WAL, Wal Chirachaisakul (born in 1991) is an artist of oil paintings, printmaker, and a trailblazer in the art scene for a decade. Emerging from a family deeply passionate about the business of playthings, WAL found unwavering support and genuine enthusiasm for art within his family, which has been a constant pillar throughout his artistic journey. Starting his artistic exploration at College of Fine Arts , WAL later pursued advanced studies in the Department of Painting, specializing in printmaking, at Silpakorn University. During his academic pursuits, WA;L’s artistic prowess shone through, earning him prestigious awards, notably clinching the championship in Mezzotint art competitions both domestically and internationally, spanning Japan, Russia, Canada, and more.

KeunWook Ji develops his paintings with a focus on how images are formed and on the material conditions that structure the picture plane. Rooted in an interest in scientific thinking and structural systems, his work treats the making and accumulation of lines as a distinct formal language. In works using colored pencils as his primary medium, the fine traces left by the friction of pigment and the duration of repetitive gestures become visible. Even within the regular frameworks constructed with a ruler, unexpected variations emerge depending on the pressure and speed of the artist’s hand, leaving both calculated order and sensory marks on the surface. His paintings prioritize not the final image as a result, but the density and material sensibility that take shape through the process of making.

Hyewon Na is a painter born in Gwangju, South Korea. Her work explores conflicting yet coexisting emotional states, such as anxiety, violence, imperfection, sacrifice, love, and beauty. Through her art, she reflects on human vulnerability and the tension between finitude and eternity. Her work is a study of how to aesthetically represent these human contradictions. Much of her inspiration comes from history, society, religion, and more.
She earned her Diplom from the Hochschule für Bildende Künste Dresden (under Professor Martin Honert) in Germany, and has participated in numerous solo and group exhibitions in South Korea, Berlin, Dresden, Paris, and other cities. She currently resides and works in Berlin, Germany.

‘Munins’ or Munin Saiprasart (Born in 1988), stands as an acclaimed artist, writer, and illustrator with a reputation spanning over a decade. Her passion for comics ignited in childhood, kindling dreams of mastering the art of drawing. Life, however, took a detour as she pursued studies in the Faculty of Architecture at Khon Kaen University. Post-graduation, Munins redirected her path to pursue what she genuinely loved – cartoon drawing. Starting with grayscale graphic novels, she wove tales of diverse relationships, resonating with warmth, tenderness, and a touch of romance. 

Munins’s standout quality lies in her ability to breathe life into characters that communicate emotions and feelings so profoundly that readers are left feeling as if her creations exist in the tangible realm. This evokes a sense of attachment and connection, weaving an intricate bond between the audience and her characters. In addition to the captivating strokes that captivate the viewers, Munins is also a wordsmith extraordinaire, skillfully conveying both joy and sorrow simultaneously. This dual mastery has earned her a legion of book enthusiasts, propelling her to become a writer and illustrator with a Facebook following of over 600,000 avid fans. 
Embarking on a journey from the realms of comic writing, Munins made a foray into the fine arts scene in 2022 with the exhibition “B-Side” at Palette Art Space. Here, she showcased both digital works and NFTs. Following this, Munins continued to make waves with collective exhibitions like “Shall I Compare Thee to a Summer’s Day?” (2022) and “To the Moon and (Never) Back” (2023) at River City Bangkok. Her first solo exhibition “Blackout” (2024) that marked a significant turning point in Munins’s artistic career as she pushed her creative boundaries, crafting works that grew more daring and challenged her own artistic limits. Munins chose to narrate life stories and relationships in an unconventional, rare format, drawing directly from her own experiences. The predominant use of black, a color she once avoided for its stark clarity, added depth to her compositions. Additionally, Munins experimented with previously unexplored color palettes, coupled with a transformative shift in her creative process. Formerly centered on structured storytelling, her approach evolved into a form of liberated drawing, allowing emotions to guide lines and leading her into uncharted dimensions. Notably, many pieces in the exhibition emerged from Munins’s semi-conscious or blackout stages, aligning seamlessly with the very essence of the exhibition’ title. The Blackout exhibition has received an excellent response from viewers and collectors.


