Academy of Fine Arts (CAFA) in 2018, and he currently lives and works in Beijing.
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He has received First Prize for the Fine Arts at CAFA, the Inter Youth Artwork Award (2015), the Inter Youth Innovation Award (2016), the Originality at the Academy New Talent Award and the Outstanding Artwork Award from the Oil Painting Department at CAFA (2016). His graduation work Objects from an Ideal World was added to the permanent LYC Collection (CAFA Art Museum). In 2020, his work was collected by White Rabbit Gallery in Australia and recommended by TARGET magazine.

Eunju Kim attempts to sense light and capture it as a unit of particles and waves. After earning a bachelor's degree in Western painting at Chung-Ang University and a master's degree in the School of Fine Art at the graduate institution, she is exhibiting her works in various venues. The artist creates her own artistic universe by casting light and circular units over all objects. Focus on the shape of light projected onto the object rather than the object itself, and consider the origin of visible and invisible beings and include them in her works. 

Panuwat "Pay" Kamdee, born in 1999 in Chiang Mai, Thailand, pursued his studies in Fine Arts at Silpakorn University, Bangkok, where he cultivated a unique style that merges traditional Thai art forms with modern techniques and natural pigments. His work often explores the concept of a societal harmonious allegory, symbolizing ideals of unity, balance, and peaceful coexistence. Drawing from Thai mythology and folklore, Pay expresses these themes in a surreal, dreamlike style, presenting accessible and playful pieces that resonate with audiences. His work reflects his childhood memories, making his art both nostalgic and relatable.

Pay has exhibited extensively both in Thailand and internationally, earning acclaim for his innovative approach and thoughtful exploration of environmental and social issues. His art subtly addresses these concerns, inspiring audiences to recognize the depth of his work and its connection to Thai cultural identity. He has also participated in various community art projects, using his platform to promote sustainability and cultural preservation.

JiHoon Cho continues his work with the purpose of exploring the value of art through an understanding of consumer culture. He analyzes the impact of consumerism on modern life, focusing on how it shapes personal identity and social status while simultaneously exacerbating environmental destruction and social inequality. His work invites viewers to reconsider fundamental human values within consumer culture, promoting critical thinking and reminding them of the necessity and role of art. To achieve this, the artist visually expresses the hollow yet seemingly attractive nature of consumer culture by associating it with the emptiness conveyed by the transparency of glass, emphasizing the critical function of art.

I work primarily with oil paint, applying it with intention but disrupting it before it sets. While the paint is still wet, I smear it with a towel—blurring, lifting, softening. In these gestures, I relinquish control and make space for chance. Sometimes the towel removes an image I thought I needed. Other times, it leaves behind a trace more evocative than anything I could have deliberately created. The smearing becomes a collaboration between my hand, the material, and the moment.

Inhyeon Lee(b. 1958) majored in painting at Seoul National University and obtained a master's and doctoral degree from the Graduate School of Tokyo University of the Arts. He served as a professor at the Department of Painting at Hansung University for over 30 years and trained younger students. Since the early 1990s, he has continued the ‘L'épistémè of Painting’ series, which raises philosophical questions about the historical structure of art. To this day, he has achieved outstanding pictorial achievements through endless challenges. Inhyeon Lee held 21 solo exhibitions across Korea and Japan. He also participated in numerous group exhibitions at home and abroad, including the INDEPENDENTS exhibition at the National Museum of Modern Art in 1979 and 1980, the Gwangju Biennale in 2000, Grand Palais Paris, Seibu Museum of Art in Japan, Artcore Gallery in LA, Institute of Contemporary Art in Singapore, and Seoul Museum of Art. Participated in numerous group exhibitions at home and abroad, including at the Metropolitan Museum of Art. He won the Award of Excellence at the 1st SPACE International Prints Biennale and the Grand Prix at the 10th Seoul International Print Biennale. His works are collected in the National Museum of Modern Art, the British Museum, and the Seoul Museum of Art.

Maverick Abac's practice explores painting and collages on various media as a reflection of his consciousness and upbringing. Navigating the realm of memory, his works are known best for their pop surrealist meditations of our individual and collective psychological experiences.

