$18,480
This work stages a suspended performance within an architectural space that is neither palace nor temple, but something between: a red cathedral of memory. At its center, white-bodied Changgeuk and Pansori performers gather in reflection and resonance, their presence glowing against a deep field of crimson. They do not entertain. They preserve. The Played So The Past Would Stay is both image and ritual. As an homage to Korea’s intangible cultural heritage, particularly the oral and musical traditions safeguarded by the artist’s grandfather, whose legacy as a cultural activist echoes here as a silent conductor, the figures do not play to entertain, but to preserve. The gathered crowd is rendered in spectral ink, barely visible, as if memory were watching itself unfold. Each figure is a note. Each breath, an interval. Time pools around the performers like water learning to listen. The drips are not accidents, they’re devotional marks. The sound cannot be recorded. Only held. Genesis Kai treats performance not as spectacle, but as cosmological practice. This is Pothosophy in another key: desire not only as longing, but as resonance where ache is organized through rhythm, voice, tempo. In this space, sound becomes structure. The body becomes a vessel for transmission. This work does not ask you to watch. It asks you to stay long enough to echo.
작품 정보+
- 재료
- Digital art, drawing, AI, Hanji paper
- 크기
- 130 cm x 100 cm x 1 cm
- 제작년도
- 2026
- 작가 서명
- Authenticated signature chop
- 에디션
- 1/1 + 1 AP
- 보증서
- 갤러리가 발행하는 진품 보증서 포함
배송 및 관세+
- 갤러리 위치에서 발송됩니다 (작품별로 설정되며, 기본값은 갤러리 주소입니다)
- 배송비는 도착지에 따라 결제 시 계산됩니다
- 운송 중 전체 보험을 선택할 수 있습니다
- 보통 영업일 기준 10일 이내에 미술품 전용 포장으로 발송됩니다
- 일부 작품은 직접 픽업이 가능합니다 (배송비 없음)
- 표시 가격에는 판매자 국가 또는 작품 발송지에 적용되는 부가가치세가 포함될 수 있습니다
- 구매자 국가에서 발생하는 관세, 수입 부가가치세/GST, 통관 수수료 및 기타 세금은 가격에 포함되어 있지 않으며 구매자가 부담합니다
- 이는 도착지 세관 당국이 산정하며 운송업체가 별도로 청구합니다
- 관할 지역에 따라 결제 시 판매세가 추가될 수 있습니다
Genesis Kai is the AI-infused alter ego of Korean-Hong Kong new media artist Ming Shiu. Through her conceptual framework “Pothosophy,” she redefines desire not as lack but as a structuring tension that shapes reality. Working across AI-driven collaboration, video installation, and hanji prints, she reinterprets East Asian heritage and diasporic memory through a contemporary philosophical lens. Since her debut at Asia Now (2022) in France, her works have been exhibited internationally across Paris, London, Dubai, Hong Kong, and Seoul.
작가 상세정보 보기 →
Located in the heart of Le Marais in Paris, ArtVerse is a contemporary digital art gallery founded by Sébastien Borget and Arthur Madrid (The Sandbox), a first-generation digital and crypto art curator. Under the concept of “URL to IRL,” ArtVerse brings digital creations into the physical world, exploring the evolving relationship between virtual works and real-life presence. As the boundaries between the material and immaterial continue to blur, ArtVerse champions a new wave of artists who blend traditional techniques with digital innovation. The gallery elevates both emerging and established digital artists, positioning them within the broader discourse of contemporary art. With a thoughtful and forward-looking curatorial approach, ArtVerse serves as a vital platform to understand how image, memory, and artistic expression are being reshaped in the post-digital age.
갤러리 상세정보 보기 →$18,480
This work stages a suspended performance within an architectural space that is neither palace nor temple, but something between: a red cathedral of memory. At its center, white-bodied Changgeuk and Pansori performers gather in reflection and resonance, their presence glowing against a deep field of crimson. They do not entertain. They preserve. The Played So The Past Would Stay is both image and ritual. As an homage to Korea’s intangible cultural heritage, particularly the oral and musical traditions safeguarded by the artist’s grandfather, whose legacy as a cultural activist echoes here as a silent conductor, the figures do not play to entertain, but to preserve. The gathered crowd is rendered in spectral ink, barely visible, as if memory were watching itself unfold. Each figure is a note. Each breath, an interval. Time pools around the performers like water learning to listen. The drips are not accidents, they’re devotional marks. The sound cannot be recorded. Only held. Genesis Kai treats performance not as spectacle, but as cosmological practice. This is Pothosophy in another key: desire not only as longing, but as resonance where ache is organized through rhythm, voice, tempo. In this space, sound becomes structure. The body becomes a vessel for transmission. This work does not ask you to watch. It asks you to stay long enough to echo.
작품 정보+
- 재료
- Digital art, drawing, AI, Hanji paper
- 크기
- 130 cm x 100 cm x 1 cm
- 제작년도
- 2026
- 작가 서명
- Authenticated signature chop
- 에디션
- 1/1 + 1 AP
- 보증서
- 갤러리가 발행하는 진품 보증서 포함
배송 및 관세+
- 갤러리 위치에서 발송됩니다 (작품별로 설정되며, 기본값은 갤러리 주소입니다)
- 배송비는 도착지에 따라 결제 시 계산됩니다
- 운송 중 전체 보험을 선택할 수 있습니다
- 보통 영업일 기준 10일 이내에 미술품 전용 포장으로 발송됩니다
- 일부 작품은 직접 픽업이 가능합니다 (배송비 없음)
- 표시 가격에는 판매자 국가 또는 작품 발송지에 적용되는 부가가치세가 포함될 수 있습니다
- 구매자 국가에서 발생하는 관세, 수입 부가가치세/GST, 통관 수수료 및 기타 세금은 가격에 포함되어 있지 않으며 구매자가 부담합니다
- 이는 도착지 세관 당국이 산정하며 운송업체가 별도로 청구합니다
- 관할 지역에 따라 결제 시 판매세가 추가될 수 있습니다
$18,480