The artist's work invites us to pause from our busy lives and direct our attention to the whispers within our hearts. This is likely because her work, even though it is full of the small and ordinary things of life, evokes a dreamy and free-spirited feeling reminiscent of childhood memories filled with all sorts of imaginations. Furthermore, the clumsy and unadorned appearance, reminiscent of a child's, also captures attention. These rough but heartfelt feelings seem to make the entire work soft and warm. The screen is full of childlike freedom, unspoiled purity, and honesty. As if following the old saying that great skill is rather clumsy, the artist's work transcends the confines of skill and style and freely conveys the artist's heart as it is.(Min Byung-jik, Curator)

For nearly two decades, d'strict—an ArtTech Factory—has been producing outstanding convergent content by utilizing a wide range of digital media technologies. Their robust technical capabilities have shaped the company's impressive repertoire, which upholds the ethos, "perceiving the zeitgeist and fulfilling its demands constitute the essence of art and the spirit of the artist."
d'strict excels at designing user-centric experiences that are often customized to suit the specific spaces their projects occupy, which is achieved through a content creation process that integrates a variety of interfaces and displays.
Renowned for its capacity to craft intense visual experiences, d'strict is constantly seeking innovative ways to fundamentally stimulate and reshape the perceptions and thoughts of people in their everyday lives, with the ambition to enhance their quality of life.

Yerim Choi's paintings focus on the present. The 'moment' is one that has not been found or is easily neglected. The artist has the desire to capture and convey these moments to the public. She majored in the Department of Fine Arts at Seoul National University of Science and Technology, and she continues to capture and recall pleasant recollections. Warm moments pause the movement of busy individuals, and the artist uses this moment to communicate with the audience and transmit warmth. Warm moments give confidence to confront the next difficulty, allowing for the next stage of recovery in daily life. The artist believes that the world as seen through her eyes will be reinterpreted and conveyed with a new tenderness.  

He is an artist who moves between painting and installation, visually interpreting the remnants of the city and fragments of memory. Using materials such as acrylic, resin, and recycled elements, he explores layers and transformations of texture, creating works that evoke the process of urban walls being repeatedly painted over and peeled away.

Duck Yong Kim (b. 1961) is an artist who modernizes traditional Korean aesthetics by working with materials such as wood, mother-of-pearl, rubbings, and traditional Korean painting techniques like Dancheong. His work explores the philosophical relationship between nature and humanity. His recent solo exhibitions include Live – Light and Grain (Gallery Now, Seoul, 2024), Yearning – Permeate through the Grain (POSCO Art Museum, Seoul, 2023), Ocean Rhapsody (SOLUNA Fine Art Gallery, Hong Kong, 2023), Auspicious Dreams (Leehwaik Gallery, Seoul, 2023), and Between Borrowed and Original Landscape (Youngeun Museum of Contemporary Art, Gwangju, Gyeonggido, 2022). Since 1992, Kim has held over 25 solo exhibitions and participated in numerous group shows. His works are part of the collections of the Kyunggi Province Art Museum, the National Museum of Contemporary Art, the Korea National Maritime Museum, the Pak Kyongni Toji Cultural Center, the Park Soo-keun Museum, the Seoul Museum of Art, the Korean Embassy in Switzerland, the Abu Dhabi Tourism and culture Authority, and POSCO. Kim graduated with a degree in painting from Seoul National University and holds a master’s degree in Oriental Painting from the same institution.

Art Jeeno or Piyaphach Jeeno (Born in 1987) stands as a revered artist whose influence resonates deeply within the manga community. Following the completion of his undergraduate studies at the Faculty of Fine Arts, Chiang Mai University, he immersed himself entirely in the art of manga. His mastery of intricate line work and distinctive coloring techniques has set him apart, earning him prestigious accolades at the 7th, 8th, and 14th Japan International Manga Awards. These achievements have not only propelled him to prominence but have also unveiled his remarkable talents to a captivated Japanese audience. Furthermore, his manga series, Juice #1, Juice #2, and Juice 3, have been published and distributed in France, affirming his global impact and artistic legacy. 

Art Jeeno’s journey in the art scene began in 2013 with “Now” (2013), a solo exhibition held in Chiang Mai, followed by “Now2” (2017) at Gallery 36 in Bangkok. He has also had the opportunity to exhibit in group exhibitions such as “When Snowflakes Fall” (2022) and “To the moon and (never) back” (2023) at River City Bangkok, which showcased Art Jeeno’s ability to convey the delicate and ephemeral thoughts an emotions of humans through facial expressions and actions, which have become his distinctive artistic signature. His exhibition “A Cold Day in July” (2024) at River City Bangkok marked his first solo show in seven years, representing a pivotal moment in his artistic journey. This exhibition stands as a significant milestone for Art Jeeno, highlighting his growth and unique contribution to the art world and also received a warm welcome from the media and collectors, and all paintings were sold out.