Kyukun Kang depicts the narrative in the uncertainty of daily life, which consists of light and darkness. After completing a bachelor's degree in Western painting at Gachon University and a master's degree in Western painting at Sungkyunkwan University, he has continued to draw unpredictable scenarios on canvas. His work, which reflects ordinary daily life and characters, includes clear contrary between light and shadow. Through an anxious, dreamy, and melancholy atmosphere, the artist takes the audience into their inherent stories. As a beginning point for his paintings he uses people's unstable features exposed to an unpredictable future, thereby inspiring people's imagination of events that would occur after the scene. 

He is an artist who moves between painting and installation, visually interpreting the remnants of the city and fragments of memory. Using materials such as acrylic, resin, and recycled elements, he explores layers and transformations of texture, creating works that evoke the process of urban walls being repeatedly painted over and peeled away.

Lucas Dupuy, born in 1992 in London, has established a unique artistic approach that explores the synthesis of language and form, influenced heavily by the robust and impactful designs of 20th-century Brutalist architecture. His work often explores the relationships between architectural structures and artistic expression, as evident in his paintings and drawings which play with perspective, composition, and structural elements. Dupuy's career is highlighted by numerous exhibitions across prestigious venues in London, Tokyo, and Cologne, showcasing his dynamic use of space and architectural concepts in art. He has received several awards, such as The Acme City & Guilds of London Art School Studio Award in 2017, underscoring his contributions to contemporary art. Additionally, Dupuy engages in multidisciplinary practices, incorporating sculpture and sound installations that complement his visual narratives, reflecting his broad artistic repertoire.

Eun Sook JEON (b.1980, S. Korea) lives and works in Seoul.
She completed her M.F.A.(2006), B.F.A.(2003) in Sungkyunkwan University. Her main solo exhibitions include ≪Fragments of Sensation≫(Space xx, Seoul, 2024), ≪Slow Move≫(JIDAM gallery, Seoul, 2024), ≪Pacho≫(accompany, Busan, 2023), ≪Pipetting≫(Pyo gallery, online show).

Eun Sook JEON, an artist reminiscent of a TikToker in the art world, exudes an energy that bridges an anxious era with positivity. Her work blurs the line between realism that feels abstract, abstraction that feels realistic an improvisation that transcends boundaries, akin to an anthology of short stories where each scene carries its own distinct narrative. The artist’s character, which dismantles preconceptions, is evident in every aspect of her paintings. She finds beauty even in the flowers blooming in the garden of a redevelopment apartment complex, revealing empathy for soon-to-disappear places and discovering urban gardens in their natural state, thriving only when untouched by human influence. …The keen wiht evident in her work shines particularly as it embodies the stark contrast between life’s expectations and their actual outcomes. Her paintings resemble a collection of life’s ironies compiled as short stories, not for the sake of a polished narrative but to express a genuinely human language through color. _ by Ahn Hyun-jung (Art critic and PhD in Art Philosophy)

Jack Shure has exhibited in Guangzhou, New York, Tokyo, Berlin, Chicago, Amsterdam, Los Angeles, Philadelphia, and Taipei. His paintings reconstruct layered experiences of time that run through his life, with images that move beyond the depiction of specific moments or memories to interweave the past, the present, and an as-yet-unrealized future into a singular world. Shure focuses on points where contrasting emotions—such as beauty and ugliness—collide, visually capturing the tension and shifting currents that arise from these oppositions and guiding viewers to reconsider familiar emotions in new ways. For him, images are fluid, organic structures in constant transformation, and while his work originates in personal experience, it ultimately asks how our perceptions of “beauty” evolve and generate new meanings within the sensory worlds he constructs.

Dohyun Kim has visually expressed internal rest, recovery, and stability on the canvas. He fills the canvas with irregular patterns of cardboard shaped in flat waves and colors it with stable hues reminiscent of nature, abstractly visualizing the human inner realm. Within the screen constructed of repeated lines and gaps, and within the rhythm of layered and filled colors, he builds the order of spontaneously emerging forms, colors, and spaces.

Sanggyun Lee is an artist who maintains a continuous interest in civil engineering structures through field research, converting three-dimensional architecture and spaces into two-dimensional paintings. Memories of his father, who worked in civil engineering during his childhood, have greatly influenced his work, serving as a crucial link in his art.

