Doyo is a collage artist that focuses mostly on album cover design, print artwork, and art directing. The artist who became interested in collage work in 2016, studies Photoshop by himself and combines every item to communicate imagination and romance. Through the artist's unique use of colour and atmosphere, conveys to modern people the romance and relaxation of daily life.

Jiwon Choi(b.1996) delves into the liminal space between life and death—a void where present and future converge—and expresses the world within this gap. Her recurring motifs include ceramic dolls, crafts, stuffed insects and plants—objects either sourced from nature or inspired by items she has collected. Choi creates chambers of vacuum where the secretive energy intersects, using frames as portals between the time and space of life and death, and motifs such as orchids that are so perfectly beautiful that they appear to be fake. These objects appear singly or in clusters within an intimate composition, representing things that have ended their lives yet continue to influence the artist’s present. As such, the depicted objects can be seen as a symbolic effort to understand the lives of her contemporaries and the world she inhabits, rather than a reflection of reality.

Choi holds both a BFA and MFA in Painting from Ewha Womans University. She has held solo exhibitions including at PARKSEOBO Foundation(Seoul, 2024), ThisWeekendRoom(Seoul, 2020, 2023) and will have another solo show in Germany next year. She has participated in various group exhibitions, such as at Tang Contemporary Art(Beijing, China, 2024), Backstage(Shanghai, China, 2024), Seoul National University Museum of Art(Seoul, 2023), WESERHALLE(Berlin, Germany, 2023), Gyeonggi Museum of Modern Art(Ansan, 2022), Ilwoo Space(Seoul, 2022), and ThisWeekendRoom(Seoul, 2021). Choi was named a 2022 New Hero by Public Art Magazine and her work has been collected by the Government Art Bank of MMCA and PARKSEOBO Foundation.

Through both figurative and abstract interpretations, Seonggwang Yun (b.1999) invites us to confront our instincts and primal emotions. His “monsters” embody human repression and mirrors the viewer’s memories and psychological states through anguished or vacant gazes. 

Yun’s first solo exhibition was with ROY GALLERY (2025). He has further participated in group exhibitions at Lotte Gallery (2024) alongside famed contemporary artists in Mr. Doodle and Travis Fish. He has also exhibited actively at Postedit Gallery (2025), Space Fountain (2023). He continues to garner international attention through shows at Monat Gallery (Spain, 2023), Vinyl on Vinyl Gallery (Philippines, 2025) and Verygood Gallery (Philippines, 2025).


Hansol Noh shows an interest in the impact of the diverse meanings and information that have been conveniently defined around us on our thoughts. She connects these concepts with language and focuses on painting, primarily utilizing Korean painting media. The artist draws inspiration from the images encountered in daily life, selecting those that evoke a sense of dissonance when observed. Having experienced the redefined significance and symbolism of something once accepted differently, the artist ponders common symbols, the processes of their formation, and the definitions prevalent in our surroundings. Attentive to the subjective meanings and interpretations born from personal experiences, she continues her work, exploring these queries.
She believes that the criteria for defining and evaluating something often rely on 'visible appearances or momentary, fragmented situations.' She finds the act of 'defining' intriguing, as it can assume different facets depending on the individuals defining it. When others define something this way, the intricate narratives surrounding it get omitted, leaving only a partial depiction. This raises questions about its impact, a subject she wishes to explore further.

Sun Young Byun initially focused on still-life subjects but gradually turned her attention to what was once dismissed as “background” — wallpaper, lace, and calendars. Questioning the conventional hierarchy of value, she seeks to invert and blend established notions of worth, exploring the “identity of value” through visual contradictions.

Her works combine images of famous paintings, still lifes, patterns, and furniture across time and
culture, celebrating the aesthetics of the overlooked. Through meticulous, repetitive painting-a labor that may seem futile-she engages in a performative act that tests the boundaries between value and valuelessness, transforming the marginal into the core of our lives.

Bo Kim (b. 1994) is an artist currently based in South Korea, who earned a degree in Painting (BFA) from the Rhode Island School of Design (RISD) in the United States. Bo explores the aesthetics of “impermanence” observed in the gap between nature and humanity. Based on the understanding that all relationships—among humans, nature, and objects—exist in a constant state of flux rather than permanence, the artist visualizes specific moments while embracing the passage of time. Similar to journaling a significant day, Bo translates personal memories and thoughts into her work. This creative act can be seen as an attempt to remember, record, and deeply embody the form and meaning inherent in fleeting moments within the flow of time. In this process, Bo utilizes materials from nature such as sand, hanji (traditional Korean paper), and flowers. For Bo, the act of creation is not merely about making something; rather, it is a process of sensing and understanding the impermanent nature of time that transcends both nature and humanity through these natural materials.

