Park Mira observes emotions, exploring where they originate and what factors contribute to their
formation. While acknowledging that emotions are largely personal and subjective, she is interested in how emotions can be construed and interpreted within the context of society. She primarily works with black materials to carve out images and narratives that emerge in the space between consciousness and the unconscious.
She stages uncomfortable and discordant situations at the boundary between reality and the imaginary, exploring narrative structures that unfold simultaneously within the frame. She seeks to connect spaces, stories, consciousness, the unconscious, the virtual, and the real, using mediums such as drawing, animation, instalation, and painting.
Park Mira has held solo exhibitions including 《Pairing》 (2023, SeMA STORAGE), 《Interlude》 (2022, Art Space Boan 2), 《Walk In The Dark" (2020, A-Lounge), and 《The Waves at Night》 (2019, Gyeonggi
Museum of Modern Art Project Galery). She has also participated in group exhibitions such as 《Between Shot》(2023, Galery In HQ), 《Kaleidoscope》 (2022, A-Lounge), 《Over and Above》 (2022, DooNamJae ArtCenter), 《Mappin Memory: The Bunker》(2022, SeMA Bunker), 《Guide Mark》 (2021, Galery In), 《What if》 (2021, A-Lounge). In 2023, Park Mira was honored with the “Chongkundang Yesuljisang” and recognized as a “SeMA Emerging Artists &Curators” Park Mira is currently participating in a residency program at the Suwon Art Studio after completing residencies at the Gyeonggi Creation Center in Residency Program and the Cheong-ju Art Studio.

Greg Haberny is an American artist and filmmaker based in New York. Haberny's artist residencies include The Fountainhead Residency and McColl Center for Art + Innovation. In 2016, Haberny held an exhibition called 'Py•r•o·glyph•s' at the Catinca Tabacaru Gallery in New York. His works for this exhibition were based on the process of burning his old artworks and creating new ones from the ashes.

Kyukun Kang depicts the narrative in the uncertainty of daily life, which consists of light and darkness. After completing a bachelor's degree in Western painting at Gachon University and a master's degree in Western painting at Sungkyunkwan University, he has continued to draw unpredictable scenarios on canvas. His work, which reflects ordinary daily life and characters, includes clear contrary between light and shadow. Through an anxious, dreamy, and melancholy atmosphere, the artist takes the audience into their inherent stories. As a beginning point for his paintings he uses people's unstable features exposed to an unpredictable future, thereby inspiring people's imagination of events that would occur after the scene. 

Philippe Parreno is a French Artist who rose to prominence in the 1990s, earning critical acclaim for his work that spans a diversity of media, including film, sculpture, drawing, and text. Parreno’s work redefined the exhibition experience by taking it as a medium, placing its construction at the heart of his process.
Parreno has exhibited extensively and has work in major institutions worldwide. His presentation at Cahiers d’Art inaugurates a year of major exhibitions and projects, including solo presentations at the Leeum Museum in Seoul, the Haus der Kunst in Munich, and an important project at the Fondation Beyeler in Basel.

 ByungHo Lee (b. 1976) received both his B.F.A and M.F.A in sculpture from Hongik University, Seoul. Solo exhibitions of his work have been organized at PIECE (Perigee Gallery, Seoul, 2023), Three Shades (SPACE SO, Seoul, 2020) and BLOW UP (Gallery Zandari, 2009). Additionally, Lee participated in several group exhibitions including The Chronicle of Lost Time (SNU Museum of Art, Seoul, 2021), Repetition and Difference: About Time (Busan Museum of Art, Busan, 2019), Aging World- Will you still love me tomorrow? (Seoul Museum of Art, 2019), and Medicine and Art: Imagining a Future for Life and Love (Mori Art Museum, Tokyo, 2009). Lee has received awards such as SeMA Young Artist from Seoul Museum of Art, Korea (Seoul, 2011), and the 29th Joong Ang Fine Arts Prize, Korea (Seoul, 2007) and has participated in art residencies at Gyeonggi Creation Center (Gyeonggi, 2013) and Nanji Art Studio of Seoul Museum of Art (Seoul, 2010). His works are housed in collections of esteemed institutions like the Seoul Museum Art, Busan Museum of Art and Suwon Museum of Art.

