THEO

Blue Moon Jar XX VI

FLOW Blue IV-3

Caputured Landscape Blue-I

Caputured Landscape Blue-II

Caputured Landscape Blue-III

Soil, Truth, Beauty, New Spring Project, Seoul, South Korea


ETERNAL RHYTHM OF BLUE. 776 Space, New York, USA


BEYOND THE BLUE, Gallery Jo Yana, Aix-en-Provence, France


Things That Hold: Layer by Layer, THEO, Seoul, Korea

Water, Wave, Ripples, Galerie Handwerk, Munich, Germany


Conversation, New Spring Project, Seoul, South Korea

COBALT, Gyeonggi World Ceramic Biennale Gyeonggi Ceramic Museum Special Exhibition

Hand and Land, Make Hauser and Wirth, Somerset, UK


British Ceramic Bienale, China Hall, Stoke-on-Trent, UK


Now, Korea Ceramic Foundation, Yeoju, South Korea


<Special Selection>, Cheongju International Craft Biennale, Cheongju, South Korea


<Talente>, Handwerk & Design, Munich, Germany


<Fresh>, British Ceramic Biennale, Stoke-on-Trent, UK

Hojung Kim (b.1988), on the other hand, explores the painterly and abstract potential of ceramic—a traditional craft medium—treating its curved surfaces like canvases. Through the alchemical interplay of fire, pigment, time, and touch, her works evoke what might be called a tactile vision. At the core of her practice lies the color blue—a hue symbolic of both the sea and sky, transcendence and stillness. Her moon jars and bulbous vessels carry within them the emotional depth and layered memories of time, made visible through repetition and sensitivity of touch.