Mitsuyo Okada is a Japanese-born, Brooklyn-based painter whose atmospheric works capture the emotional essence of nature through soft, lyrical depictions of light, plants, and seasonal memories.

The characters that form the motifs of my work are common images that I have created. They are given a writing order and symbolized, and the process of preservation and change in the repetitive writing is established in the work as several afterimages, like time-lapse photography. Whenever the viewer sees a character that he or she does not remember, the difference between his or her memory and the work is evoked and referenced to the character in his or her memory, and this process reconstructs the work as a painting with intensity. The work also serves as a device to strengthen the connection between the viewer and the character with feelings of "I don't understand" or "What is this?", and as a record of a living person, not only as a work of art, but also as a portrait with an aspect as a recording medium.

Heejoon Lee creates abstract paintings from images of the natural world. In 2012, he earned a bachelor's degree in Fine Arts and Sculpture from Hongik University, and a master's degree in Fine Art from the University of Glasgow School of Art in 2014. In this way, the artist collects, edits, and brushes the accumulated experiences and daily images obtained from travels from close surrounding to distinct locations, and incorporated them into geometric shapes. The composed instant images add the texture and time of the accumulated paint to generate a new space on the canvas. In addition to the photo collage and thick matière geometric shapes in <The Tourist> in 2020, the artist shifts his focus from minor objects to the surrounding landscape and extends the visual experience beyond abstract painting to the experience of space in which architecture and painting coexist.

Candy Koh is an artist, writer, translator, and (sometimes) attorney based in New York City. Much of her artistic practice stems from her interest in the historically spiritual and community-binding role of the artist across various human civilizations. A signature element of her works, date/time/weather stamps situate all of her works in a specific time and space, and allude to pervasive themes in her work: finiteness of the physical world, boundlessness of the unknown, and contemporary neuroses. She works in a variety of mediums such as painting / drawing, sculpture, installation, performance, and photo / video. She has shown her works at solo and group exhibitions in both New York City and Seoul, Korea. Her writings have appeared in art publications, such as ArtAsiaPacific, art critical, and Seaweed Journal. For her M.F.A. thesis before the K-Pop boom, she wrote “Investigating the Gangnam Style Phenomenon: Global Eurocentrism, Asian Masculinity, and Psy,” which examined the representation of Asians in American visual culture, and signifiers that transcend cultural and linguistic borders. She holds an M.F.A. in Art Criticism and Writing from the School of Visual Arts, New York City, and a B.A. in Sculpture and Literature from New School University. She is also a graduate of the J.D. program at Fordham University School of Law.

Han Sang-A translates the emotions and memories experienced at pivotal moments in her life as an artist, a woman, and an individual into her own unique artistic language.

Since 2006, Lee Sangwon has been exploring the “aesthetics of rest” in our time through landscapes of leisure destinations such as ski resorts, swimming pools, and parks. He closely observes the patterns of specific places and spaces where people gather, and through his RESTOPIA series, poses the question: “What does true rest mean in this era?”

His works deviate from traditional perspective, combining various viewpoints such as bird’s-eye views from elevated positions, panoramic angles using 180-degree wide shots, and close-ups or upward gazes at specific subjects. These diverse perspectives make ordinary landscapes feel more extraordinary. Using the characteristic thickness of oil paint, he captures the textures of his subjects, and by traversing the boundary between abstraction and figuration, he explores new possibilities in contemporary painting.

Born in Ukraine in 1993, Katia Lifshin lives and works in Tel Aviv, Israel. She studied art at Pima College in Tucson, Arizona, before continuing her practice independently, gradually shaping a distinctive visual language.

This work begins from the wall that individuals inevitably confront while living in reality. The feeling of wanting to do something for someone, yet realizing that there is almost nothing one can actually do, generates a sense of frustration that takes the form of longing. However, this longing does not function as consolation; instead, it remains as a persistent irritation, scratching at a corner of the mind.

This longing cannot be grasped. It feels too distant, approaching as an illusion seemingly unrelated to oneself. And yet, the act of wishing—like clinging to someone’s pant leg—offers no comfort. There is an unease, as if one is yearning for something that should not be desired. This contradictory state forms the emotional point of departure for the work.

This feeling recalls a scene from the film Parasite, in which the protagonist imagines that one day he will buy the house and reunite with his father. That desire is less a form of hope than a fantasy rendered all the more tragic by its distance from reality. This work remains within precisely such a state of “answerless longing.”

The project focuses on the imagery of talismans believed to ward off misfortune and invite good fortune. Traditional auspicious symbols such as the Seven-Star Horse, the three-legged crow, and the pig appear through repetitive stitching and drawing. Yet these images do not promise protection or comfort; rather, they resemble gestures of excessive desperation. They are less acts of faith than attempts to forcibly grasp and summon something at all costs.