Hyunwoo Li(b.1990) captures everyday scenes and presents them with a familiar yet fresh perspective and flow. He translates moments from ordinary life-whether a landscape glimpsed while driving or a scene encountered while walking-into paintings, imbuing still surfaces with a sense of movement, density, and temporality. Through layers of countless brushstrokes and a rich palette, his works, grounded in careful study of specific subjects and artistic contemplation, offer viewers and a brief pause- a moment to catch their breath-amid the ever-changing rhythms of daily life.

Blake Daniels, born in 1990 in Cincinnati, Ohio, is an artist known for his unique blend of figurative and abstract art. Working between New York and Johannesburg, Daniels has a rich artistic heritage and developed his passion for art early on. With a Master of Fine Arts from the University of the Witwatersrand and a Bachelor of Fine Arts from the School of the Art Institute of Chicago, where he received the Edward L. Ryerson Fellowship, Daniels employs various techniques, including traditional oil painting and mixed media. His works explore themes of intimacy and human connection, portraying intricate interpersonal relationships set against mystical backdrops, creating an intimate, enchanting atmosphere for the audience.

It expresses the emotions of love and longing—too profound to be fully captured by language—through a fusion of visual and auditory art.

Darren Bader (b. 1978, Bridgeport, CT) studied filmmaking and art history at NYU (BFA, 2000). He lives and works in New York and in transit. Bader’s conceptual hobbyhorses include: word works, pairings, impossible sculpture, misattribution, object fetishism, and trash sculptures. His exhibitions are often collaborative in nature, exploring and questioning the interconnectedness of seemingly disparate objects through complex (re)arrangements, surprise juxtapositions, and absurd associations. Institutional solo exhibitions include fruits, vegetables; fruit and vegetable salad, Whitney Museum of American Art, New York, NY (2020); (@mined_oud), Madre, Naples, Italy (2017–18); Meaning and Difference, The Power Station, Dallas, TX (2017); chess: relatives, High Line Art, New York, NY (2017); light (and) regret, Kölnischer Kunstverein, Cologne, Germany (2015); Where Is a Bicycle’s Vagina (and Other Inquiries), or Around the Samovar, 1857, Oslo, Norway (2012); and Images, MoMA PS1, New York, NY (2012). Awarded the Calder Prize in 2013, Bader has taken part in numerous group exhibitions and biennials including Apparition, PHI Center, Montreal, Canada (2021); Mirage: Contemporary Art in Augmented Reality, UCCA Center for Contemporary Art, Beijing, China (2020); the 58th Venice Biennale, Venice, Italy (2019); Stories of Almost Everyone, Hammer Museum, Los Angeles, CA (2018); .com/.cn, K11 Art Foundation Pop-up Space, Hong Kong, China (2017); One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna, Austria (2016); 13éme Biennale de Lyon: La vie moderne, Lyon, France (2015); Under the Clouds: From Paranoia to the Digital Sublime, Serralves Museum of Contemporary Art, Porto, Portugal (2015); The Whitney Biennial, Whitney Museum of American Art, New York, NY (2014); Antigrazioso, Palais de Tokyo, Paris, France (2013); Empire State, Palazzo delle Esposizioni, Rome, Italy (2013); Greater New York, MoMA PS1, New York, NY (2010); and To Illustrate and Multiply: An Open Book, Museum of Contemporary Art, Los Angeles, CA  (2008).