The images of structures that appear in his work are abstracted through a process of reduction to a consistent compositional framework. He believes that, among the spaces humans inhabit, the land particularly represents various aspects of humanity. Capturing the longstanding human desire for urbanization and the pursuit of subjectivity and spatiality, he simultaneously embodies the role of an observer, depicting the immobility of civil engineering construction sites. He applies construction tools such as trowels, plastering knives, and ink lines to his paintings, creating them with a constructive attitude.

In 2022, he was selected as an artist-in-residence at the Paris Lee Ungno Residence, where he worked to document his artistic identity and discover the human narratives of previous generations. During this period, he participated in various international exhibitions, expanded his artistic perspective through interactions with artists worldwide, and drew inspiration from the unique culture and historical background of Paris, adding depth to his work. This experience significantly contributed to his artistic growth, which is clearly evident in his subsequent works. Currently, he continues to create new works based on these experiences, pursuing his artistic exploration.

Michal Korman (b. 1987) began his art education at the age of five when the Slovak academic painter Jozef Jelenak (working in the tradition of expressionism) admitted him to his courses for children at the school of art in Korman’s hometown, Partizanske. These classes formed his artistic
foundations over a period of three years.In 2005, Korman manifested his specific style: a combination of graphic like oil painting branded with his signature as a logotype.

Hyun Jung Ahn is a Brooklyn and Seoul-based multidisciplinary artist from Seoul, South Korea. Through her work, she investigates enigmatic abstract forms, which she references as “shapes of mind.” She begins by drawing from her visual diary, which captures feelings, personal connections, and emotional states of being. She then translates these notions into minimalistic drawing, painting, and sculpture. Ahn was selected as the ‘Emerging Young Artist’ at La Mer Gallery, Seoul, South Korea, and was the winner of the Emerging Art Award at Baditto Art, Tuscany, Italy. She has attended residencies including Vermont Studio Center, Johnson, VT, MASS MoCA, North Adams, MA, and Trestle Art Space, Brooklyn, NY. Ahn Graduated from Duk-Sung Women’s University, Seoul (in 2010 B.F.A and 2013 M.F.A) and received her second M.F.A in painting and drawing from Pratt Institute and currently lives and works in Brooklyn.

Hiroshi Mori is a Japanese Asian Modern & Contemporary artist who was born in 1977. Numerous key galleries and museums such as AMMON, Kyoto have featured Hiroshi Mori's work in the past. In MutualArt’s artist press archive, Hiroshi Mori is featured in LA Art Show 2016 Recap, a piece from Hi-Fructose in February 2016.

Bac Jungwon has drawn compositional paintings that express the invisible emotions and minds of humans through various scenes encountered in daily life. After receiving a bachelor's and master's degree in Fine Arts from Kookmin University, she painted unusual, dreamlike, and dramatic situations, but in her mid-30s, she began to paint natural objects and everyday landscapes. Her paintings reveal the fragile psychology and feelings of contemporary people, which are concealed beneath the solid shell of civilization. The artist portrays difficult-to-express psychological levels through a variety of painting mediums, including sketching, watercolor, and oil painting. It defines creation as the discovery of remarkable moments in the repetition of her previous everyday existence and the transformation of the meaning into a material known as painting and reconstructs a daily life from her own unique perspective.

Tulsi Patel is a Tanzanian multidisciplinary artist working across painting, mixed media, and installation. Raised in Dar es Salaam, her early practice was grounded in realism, but over time she embraced experimentation — discovering beauty not as replication, but as revelation. Her work interrogates the fluidity of identity, memory, and human connection, celebrating intuition, imperfection, and the rhythms of collapse and renewal. She has exhibited widely, including at Rangi Gallery.

Tomotoshi Hoshino (b. 1961, Tokyo) is a distinguished Nihonga painter and a specially selected
member of the Japan Art Institute (Inten), one of Japan’s most prestigious art organizations. He
encountered Japanese painting at the age of 14 and later studied under Kōhei Morita. Since his
first acceptance to the Inten Exhibition in 1987, he has continued to exhibit extensively both in
Japan and internationally. His solo exhibitions have been held in venues such as Nihombashi
Takashimaya (Tokyo), as well as in Paris, New York, and Oslo. His works are included in the
collection of the Omishima Museum of Art.