Mahdi Abdullah is one of Indonesia’s most significant painters. He graduated from Faculty of Architecture in Banda Aceh (1988) before earning his master degree at Indonesian Art Institute Yogyakarta in 2012. His works use realism to depict his anxieties about the social reality that he has witnessed while focusing on the life of common people from his hometown. At first, the images might look calm and peaceful but there’s dualism existing in each work.
“It is an introspection, an inventory of his thoughts and feelings that he found inside. Sometimes they’re dreamy, poetic, sometimes mirroring fears and terror, leaving the plane of realism and opening almost surrealist dimensions,”-quoted from art writer Anton Larenz about Mahdi’s realist approach.
He has several exhibitions locally and internationally, with his works present in various collections from museums, galleries and private collectors abroad.


Park Cheol-ho was born in Jeongeup in 1975. All of his creative stories are connected to form a worldview. Each story captures a moment in the personal history of human culture where complex emotions intersect. He determines the achievement of his work by the length of time the audience stays in front of his work. He does not unilaterally convey the artist’s story but seeks a communication method. The most important thing for the author is humor. Self-taught artist Park covers various media, including fiction, playwriting, painting, photography, video, film, sculpture, installation, and performance.

Xooang Choi(b. 1975) has been creating works that unfold various phenomena arising in the relationship between individuals and society through realistic depictions of the human body. His works possess the power to evoke tactile sensations that resonate thoroughly with viewers’ hearts, prompting them to reflect on the world they live in and the situations they find themselves in. In the recent works, Choi examines the process of actively embracing various intermediate parameters within the artwork, moving away from a subjective position of making sculptural decisions to expand concepts and forms encompassing regions, histories, places, and memories.

He has held solo and group exhibitions at prestigious galleries and museums both domestically and internationally, including the National Museum of Modern and Contemporary Art, Korea; Sungkok Art Museum; Gwangju Biennale; Changwon Sculpture Biennale; Yeosu International Art Festival; Doosan Gallery Seoul and New York; Hakgojae Gallery; Gallery SP; Space So; Yoon Seon Gallery; Musee d'Ansembroug (Belgium); Art Seasons gallery (Singapore); National Centre for Contemporary Arts (Moscow, Russia); Vestfossen Museum (Norway); Brandts Museum (Denmark); Jewish Museum (Berlin, Germany); Galerie Albert Benamou (Paris, France); Musée de la Halle St Pierre (Paris, France); Fine Art Gallery of Luxun National Institute (Shen Yang, China), among others.

n the paintings of Son Jung-gi (b. 1991), nature unfolds as a space of overwhelming scale. A single small figure within the vast landscape reveals how minute human existence can be, and yet how profoundly one is able to contemplate within such quietude. In his works, the viewer encounters an expansion of the inner self through the stillness that nature affords.

Nick Mauss develops a multidisciplinary practice at the interstices in between established histories of the arts. In his works, he uses drawing to navigate between medium and spaces, overcoming categorizations, where the line expands different formats such as reverse glass painting, ceramic, textile, paper, sculpture, performance, and writing.
His work probes into contemporary art productions, through exhibitions that he conceives, using the medium as integral part of his practice. Nick Mauss sheds light on forgotten historical archives connecting different histories and artistic genres. Thus, he offers a new genealogy to the works and reassesses the artist’s positioning and modes of representation.

Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making.

Born in Ukraine in 1993, Katia Lifshin lives and works in Tel Aviv, Israel. She studied art at Pima College in Tucson, Arizona, before continuing her practice independently, gradually shaping a distinctive visual language.

Mitsuyo Okada is a Japanese-born, Brooklyn-based painter whose atmospheric works capture the emotional essence of nature through soft, lyrical depictions of light, plants, and seasonal memories.

Mr. OGAY is a street artist from Taiwan, and is a self-proclaimed angry youth filled with love. He has been invited to Japan, China, New York, and more, for graffiti projects. His graffiti art motif mostly features a naked man who is under-dressed. Since stepping into the world of graffiti in 2000, his work has saturated walls all over Taiwan, and he consequently sets the record as the most frequently reported artist in Taiwanese history.