Peter Ravn explores the existential conditions of being human in contemporary society. Through the loss of identity, control, and certainty, he exposes the latent tension that defines modern existence. His figures appear simultaneously as agents and as victims, inhabiting a liminal state between action and surrender. Rather than offering a linear narrative, Ravn constructs staged scenes and cinematic mise-en-scènes that invite the viewer’s interpretation. His visual language, informed by his background in graphic design and film, evokes theatrical moments of conflict and reflection—an aesthetic inquiry into the psychological and social dimensions of anxiety.

Jongheon Bae (b. 1969) discovers artistic values in ordinary things with deep thinking and lyrical sensibility, and expresses them through visual media. He creates his own works without restrictions on form and material. He majored in painting at Gachon University and its graduate school, and completed a doctorate in fine arts at Kyungpook National University. Jongheon Bae held a total of 17 solo exhibitions, including Gallery SoSo's 《Trying Nothing》. He also participated in several group exhibitions at home and abroad including Animamix Biennale(Shanghai), Busan Biennale(Busan), Changwon Sculpture Biennale(Changwon), Jeonnam International Ink Biennale(Mokpo), Daegu Photo Biennale(Daegu), the National Museum of Modern and Contemporary Art, Sungkok Museum of Art, Arko Art Museum, SFAC Galleries in San Francisco, ArtN space in Shanghai, and DUMBO Art Center in New York. He published a massive book, 『Bae JongHeon_JagUpZipSeo』(2015, Seoul: Monocle), which is a compilation of his artistic world, including artist's notes summarizing his artistic thoughts, work records, and catalogs. Bae Jongheon won the Goam Art Award in 2014, and his works are collected in the Arko Art Museum, Seoul Museum of Art, and Gyeonggi Art Museum. Following the Glenfiddich Artist-in-Residence in Scotland in 2021, he is working as an artist-in-residence at the Changdong Residency at the National Museum of Modern and Contemporary Art in 2023. In there he is expanding the scope of his work through inspiration from new spaces and life.

Bac Jungwon has drawn compositional paintings that express the invisible emotions and minds of humans through various scenes encountered in daily life. After receiving a bachelor's and master's degree in Fine Arts from Kookmin University, she painted unusual, dreamlike, and dramatic situations, but in her mid-30s, she began to paint natural objects and everyday landscapes. Her paintings reveal the fragile psychology and feelings of contemporary people, which are concealed beneath the solid shell of civilization. The artist portrays difficult-to-express psychological levels through a variety of painting mediums, including sketching, watercolor, and oil painting. It defines creation as the discovery of remarkable moments in the repetition of her previous everyday existence and the transformation of the meaning into a material known as painting and reconstructs a daily life from her own unique perspective.

Herbert Matter was a Swiss-born American photographer and graphic designer known for his innovative use of photomontage in posters. Matter also photographed the unique personalities of his friends Alexander Calder and Alberto Giacometti at work in their studios. Born on April 25, 1907 in Engelberg, Switzerland, he went on to study painting under Fernand Léger and Amédée Ozenfant in Paris, before working as an assistant to the famed architect Le Corbusier. During the early 1930s, Matter established his career in design with the posters he created for the Swiss National Tourist Office. Moving to New York in 1936, the artist worked as a freelance photographer for a number of magazines including Vogue, before being signed exclusively by Condé Nast. In the decades that followed, Matter took on many roles, including working as a design consultant for both the furniture company Knoll and the Solomon R. Guggenheim Museum. The artist died on May 8, 1984 in Southampton, NY. Today, his works are held in the collections of the Smithsonian American Art Museum in Washington, D.C., the J. Paul Getty Museum in Los Angeles, and the Victoria and Albert Museum in London, among others.

Matías Sánchez is a self taught artist currently living and working in Seville, Spain. Through his own exploration, the artist developed a signature style of vivid painterly surfaces as a backdrop against spirited characters and objects. His aesthetic and sometimes subject pays homage to Post-Impressionist artists such as Paul Gauguin. At times smoothly rendered, at times crudely abstract, the artist uses recurring images including sausages, bones, rats, people with menacing expressions, to form grotesque dreamscapes, exploding with energy.