Born in 1994, Seung-gyun Heo, known as CCREATT, studied industrial design at university. During and after completing his studies, the artist developed a keen interest in 3D modeling. He used his creativity and imagination to transform virtual objects into digital art, videos, and figures.CCREATT’s works portray the search for self-identity, lost in a fast-changing world dominated by commercialism. The artist creates 3D models of influential figures, such as artists or celebrities, by capturing their distinct features and characteristics. These figures are then transformed into memes with added symbolism within the digital space.The characters' emotionless facial expressions enhance the implicit meanings and emotions of each figure. Additionally, the small props and items placed beside each character not only symbolize them but are also closely linked to modern society.

The artist portrays how commercialization is deeply ingrained in our society. Through his art, he reveals what may be concealed or overlooked and encourages viewers to reflect on their own relationship with these issues. While his primary focus is on creating 3D figures and reproducing famous paintings, the artist is always exploring new styles and mediums, constantly expanding the boundaries of his art.

A visual artist based in Bangkok, primarily working with Thai literature and history as well as their discourse and relations to the global narrative. His focus centers on exploring memories of Thai visual arts and cultures through the process of collage, as he endeavors to unveil and question them in various forms and dimensions. Infused with a contemporary aesthetic, the juxtaposition of local and exotic fragments creates an alternative chronicle, prompting a reexamination of the past. It nudges viewers to traverse through whispers of scenes that one might only partially remember, a distant murmur from an elusive past.

IRIS

Wavy

Wave

Cloud Wave

Star

Two Birds

Little Moon

Wave of Light

Love

Rainbow Sky

Cloud Tree

Moon

Rose

From a far

Kobus magnolia

Light of Sky

Particles of light

Light of night

Shape of night

Shape of water

Round light

Lump of water

Waterlight

Lily

Wave of Sky

Green Wave

Lump of Water

Summer Drop

Shape of Wave

Lake

Wavelength

Sunset

Light

Tiger Cry

Packaged Things 4

Packaged Things 3

Packaged Things 2

Packaged Things 1

Sculpture 2

Sculpture 1

Time: repair

Title 01

Still Table

Still life

Dalmatian

With the Flower

Nostalgia

Parallel Greens

Sublime Condensation

<Flame, Five Images> Series

Smoking Person 2

Drowning Face

 Fixed Moment 1

Walking a Dog 08

Outside the Event

Walking a Dog 16

Stalled Walk

Walking a Dog 15

“Hi” or “Bye”

 Walking a Dog 09

Waiting Person

Walking a Dog 14

From the Event

 Walking on Stepping Stones

Empty Seats, Standing Person

밀려나는 노란색

Smoking Person 1

Covered Face

Jump

Person Forced Out 2

Fixed Moment 2

Traveler : time to travel

Blue Variations

Traveler : Moonshine

Blue Variarions

Rosso Protocol

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Too Fragile to Walk on

Panoramic Deep Love Story

Peony

Firefly

Body

Pipetting

pipetting

Seed Bank

Fuzz ball

Kaley

INTROSPECTION-2504

DISPENSATION-2404

INTROSPECTION-2427

BAMBOO-2201

DISPENSATION-2401

BAMBOO-2306

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BAMBOO-2310

INTROSPECTION-2309

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Untilted

Untitled

Embankment

Underdrain

Underdrain exit part

Bridge pier

Spilway strong current part

Spillway clear well part

Bridge wing wall

Box culvert exit channel

Intake tower

Embankment coarse straw mat mulching work

High voltage electric pole

Bridge slab, coping

L-shaped retaining wall catch pit

Spillway strong current part

Spillway Strong Current Part

Reinforced Earth Wall

Bridge slab

Stele with bridge-name plate

Spilway grout

Spillway grout

Revetment riprap

Continuous slab bridge

Bridge expansion joints

L-shaped retaining wall

Abutment

Signboards

Bridge Slab

Spillway Grout

Oil storage tank

Tunnel

Spillway control section

Artists