Everything Seems Slower

I'm With You

Flow Flow Flow

Aquacity

Boost Up

Dream Percipitation

How Fragile We Are

Joy Joy

Listen To Your Mentors

Speak For Us

The Capital

The Immigrant

Frequency C3 – 004

Inter-wave 019

Frequency C3 – 008

Inter-wave 018

Inter-wave 017

Inter-wave 026

Inter-wave 025

Sleeping Baby

The head-6

The head-7

The head-11

The head-13

The head-16

museum study series-The Hug 1

Museum Study-Torso

Museum Study- Torso

Collection inside the museum hall

Museum Collection

Gerberas and roses in a vase

The head-1

Film of an unknown

Winter Cowboy

Oh Baby!

Still Life on the Table-Goldfish

Still Life on the Table-Rosy Rose

Still Life on the Table-Cherry Cake

Still Life on the Table-Candle Candle Candle

Bottle Cap Ashtray

Ashtray

The Torso of St. Sebastian

museum study series-The Hug 2

Disconnect

Healing forest

Snowflower

Volcanic cone

Flow

Let's go back to the green 2

Recollection no.2

Recollection no.3

Recollection no.4

Let's go back to the green 1

A seedless watermelon, thornless cactus

Peach

Wild flower

Recollection no.1

Unfinished Scaffolding 25-00-154

Urban Palimpsest 25-08-105

Urban Palimpsest 25-08-107

Singularity Reborn 25-07-121

Urban Palimpsest 25-08-113

Urban Palimpsest 25-08-151

Urban Palimpsest 25-08-152

Urban Palimpsest 25-08-153

Urban Palimpsest 25-08-114

Urban Palimpsest 25-08-117

Urban Palimpsest 25-08-118

Urban Palimpsest 25-08-119

Urban Palimpsest 25-08-157

MAYFLY 25-01-116

Singularity Reborn 25-07-111

Singularity Reborn 25-07-122

Singularity Reborn 25-07-123

Singularity Reborn 25-07-124

Singularity Reborn 25-07-125

Singularity Reborn 25-07-126

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Singularity Reborn 25-07-129

Singularity Reborn 25-07-130

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Singularity Reborn 25-07-158

Urban Palimpsest 25-08-11

Unfinished Scaffolding 25-00-155

Unfinished Scaffolding 25-00-156

Rosso Protocol

Giallo Ignition

Auspicious Scenery

Borrowed Scenery-Gwanhaeeum

Bubbles

Crossing a Hole

Intermediate

Revision

Drowning

Breath

Molecular Attraction

Mossy

Drift

Mitosis

Melting

Cloud Nine

Dive Right In

Pink Hole

Stranded

Puncture

Go Along

Velvet

Floating on the Line

Mimic

Soliloquize

Theard

Gazirah dan Laku Waktu

Persiapan Gerilya (After S. Soedjojono)

l WARDSTOCK FESTIVAL, 2010

MC DONALD HOME SERVICE, 2014

MOUSE HUNTING, 2010

PRESENT, 2010

NO!!HERO, 2009

PICASSO’S POSITION IN THE HISTORY OF 20TH CENTURY PAINTING, 2009

RELIEFVUITTON, 2009

START OF ART, 2010

TASTE OF THE BEGINNING, 2010

THE END, 2014

TOM & HUMAN, 2014

WAITING PEOPLE, 2010

WITH THOMAS, 2014

HI! DONALD, 2014

HEART OF BANKSY, 2010

FAST, FREE MOON DELIVERY, 2010

DIRECTOR, 2009

CLOCK, 2010

CHANUN, 2009

HUNTING, 2010

IS HE KNOW NAMJUNE PAIK, 2009

A GRENADE-THROWER, 2010

A HELLO TO ARMS, 2009

A MASTEROIECE OF PICASSO, 2014

JUST DO EAT, 2014

IMPRESSIVE INFLUENCE URINATE OF DUCHAMP, 2014

IS HE KNOW NAMJUN PAIK, 2009

BATTLES, 2010

BETWEEN 83PAGE, 2010

Assemblage H1

Fragment 23

Assemblage C3

Assemblage C5

To the Distant Wood

Walking Alone

Beyond Uncertainty

The Way of Silence

Toward Silence

A Forest that Asks Nothing

Winter Forest

A Journey Into Uncertainty

Through the Forest

Paths

Calder by Matter

Calder in France, Revue N°1

Flower Diver

Soft Spot

Spinner

Portal

Discovery

Exhibitions

3D On View

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