The accumulated labor of the hand on soft, fragile materials fixes longing into material form, but the belief that it might actually be effective never reaches completion. This work is not an act of praying for fortune, but a revelation of the state of being compelled to long for it.
What scratches is not the surface, but the mind.

Molly Greene is an American painter who lives and works in Los Angeles, California.
Before devoting herself to art, she spent ten years studying. In 2013, she received a Master of Environmental Science (MESc) degree from Yale University. In 2019, she completed a PhD in American Studies, also at Yale University. During her many years of study, she focused on a variety of topics such as gender and sexuality, post-humanism or animal studies, among others.
She began exhibiting her work as an artist in 2018 in the United States.

JeongWoong Lee is an artist who explores the boundaries between reality, fiction, memory, and time through painting, expanding visual art into a new dimension. His work delves into profound questions about human perception and sensation, connecting visual narratives and sensory experiences in a unique way.

His practice intertwines history, reality, and imaginary worlds, creating a complex structure within his works. For him, painting is not merely a reproduction; it becomes a space where viewers transcend the boundaries of truth and fiction, inviting them to engage in a new experience. His work focuses on exploring new realities created through human memory and sensation.

Artist believes that objective knowledge and values are ultimately virtual realities, and through this belief, he suggests that individuals have the power to create their own worlds. His work encourages viewers to confront inner truths and discover new visual and sensory understandings through the language of painting.

Constantly pushing the boundaries of painting, Artist's work reflects a deep reflection on human existence and reality, offering a continuous dialogue through art.

My paintings are inspired by everyday scenes that come to mind. I look at moments that catch my eye or are captured spontaneously in a new light, and in the course of my work, I crop or enlarge parts of them to give them a new meaning as paintings, beyond their realistic meaning. 

Zelalem Merga, a visionary artist hailing from Addis Ababa, Ethiopia, is known for his profound connection to emotions and the natural world. Born in 1989, he earned his BFA from Addis Ababa University Alle School of Fine Arts and Design (Graphics Department) in 2013, and currently resides in the vibrant Ethiopian capital.
Driven by passion and an unwavering commitment to innovation, Zelalem transforms discarded materials into mesmerizing works of art. His creative process is fueled by an innate desire to elevate the ordinary, encouraging viewers to reconsider the value of everyday objects and contemplate their own consumption habits.
In Zelalem's artwork, there is an underlying sense of disquiet, reflecting the complexities of the modern world in which we live. Through his masterful use of recycled materials, he constructs captivating portraits that challenge the status quo and leave a lasting impression on the art world. Each piece is a testament to the transformative power of art and the potential for renewal within ourselves and the world around us.
Zelalem Merga's work is not only an ode to the beauty and splendor of nature but also a celebration of human creativity and resilience. As an artist who truly embodies the essence of Artue's brand, we are honored to showcase his remarkable talent and share his unique perspective with our community of art enthusiasts.

Ping Hatta (b. 1990), is an artist whose work explores the intersection of strength and softness within femininity. Inspired by personal narratives, nature, and everyday moments, she paints vibrant, surreal portraits that capture the nuances of womanhood—both its resilience and vulnerability.

In her paintings, Prae Pupityastaporn produces layered continuums of observation and memory. She draws from the overlooked minutiae of daily life, building an illusive catalogue of her material surroundings. Deftly extracting from the latent and the mundane, Pupityastaporn transforms seemingly dull objects into active deposits of evolution: a showerhead, a wall or a rock acquires mercurial ability in her works, storing shifts of the emotional and the environmental. Intertwining streams of the subconscious, Pupityasporn offers dreamlike insight into the flux and fragility of memory, both personal and shared. Most influenced by her physical environments, Pupityastaporn synthesises her experiences in Germany and Thailand. During her studies in Germany, she was exposed to reinventions of the landscape genre in the region’s early contemporary art scene; the artist has since followed her predecessors in creating a pioneering visual vocabulary, establishing a distinct approach of distanced liminality. Her paintings demonstrate the shifting possibilities of shared emotional fabrics, proving how each of our complex internal states can color perceptions of the external world. She awakens a unique set of memories and feelings in each viewer, and quietly transforms those associations once again in her practice of retrieval and repatterning.

A visual artist based in Bangkok, primarily working with Thai literature and history as well as their discourse and relations to the global narrative. His focus centers on exploring memories of Thai visual arts and cultures through the process of collage, as he endeavors to unveil and question them in various forms and dimensions. Infused with a contemporary aesthetic, the juxtaposition of local and exotic fragments creates an alternative chronicle, prompting a reexamination of the past. It nudges viewers to traverse through whispers of scenes that one might only partially remember, a distant murmur from an elusive past.