Hanna Kim is interested in phenomena that are difficult to perceive superficially as we live our lives. She explores the distinctive features of painting in order to visualize the hidden, complex dimensions within intricate connections. The process of carving, cutting, and deconstructing the wood panel is an act of searching for what lies beyond the surface. The leftovers that emerge during this deconstruction are then reassembled to generate forms in the painting that go beyond mere representation.
The front and back of the deconstructed painting are placed in space, disrupting the previously uniform appearance of the space and revealing the unseen aspects of the area. This act of deconstruction and reconstruction serves as a way to discover new perspectives in the unexplored areas of the space. 

Instead of waiting for a moment of inspiration, Nature Haan has continued to work, focusing on the landscape and emotions surrounding him. Since majoring in Western Painting at Seoul National University, he has shown a variety of artworks that capture the artist's daily life in their respective fields in different ways. Beginning in 2016, “Receipt Work” is based on receipts, a common material of daily life, and the objective text is gradually erased, leaving just the image of the moment, which is presented to the audience as a daily record. The artist aspires to become an unostentatious artist in the future, who communicates with the audience through works that show his own self.

Seong Hee Huh(b.1984) expresses the aesthetics of Korea through the pictorial verification of our cultural heritage. Recently gaining much attention for her "Inkstone(Yeonjuk)" series, she presents paintings that capture the beauty of Joseon white porcelain. She uses cultural artifacts from various museums in Korea and abroad as her subjects, with her works held in collections such as IBK and Shinhan Card. Currently, she also serves as a senior researcher at the Seoul National University Art Conservation Research Center, combining her artistic practice with cultural heritage research.

The artist expresses what is difficult to put into words through drawings and writings. Her work is particularly inspired by the light of spring and summer, as well as books. Books, to her, are more than mere reading materials—they are both physical and intellectual mediums with a unique allure. Clear and tangible in hand, yet boundless in depth, books share a striking resemblance to paintings, a connection the artist continuously explores.
When faced with overwhelming moments or passing waves of solitude, she often finds solace in libraries and bookstores. In these spaces, where the energy of those who create books and those who seek them converges, the act of flipping through pages amidst unfamiliar crowds brings a quiet sense of comfort. Sometimes, without intention, she stumbles upon a sentence that feels as if it was meant just for her, experiencing a fleeting yet profound resonance. These moments are not grand revelations or life-altering epiphanies, but rather subtle, transient impressions—precisely because they are so brief and delicate, she seeks to hold onto them. Through light, color, and form, she translates these experiences into her art, inviting viewers to share in her quiet yet deeply felt reflections.

Wonkyo Choi explores the intersections where opposing or contrasting realms meet, overlap, or collide. Wonkyo’s work focuses on dissolving and reconstructing these boundaries, challenging the fixed notions of separation. Recently, the artist’s practice has turned toward the nature of images produced within digital environments. Also, the artist investigates their depth, expansiveness, weight, and spatial qualities—elements often overlooked in purely data-driven forms. By transforming these immaterial, digitally-generated images into physical and tactile presences, Wonkyo attempts to give form to the intangible, bridging the virtual and the real. the artist’s work not only questions the ontology of contemporary digital imagery but also proposes new ways of sensing and experiencing the image beyond the screen.


Crevice

What only the light can do

Door of Night

Take root

The Never-ending Night

Knock

Mars Cat

Cats and Rainbows

Cat With Zippers

Cat in the Box

Untitled

Untitled Cats

Cat in the box

Jump

 Fixed Moment 1

Covered Face

Smoking Person 1

밀려나는 노란색

Empty Seats, Standing Person

Fixed Moment 2

Person Forced Out 2

<Flame, Five Images> Series

Stalled Walk

 Walking on Stepping Stones

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