Gus Monday (b. 2000) studied a Foundation in Art & Design at the City & Guilds of London Art School in 2019, and currently studying painting for a master’s degree at Royal College of Art (RCA) in London. He grew up within a Southern African context and he thinks that to large an extent it shaped the way that he is socially and culturally aware, especially moving between a developing nation and this 1st world country. His works are representations of spaces utilising coded narratives and symbols, some observational whilst others autobiographical. He is working with beyond the realm of the personal, toward spaces with more social significance.
In addition, several group exhibitions are planned for 2024 in several countries, including Korea, the UK and Spain.

Edgar Plans (Madrid, 1977), categorized as the most popular Spanish contemporary artist,
grew up and is now based with his family in the northern Spanish town of Gijón. After
earning a degree in Art History from the University of Oviedo, Plans started to participate in
small exhibitions in local galleries. As of today, his works have been exhibited in Museums
such as the MOMA Museum in Moscow Russia, the Xiao Museum in Rizhao, China and the
S2A Museum in Seoul, South Korea.
Plans oil painting pushes boundaries and combines traditional techniques with modern
perspectives. He experiments with diverse styles, from realism to expressionism, creating
captivating narratives and evoking deep emotions. Through vivid colors, dynamic
compositions and innovative approaches he challenges conventions and invites the viewer
to engage in thought-provoking dialogues about identity, society and the human experience.

오마이걸 - 불꽃놀이

BUDAFEST TRAVEL

HAKATA TRAVEL

Nearby Oddness; Harmonize

Nearby Oddness; 2020

Nearby Oddness; Into The Unknown

Nearby Oddness; Komm Süsser Tod

Live Is Life

Nearby Oddness; 2019

Near by Oddness; Library Station

SHIMONOSEKI TRAVEL

Nearby Oddness; Lost in reflection

Nearby Oddness; In Mild January

Nearby Oddness; A garden inside it

Nearby Oddness; The Classic

프리다;  Bellas flores, No tragedia.

Nearby Oddness; Missing Garden

Through the Frame

The Orchids

Baseball

Neuron

I'm Crazy, at Sunset

I'd Like to Take Out a Loan...

Holding Back Tears

Cell

Caught One!

Buddy

Oh....that's not it ...plz

Superstar(1)

Ah?...

Back to the Past

lt's so outrageous i can't say a word

Smiling Friend (3)

Smiling Friend (2)

Smiling Friend (1)

This Card Is Maxed Out...?.........

Oh... haha

Mushroom

Off-Line Ceramics

It's Over There

A falling sphere

A widening crack

Still life with Sphere and a floral crown

A Round Flame

The Beginning and the End

Ice bear

HBD_07

Lying teddy bear

L.I.of V.

It blooms, in its time 피어 가는 줄도 모르다

Always beside, always with love 뿌린 씨가 뿌리를 내리고

Softly, with his open arms 한껏 팔을 벌린 그의 바람

And is gathered, in time 아름답게 피어난 것을 거두는 것

Study_for_Null_Portr ait of someone#138

What to see in repeated portraits #029

Study_for_Null_Portrai t of someone#205

Floating Lane

Utopia

Machine's Score

Orchids and Haze

Beyond the Horizon of a Black Hole

The Orbit of a Red Comet

Untitled (20230712-1)

Untitled (20230712-2)

Small Void Pagoda 2

Flesh 1

Mutual 1

Flesh 2

Body 1

Body 2

Floating people

Meadow

Portal

Spinner

Soft Spot

Flower Diver

Halo

Floral Immersion

Dancer

Engagement gifts_Patek PhiXippe

Binding

Engagement gifts_OmeXa

Engagement gifts_CarXier

Coil

Rumor

Hatch

A Flower-Casting Koi

Walking rivulet after the Disaster

A Young Bird-Legged Fish and Two Unattended Vases

The Bird-Legged Koi That Casts Up Flowers

Rendezvous_ True Survivors

Landing

Tripod and Asymmetry Others

Burning Faces

404 Not Found

Futurs

Love Bath

Sunset in the studio

Waiting the sunset

sunset

Sleeping the beach

Wenchi

Figure at sunset

Monstra I

Sleeping nude at the beach

Period

Samo

I know Love

Mother and child

Nude at the easel

Bleu studio aa

Bleu

Deep blue

Garden Love

Flower girls

The Artist...

Still Life 

Afro Nude

Garden Kiss

The carpet

Swimming colors I

Swimming colors Il

Conversation

Model in the studio

The Frozen Pond

A Silvery Water Drop

The Blue Water Bubbles

The Spirit of The Sea

Becomes Water

The Time of Water

The Drops of Love

The Lake of The Mind

The Water Fins

When two people encounter each other, the past and the future become unimportant

Artists